René Laloux
Nascimento : 1929-07-13, Paris, France
Morte : 2004-03-14
História
René Laloux was born in Paris in 1929 and went to art school to study painting. After some time working in advertising, he got a job in a psychiatric institution where he began experimenting in animation with the interns. It is at the psychiatric institution that he made 1960's Monkey's Teeth (Les Dents du Singe), in collaboration with Paul Grimault's studio, and using a script written by the Cour Cheverny's interns. Another important collaborator of his was Roland Topor with whom Laloux made Dead Time (Les Temps Morts, 1964), The Snails (Les Escargots, 1965) and his most famous work, the feature length Fantastic Planet (La Planète Sauvage, 1973). Laloux also worked with Jean Giraud (Mœbius) to create the lesser known film Les Maîtres du temps (Time Masters), released in 1982. Laloux's 1988 film, Gandahar, was released in the US as Light Years, and made in cooperation with the artist Caza. The US version was redubbed by Harvey Weinstein, from a screenplay adapted by Isaac Asimov. The US version was not as successful as the French version, grossing less than $400,000 on its release. Laloux died of a heart attack on March 14, 2004 in Angoulême, Charente, Poitou-Charentes, France.
Himself
A short documentary about the life of director and artist René Laloux, featuring an interview with Laloux from 2001.
Author
There is a world with two towns that are big enemies: Pyross and Hydross.
Idea
There is a world with two towns that are big enemies: Pyross and Hydross.
Original Film Writer
Writer
Adaptation
Art Direction
A César award winning animation where the steps of a staircase change shape and size as someone tries to use them.
Screenplay
Two kids travel to a city where silence is kept sacred.
Art Direction
Two kids travel to a city where silence is kept sacred.
Writer
Two kids travel to a city where silence is kept sacred.
Director
Two kids travel to a city where silence is kept sacred.
Screenplay
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
Writer
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
Director
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
Writer
Wang Fo, the greatest master of medieval China, aided by his assistant who has given up everything to follow him, desperately seeks aesthetic perfection. A day comes when he thinks he has achieved it. But his genius arouses both the curiosity and the jealousy of the Emperor. Wang Fo will be able to escape the Emperor's vindictiveness only by going to the limit of his talents.
Screenplay
Wang Fo, the greatest master of medieval China, aided by his assistant who has given up everything to follow him, desperately seeks aesthetic perfection. A day comes when he thinks he has achieved it. But his genius arouses both the curiosity and the jealousy of the Emperor. Wang Fo will be able to escape the Emperor's vindictiveness only by going to the limit of his talents.
Adaptation
Wang Fo, the greatest master of medieval China, aided by his assistant who has given up everything to follow him, desperately seeks aesthetic perfection. A day comes when he thinks he has achieved it. But his genius arouses both the curiosity and the jealousy of the Emperor. Wang Fo will be able to escape the Emperor's vindictiveness only by going to the limit of his talents.
Director
Wang Fo, the greatest master of medieval China, aided by his assistant who has given up everything to follow him, desperately seeks aesthetic perfection. A day comes when he thinks he has achieved it. But his genius arouses both the curiosity and the jealousy of the Emperor. Wang Fo will be able to escape the Emperor's vindictiveness only by going to the limit of his talents.
Writer
Screenplay
Director
Screenplay
On planet Perdide, an attack of giant hornets leaves Piel – a young boy – alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. On board Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad who knows the planet Perdide well. Thus begins an incredible race across space to save Piel.
Writer
On planet Perdide, an attack of giant hornets leaves Piel – a young boy – alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. On board Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad who knows the planet Perdide well. Thus begins an incredible race across space to save Piel.
Director
On planet Perdide, an attack of giant hornets leaves Piel – a young boy – alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. On board Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad who knows the planet Perdide well. Thus begins an incredible race across space to save Piel.
Writer
Screenplay
Director
Writer
Screenplay
Director
Screenplay
No planeta Ygam vivem humanóides chamados de Oms, que são escravos (ou animais de estimação) dos Draggs, uma raça de gigantes com mais de dez metros de altura, olhos vermelhos e pele azul. O planeta é um lugar indefinido onde os homens parecem insetos aos olhos dos Draggs.
Dialogue
No planeta Ygam vivem humanóides chamados de Oms, que são escravos (ou animais de estimação) dos Draggs, uma raça de gigantes com mais de dez metros de altura, olhos vermelhos e pele azul. O planeta é um lugar indefinido onde os homens parecem insetos aos olhos dos Draggs.
Adaptation
No planeta Ygam vivem humanóides chamados de Oms, que são escravos (ou animais de estimação) dos Draggs, uma raça de gigantes com mais de dez metros de altura, olhos vermelhos e pele azul. O planeta é um lugar indefinido onde os homens parecem insetos aos olhos dos Draggs.
Director
No planeta Ygam vivem humanóides chamados de Oms, que são escravos (ou animais de estimação) dos Draggs, uma raça de gigantes com mais de dez metros de altura, olhos vermelhos e pele azul. O planeta é um lugar indefinido onde os homens parecem insetos aos olhos dos Draggs.
Story
Writer
Lyricist
Animation
In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.
Screenplay
In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.
Writer
In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.
Director
In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.
Un tanneur
Once upon a time there lived in the same village two men bearing the very same name. One of them chanced to possess four horses, the other had only one horse, so, by way of distinguishing them from each other, the proprietor of four horses was called "Great Claus," and he who owned but one horse was known as "Little Claus"...
Writer
What is man? Man makes war, man kills man, man hunts, man is executed. A montage mixing original drawings by Topor, original shots and stock shots that ironically analyze what man is.
Screenplay
What is man? Man makes war, man kills man, man hunts, man is executed. A montage mixing original drawings by Topor, original shots and stock shots that ironically analyze what man is.
Director
What is man? Man makes war, man kills man, man hunts, man is executed. A montage mixing original drawings by Topor, original shots and stock shots that ironically analyze what man is.
Writer
A slow and ugly fairy tale based on the drawings of inmates at a psychiatric clinic where LaLoux worked.
Screenplay
A slow and ugly fairy tale based on the drawings of inmates at a psychiatric clinic where LaLoux worked.
Director
A slow and ugly fairy tale based on the drawings of inmates at a psychiatric clinic where LaLoux worked.
Writer
Organic forms are beating and resorbing, reflections dance to the rhythm of Henk BADINGS 'music, circles of light flash like disturbing eyes, perpetual metamorphoses evoke a great living and throbbing organism.
Screenplay
Organic forms are beating and resorbing, reflections dance to the rhythm of Henk BADINGS 'music, circles of light flash like disturbing eyes, perpetual metamorphoses evoke a great living and throbbing organism.
Director
Organic forms are beating and resorbing, reflections dance to the rhythm of Henk BADINGS 'music, circles of light flash like disturbing eyes, perpetual metamorphoses evoke a great living and throbbing organism.
Screenplay
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
Writer
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
Director
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
