Wesley Walker

Filmes

Inimigos Públicos
Jim Leslie
John Dillinger (Johnny Depp) era um criminoso audacioso e violento, mas que atraía a opinião pública ao seu favor, principalmente, porque dizia retirar das instituições financeiras o dinheiro que elas roubavam do cidadão. Seus assaltos a bancos e fugas rápidas enlouqueciam a polícia que não tinha condições de enfrentá-lo. Assim, prender o assaltante tornou-se uma obsessão do então burocrata J. Edgar Hoover (Billy Crudup), que disposto a tudo para fortalecer o famoso F.B.I., coloca Dillinger como o inimigo público número um. Para ajudar em sua missão, Hoover contrata o policial Melvin Purvis (Christian Bale) e o deixa igualmente obcecado pela captura do bandido, que se apaixona por Billie Frechetti (Marion Cotillard) e acaba complicando a sua vida.
Witches' Night
Rick
Halloween weekend. A jilted groom. A hastily-organized canoe trip. A pristine river. A deep, dark forest. The strange old woman behind the bait shop should've been a warning, but too much beer dulls the senses. When they stumble upon four beautiful women deep in the woods, it all seems too good to be true. And slowly they realize they'll be lucky to escape alive.
Dustclouds
Getz
"Dustclouds" is an epic fever-dream, chronicling a long night's journey into day. As his wedding carriage rides beneath a starlit night, Getz vows to enjoy the fruits of his labor. Having worked his whole life, he has finally married. Yet as he lies in his bride's embrace, Getz already starts to question his happiness. Deep within, he yearns for "the perfect," which puts strain on his marriage. As the night progresses, inner turmoil unravels the fabric of Getz's being. Years begin to pass like seconds. Time, identity and purpose become unstuck. And a great sadness is borne into his life. Getz longs for answers, but is terrified by what he could lose in his search for truth? What follows is a quest deep into his heart of darkness.
Street Thief
Larry Evans
Kaspar Carr is a professional burglar who lives and works in Chicago. Carr loves his job and is good at it, and two documentary filmmakers are granted access to his private world when he agrees to let them make a film about him.