Jim Leslie
Сюжет фильма повествует о легендарном грабителе банков Джоне Диллинджере. Дерзкие нападения сделали его выдающимся героем для всех угнетенных и главной мишенью для лучшего агента ФБР Мелвиса Первиса и его молодого напарника Джея Эдгара Гувера. Никто не мог остановить банду Диллинджера. Ни одна тюрьма не могла его удержать. Обаяние и отчаянные побеги прославляли преступника в обществе, считавшем банки главной причиной Великой депрессии. В то время, как приключения лихой банды, к которой примкнули Малявка Нельсон и Элвин Карпис, вдохновляли обозленных граждан, Гувер решил воспользоваться случаем и превратить Бюро расследований в главную правоохранительную организацию страны, ФБР. Он сделал Диллинджера самым опасным врагом Америки, а спасителем нарек Первиса, гордость Федерального бюро.
Rick
Halloween weekend. A jilted groom. A hastily-organized canoe trip. A pristine river. A deep, dark forest. The strange old woman behind the bait shop should've been a warning, but too much beer dulls the senses. When they stumble upon four beautiful women deep in the woods, it all seems too good to be true. And slowly they realize they'll be lucky to escape alive.
Getz
"Dustclouds" is an epic fever-dream, chronicling a long night's journey into day. As his wedding carriage rides beneath a starlit night, Getz vows to enjoy the fruits of his labor. Having worked his whole life, he has finally married. Yet as he lies in his bride's embrace, Getz already starts to question his happiness. Deep within, he yearns for "the perfect," which puts strain on his marriage. As the night progresses, inner turmoil unravels the fabric of Getz's being. Years begin to pass like seconds. Time, identity and purpose become unstuck. And a great sadness is borne into his life. Getz longs for answers, but is terrified by what he could lose in his search for truth? What follows is a quest deep into his heart of darkness.
Larry Evans
Kaspar Carr is a professional burglar who lives and works in Chicago. Carr loves his job and is good at it, and two documentary filmmakers are granted access to his private world when he agrees to let them make a film about him.
