Shinji Imaoka

Ryuhei, a long-haul truck driver, picks up a homeless woman on the road.

Junko runs a Thai restaurant left by her late husband. Yuuji is a furniture maker who has recently divorced. One day, Junko buys a handmade table via mail order from Yuuji. The table is all perfect except the doll, which was sent as a bonus, is missing its head. Learning that, Yuuji insists to send back the missing head parts to Junko. Eventually, the two can sense a connection between them as they start interacting with each other through email. Will romance blossom once again between the two people who're halfway through their lives?

Junko runs a Thai restaurant left by her late husband. Yuuji is a furniture maker who has recently divorced. One day, Junko buys a handmade table via mail order from Yuuji. The table is all perfect except the doll, which was sent as a bonus, is missing its head. Learning that, Yuuji insists to send back the missing head parts to Junko. Eventually, the two can sense a connection between them as they start interacting with each other through email. Will romance blossom once again between the two people who're halfway through their lives?

A marriage is weaker without something in common. Sayoko (SHINDO Manami) is a seemingly carefree woman but she hides doubts about her marriage behind her cheerful demeanour. After five years of being in Tokyo, it is apparent that she has little in common with her husband and so she begins scoping out apartments which is how she meets Yohei (YOSHIMURA Kaito), a real estate agent who is nursing a broken heart. As they tour properties, Sayoko's girlish charms work their magic on the downhearted man and she convinces him to look for the wife who abandoned him but their journey brings the two closer.

In front of a man who wants to be a movie director, Shingo, the ghost of Mr. Kawashita, who was a senior in the college film research department who committed suicide a year ago, suddenly appears on his death anniversary. Mr. Kawashita says that he was revived because he wanted to have sex with his junior, Aoi, who had a crush on him when he was in college. In order to fulfill his desire to work with Aoi-chan, Kawashita-san and Shingo will travel back in time on that day when he was in college, which was probably the only chance for Kawashita-san to work with Aoi-chan. There was a nostalgic college Aoi-chan there. Can Mr. Kawashita redo the past and do it with Aoi-chan? It's funny, but a little sad time slip love story begins.

In front of a man who wants to be a movie director, Shingo, the ghost of Mr. Kawashita, who was a senior in the college film research department who committed suicide a year ago, suddenly appears on his death anniversary. Mr. Kawashita says that he was revived because he wanted to have sex with his junior, Aoi, who had a crush on him when he was in college. In order to fulfill his desire to work with Aoi-chan, Kawashita-san and Shingo will travel back in time on that day when he was in college, which was probably the only chance for Kawashita-san to work with Aoi-chan. There was a nostalgic college Aoi-chan there. Can Mr. Kawashita redo the past and do it with Aoi-chan? It's funny, but a little sad time slip love story begins.

the life of a husband and wife who lost their only daughter in the Great Hanshin Earthquake. Director Imaoka Shinji depicts among the streets of Kobe the restoration of the couple's relationship after the death of their daughter causes the deterioration of their relationship and subsequent divorce.

Fashion model Haruka is faints during the shoot due to food restrictions. On the way back, she hears the voice of the butcher Anharu with whom, she realises, she shares the gift of telepathy. Haruka is frightened but she gradually resolves the situation with Anharu. Haruka and Anharu, both of whom are married. eventually grow closer.

Fashion model Haruka is faints during the shoot due to food restrictions. On the way back, she hears the voice of the butcher Anharu with whom, she realises, she shares the gift of telepathy. Haruka is frightened but she gradually resolves the situation with Anharu. Haruka and Anharu, both of whom are married. eventually grow closer.

A man who's having an affair with one of his employees gets his penis cut off by the womans husband while she's watching. This case is big news and a man who claim to be a journalist begin to follow and talking to the wife, convinced that she's a completely innocent bystander.

Hostess Aki has drinks with men and gets allowance in return. She survives day by day until one day she hears from Saiki that there is someone looking for a fake marriage partner. Aki thinks about it, but in the end decides to do it and marries Jin-il when she is on the verge of being evicted. They become a married couple but Jin-il's girlfriend visits from Korea and they have sex every night...

Hostess Aki has drinks with men and gets allowance in return. She survives day by day until one day she hears from Saiki that there is someone looking for a fake marriage partner. Aki thinks about it, but in the end decides to do it and marries Jin-il when she is on the verge of being evicted. They become a married couple but Jin-il's girlfriend visits from Korea and they have sex every night...

Ryutaro Ninomiya, 27 anos, vive uma vida bastante simples. Um dia, ele recebe um telefonema de Yusuke, seu amigo de infância cuja mãe, Ryuko, está morrendo de hepatite C. Apesar de saber por algum tempo que Ryuko estava doente, Ryutaro não a visitou, mas hoje ele decide ir.

Kurinosuke Furui (Ryu Morioka) grew up at an orphanage. He now works as a private detective. One day, he receives a request. The request is to collect money which was stolen by a woman who killed herself. During Kurinosuke Furui's investigation he uncovers a shocking truth.

Shinji Imaoka, the director of “Waiting for you,” starred Ayane Suzukawa, a popular sexy idol, and a unique sensual drama depicting the struggle of a woman whose husband was kidnapped by a giant Tsuchinoko. The couple, Ichiro and Sonoko, are attacked by a human-sized Tsuchinoko in the mountains, and only Ichiro is taken away. Sonoko rescued by Tsuchinoko Hunter Kurikoma descends alone, but Ichiro's colleague Segawa cannot believe Sonoko's story. Eventually Sonoko goes to find the giant Tsuchinoko's den again to meet Ichiro.

Nurse Misaki (Ruri Shinato) was looking forward to seeing the Korean drama "Brother's Woman" set in Japan. Misaki, who falls in love with the main character, Choi Min-ho, is not as good as her unemployed husband, Kotaro (Yota Kawase). One day, when I learned that "Brother's Woman" was being filmed in the neighborhood, I stopped by the park on the stage and saw the figures of men and women hugging. I left the place thinking that it was a scene I saw somewhere, and went home to play "Brother's Woman". Then the scene is the scene of the park. A figure that looks exactly like Misaki is reflected in the background of the screen. The next day, Misaki chases after discovering that the Korean who was introduced by Kotaro by chance was Cheson's older brother In Young (Min Do-Yoon) in the drama. Then there is a real Cheson ...

Mamoru Miyamoto is a book editor and his friend Masao Muraoka is a writer. Muraoka hasn't released a novel since "Aki no Riyuu." Masao has suffered from mental health issues and, because of this, his voice fails. The two men talk through written notes. It seems Mamoru believes in Masao’s talent as a writer and waits for him to write a new novel, but he also likes Masao's wife Misaki. One day, Miku, who has read Masao’s last novel “Aki no Riyuu” several times, appears in front of him. She tells him that she is so similar to the heroine of the novel and can understand his mind.

Romantic fantasy about the ruckus that ensues after a mother and daughter switch bodies. Director Imaoka Shinji wrote the script for The Drudgery Train and has worked on numerous erotic films. Housewife Suda Sawako (Takaki Mio) is dissatisfied with her husband Kenzo (Haruta Junichi). Meanwhile, her daughter Yasuko (Ishikawa Yumi) is going out with Kitamura Mitsuru (Nagaoka Tasuku), a struggling musician. When Sawako visits Yasuko's apartment one day, her built-up frustrations explode and she gets into a physical altercation with her daughter.

Romantic fantasy about the ruckus that ensues after a mother and daughter switch bodies. Director Imaoka Shinji wrote the script for The Drudgery Train and has worked on numerous erotic films. Housewife Suda Sawako (Takaki Mio) is dissatisfied with her husband Kenzo (Haruta Junichi). Meanwhile, her daughter Yasuko (Ishikawa Yumi) is going out with Kitamura Mitsuru (Nagaoka Tasuku), a struggling musician. When Sawako visits Yasuko's apartment one day, her built-up frustrations explode and she gets into a physical altercation with her daughter.

“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.

Shigeo is released from prison and immediately beaten up by some old associates, which results in him losing his memory. Kasumi, who just by chance happens to be the manager of a band, takes him in and discovers his talent for singing.

Nobuhiro Yamashita shoots the adaption of the City Lights manga by Hiroyuki Ohashi with three members of the Nogizaka46 idol pop band. The story is told on three levels: Documentary-style on-set where we see the film being made and the idols struggling with their roles, the resulting movie which revolves around three girls in a psychic research club discovering a classmate with super powers who turns out to be an alien and a stage adaptation of the film with the same characters.

A post-pandemic tale of a heroic webcam idol.

Imaoka Shinji, one of Japan's best-known adult film directors and The Drudgery Train scriptwriter, tells a couple's secret tale. One day, Koji (Kaneko Noboru)'s wife Kaori (Miyaji Mao) suddenly dies. He learns from the doctor that Kaori was three months pregnant, but Kenji knows it can't be him. Eventually, he discovers an unknown side of Kaori.

Imaoka Shinji, one of Japan's best-known adult film directors and The Drudgery Train scriptwriter, tells a couple's secret tale. One day, Koji (Kaneko Noboru)'s wife Kaori (Miyaji Mao) suddenly dies. He learns from the doctor that Kaori was three months pregnant, but Kenji knows it can't be him. Eventually, he discovers an unknown side of Kaori.

The lives and loves of several people all intersect in the Golden Gai, a labyrinth of alleys and bars located in central Tokyo.

Transfer student Mizuki is bullied mercilessly by her classmate. Nevertheless, she is always able to maintain her composure. Kirie, who is also bullied, becomes interested in Mizuki and longs for her. The two become close.

A vampire, Brado, becomes responsible for taking care of a girl, Setsuna, in exchange for his life saved by the evil that created her. The evil tells him that if she doesn't have sex for a hundred days, she'll become a full-fledged vampire, and Brado will be able to gain complete control of her. However, if he breaks the promise, both of them will die, so he reluctantly takes on the care of her. While he sleeps, Setsuna begins going to nearby town and gradually learns how precious human lives are through her observations. When she meets a young priest in a church, her affection to humans becomes stronger-- and trouble begins to brew when Brado realizes that she is falling for the priest.

A vampire, Brado, becomes responsible for taking care of a girl, Setsuna, in exchange for his life saved by the evil that created her. The evil tells him that if she doesn't have sex for a hundred days, she'll become a full-fledged vampire, and Brado will be able to gain complete control of her. However, if he breaks the promise, both of them will die, so he reluctantly takes on the care of her. While he sleeps, Setsuna begins going to nearby town and gradually learns how precious human lives are through her observations. When she meets a young priest in a church, her affection to humans becomes stronger-- and trouble begins to brew when Brado realizes that she is falling for the priest.

In this offbeat coming-of-age tale, a charming, rebellious high school dropout named Kanta befriends the kind, provincial Shoji. The two bring out the best in each other, each gaining confidence from their friendship - especially regarding pursuit of the opposite sex. The working class Kanta becomes a sort of unruly anti-hero, maintaining his pride, defiance, and self-assurance even as his prospects seem increasingly grim.

The second film from the second season of the much lauded Seishun H (Youth Sex) series, created by distinctively original filmmakers on the shared theme of adolescence and love. Director Imaoka Shinji is a recognized master in the world of Japanese "pink," or softcore porn cinema, and most of his works have gone from adult movie houses to general release. Sex shop worker Kayo (Tatsumi Yui) is irked by her boyfriend, who won't tolerate her affairs, and leaves home. She happens to meet forty-four-year-old virgin Hiro (Lovesingle Nakada), one of her shop's regular customers, and they venture off by car.

The second film from the second season of the much lauded Seishun H (Youth Sex) series, created by distinctively original filmmakers on the shared theme of adolescence and love. Director Imaoka Shinji is a recognized master in the world of Japanese "pink," or softcore porn cinema, and most of his works have gone from adult movie houses to general release. Sex shop worker Kayo (Tatsumi Yui) is irked by her boyfriend, who won't tolerate her affairs, and leaves home. She happens to meet forty-four-year-old virgin Hiro (Lovesingle Nakada), one of her shop's regular customers, and they venture off by car.

Neste “musical rosa,” Asuka caminha perto de um lago e vê um grande Kappa: um monstro mítico constituído por corpo de homem, casco de tartaruga e rosto de pássaro. Asuka leva o Kappa para casa e começa um estranho mas intenso caso com a criatura marinha.

Neste “musical rosa,” Asuka caminha perto de um lago e vê um grande Kappa: um monstro mítico constituído por corpo de homem, casco de tartaruga e rosto de pássaro. Asuka leva o Kappa para casa e começa um estranho mas intenso caso com a criatura marinha.

Shoko, a married woman, works in a hospital as a nurse. One day, one of the patients happens to meet an old boyfriend, Tagawa. Shoko learned from her nurse that Tagawa is terminal cancer and can only live for 3 months. However, I couldn't tell Tagawa, so I don't know. The hospital says to give up treatment and just go home. She makes a decision because she wants to do something for Tagawa ...

Shoko, a married woman, works in a hospital as a nurse. One day, one of the patients happens to meet an old boyfriend, Tagawa. Shoko learned from her nurse that Tagawa is terminal cancer and can only live for 3 months. However, I couldn't tell Tagawa, so I don't know. The hospital says to give up treatment and just go home. She makes a decision because she wants to do something for Tagawa ...

An omnibus film based on a single script by five individualistic directors (Hosono Tatsuoki, Igarashi Takumi, Sato Toshiki, Imaoka Shinji, and Kubota Shoji), featuring actors who participated in the acting workshop "Workshop@FAITH," and spinning five different short stories. Yoshiko, an aspiring novelist, has been submitting her works to various literary awards, but has been struggling to get any traction. Then one day, Yoshiko's boyfriend proposes to her and they decide to get married.

An artist named Kurahashi and a female artist named Cheiko wait in a dentist's waiting room. The man feels attracted to the woman but says nothing to her. Later in the examining room, both patients are going under anesthesia, but the man looks over at the woman and sees the dentist and nurse taking off her clothes, while sucking her body for blood like vampires. The man and woman escape from the dentist's office, but their horror is only about to begin...

A man named Isaac (Isaku) struggles with guilt following a physical altercation that left another man in a vegetative state. A vision of Jesus appears before him, telling him to return home and seek forgiveness from the family of the unconscious man. He meets the sister of the man, who now struggles to take care of both the boy and her mother by selling her body. The realizations of cascading effects of his sin only intensify his feelings of guilt, and complicate his path toward atonement.

Surprisingly touching tale of love at the far side of retirement age, proving that Pink films are not just for dirty old men; they can also be about dirty old men. It follows two former high-school sweethearts who are recently widowed and reunite, only to run up against the expectations of society.

This surrealistic comedy follows the life of Haruo Maekawa, a young man who makes a living catching squid. Haruo is obsessed with catching a legendary giant squid rumored to live in Tokyo Bay. Haruo's uncle Takashi, fallen on hard times, comes to stay with his nephew until he can get back on his feet. Uncle Takashi is addicted to energy drinks, and seduces any woman in sight, including Haruo's girlfriend Rika. While praying at a Shintō shrine, Uncle Takashi is bitten in the scrotum by a poisonous snake and dies. The uncle is destined to spend the afterlife in Hell unless his nephew and girlfriend can rescue him from the King of Hell.

Walking out on her husband after discovering his infidelity, Akemi Kudo (Konatsu) finds refuge in a comic-book shop, where she meets Kyoko Ito -- a would-be manga artist. Soon the unbridled Kyoko introduces Akemi to a new world of sensual experiences, but their fragile friendship is put to the test as Akemi contemplates returning to her two-timing spouse.

Walking out on her husband after discovering his infidelity, Akemi Kudo (Konatsu) finds refuge in a comic-book shop, where she meets Kyoko Ito -- a would-be manga artist. Soon the unbridled Kyoko introduces Akemi to a new world of sensual experiences, but their fragile friendship is put to the test as Akemi contemplates returning to her two-timing spouse.

Mars Canal - Within absolute silence, a naked man wanders through a dark and depressing landscape recalling the excruciating details of his last encounter with his former lover. Mirror Hell - When a series of women are discovered with their faces burnt and skulls charred, a young detective investigates, discovering that a unique hand mirror is always found at the scene. Caterpillar - A war hero returns home with no limbs and only his eyesight remaining. His beautiful wife, tired of taking care of him, turns to torturing her crippled husband for amusement. Crawling Bugs - A sexy actress is returning home from a successful night on stage, until her limo driver decides that she should be coming home with him.

A young man is unable to have relations with the girls he likes. A pimp meets him after having a strange experience and they are althogether on a bizarre ride through a gloomy and disconnected Tokyo.

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

Spread over three time periods (Summer 10 Years Ago/Summer 5 Years Ago/This Summer), Lost Virgin tells the tale of good-time girl Chisato (Sasaki), hungry for new experiences yet ultimately in search of emotional fulfilment.

Asaka Ai is a budding starlet waiting for her big break to make it into the limelight. Under the dedicated tutelage of her manager Bando she shuffles from one photo shoot to the next, most often resulting in her image being used on various advertising posters. With the help of a catchy tune, Ai and Bando anticipate she will finally break out of merely poster appearances and into television commercials and from there, real stardom. The song is entitled "If this is a Dream Wake Me" (Yume Nara Samete) and was written by Ai's friend Hiromi just prior to Hiromi jumping headlong off a tall building. But as things started to go well, a stalker shows up knowing anything and everything about Ai...

Sachiko, a young woman frustrated with her life of dull routine, and seeking stimulation outside the deadening monotony of housework and catering to her needy husband, befriends Kobayashi, a neighbor whose wife has been carrying on an affair right under his very nose.

Yoshioka Gynecologist is a women’s clinic that has a good reputation in the neighborhood. The medical examination by Dr. Yoshioka was trusted by many patients. However, Yoshioka, who collapsed due to too much overwork, became a wheelchair, and now Goro Kuroda and Yoshioka’s wife Eri have taken over the hospital. Goro and Eri are enthusiastically examining today. However, Kuroda had a serious secret.

Naoko, female art teacher suffering from bipolar disorder spends her time at home compulsively chopping cabbage. She occasionally then begins cutting herself, causing her husband, Yoshio, to intervene. Yoshio attempts to help Naoko by dressing as a woman, "Yoshiko", in whom Naoko can confide. Yoshio has a low sex drive, and hopes to stimulate his interest by having Naoko dress as a school girl. When so attired, shopping for appropriately adolescent socks, Naoko meets Kimiko, one of her female students. Kimiko's parents have abandoned her, and she stays with a strange man named Tokio. Naoko suggests that Kimiko come to live with her. At their home, Kimiko proceeds to seduce both Naoko and her husband. During a sex session with Yoshio, she binds him and paints obscenities onto his body.

Naoko, female art teacher suffering from bipolar disorder spends her time at home compulsively chopping cabbage. She occasionally then begins cutting herself, causing her husband, Yoshio, to intervene. Yoshio attempts to help Naoko by dressing as a woman, "Yoshiko", in whom Naoko can confide. Yoshio has a low sex drive, and hopes to stimulate his interest by having Naoko dress as a school girl. When so attired, shopping for appropriately adolescent socks, Naoko meets Kimiko, one of her female students. Kimiko's parents have abandoned her, and she stays with a strange man named Tokio. Naoko suggests that Kimiko come to live with her. At their home, Kimiko proceeds to seduce both Naoko and her husband. During a sex session with Yoshio, she binds him and paints obscenities onto his body.

Sex Friend Nurezakari is the story of an old friend, Tsutomu, who pays a visit to a couple then disappears after one night. He leaves behind a mobile phone, and the couple set out to find him and return it. Along the way they meet up with another couple taping themselves having sex. The four of them continue the journey to find Tsutomu. When they arrive at his home, his parents inform them that he was killed in an accident some years previously. What happens next is both bizarre and strangely heart warming as the four friends play a baseball game with the ghost of Tsutomu and thus seal their friendships for good, as all of them discover more about themselves and each other.

A disappointed married woman who was told by a doctor that she could not have children. Her husband drowned in affair with a young woman while treating her gently. She felt uneasy about unfortunate circumstances and aging, but she was confused about her husband's affair.

A disappointed married woman who was told by a doctor that she could not have children. Her husband drowned in affair with a young woman while treating her gently. She felt uneasy about unfortunate circumstances and aging, but she was confused about her husband's affair.

Japanese pink film.

A high school student is sexually abused and mutilated by a crazed male psychopath.

After having tortured and sexually assaulted bank teller Noriko Kamimura, psychotic vulvectomizer Takeshi removes and bottles her vulva as a souvenir.

Young and beautiful germophobe Ritsuko moves into a picture perfect neighborhood with her parents, being monitored by a research team who want to cure her of her debilitating phobias. Will her new neighbors be able to cure her of her irrational view of the outside world, or will coming face to face with this fairy-tale setting only drive her further inside of her subconsciousness?

Takeshi, an alienated young man spends his lonely days obsessively following total strangers. He is employed to observe the movements of a beautiful but disturbed doctor, whose behavior is causing concern. As Takeshi continues to track her, a bond begins to grow between them, a bond which can only end in tragedy...

A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

Sato regular Koichi Imaizumi stars as a man obsessed with high school girls and their uniforms, viewing them as innocent and untainted. He begins an affair with one such girl (Yuri Ishihara), who is unmercifully bullied by her classmates and thus vulnerable to Imaizumi's attentions. After a time, Ishihara begins to manipulate her suitor, talking him into brutally raping all the girls who tormented her. Excited by schoolgirls as he is, Imaizumi has no problem acceding to Ishihara's demands at first, but eventually rebels due to his love for the vengeful nymphet.

This softcore effort from cult pinku-eiga director Hisayasu Sato concerns the perfect couple. Of course, they don’t know that they’re the perfect couple because they each keep a “terrible” secret from the other. This prevents them from enjoying a normal sex life. The husband is impotent unless he can watch another couple having sex, and the wife pleasures herself to thoughts of being raped while someone else watches. Eventually, the voyeuristic husband and the exhibitionist wife confess their secrets to each other and realize how silly they’ve been when they were clearly made for each other.

Erotic drama set in an underground Tokyo club called The Bedroom, where the female clientele are drugged into a trance-like state and are subjected to different styles of bizarre, fetishistic sex by the male clientele.