Lee Jeong-hyang

TV producer Da-hye lived through a miserable childhood. Her parents fought all the time and finally divorced. Da-hye then found her prince charming and was engaged to marry him. Then on a rainy night, the day before her birthday, Da-hye's friend Ji-seok calls and asks for a ride from her fiancé. When her fiance arrives, he finds out that Ji-seok has already gotten a ride from his sister Ji-min. As Da-hye's fiancé walks back to his car he is hit by a motorcycle. The driver of the motorcycle then turns around and fatally runs over her fiance.

TV producer Da-hye lived through a miserable childhood. Her parents fought all the time and finally divorced. Da-hye then found her prince charming and was engaged to marry him. Then on a rainy night, the day before her birthday, Da-hye's friend Ji-seok calls and asks for a ride from her fiancé. When her fiance arrives, he finds out that Ji-seok has already gotten a ride from his sister Ji-min. As Da-hye's fiancé walks back to his car he is hit by a motorcycle. The driver of the motorcycle then turns around and fatally runs over her fiance.

The story begins on a fine summers morning, when San-woo and his mother board a bus to the country. It is soon clear that the unsophisticated rural passengers annoy the seven-year-old urban boy. His mother is taking him to live with his 78-year-old mute, but not deaf, grandmother while she looks for a new job after a business venture failed in Seoul.

The story begins on a fine summers morning, when San-woo and his mother board a bus to the country. It is soon clear that the unsophisticated rural passengers annoy the seven-year-old urban boy. His mother is taking him to live with his 78-year-old mute, but not deaf, grandmother while she looks for a new job after a business venture failed in Seoul.

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

Through a misunderstanding, Chul-su arrives on the doorstep of Chun-hie. Having nowhere else to go, he forces her to allow him to stay until they can contact their mutual friend to solve the problem. Their initial contempt for each other gradually softens.

Through a misunderstanding, Chul-su arrives on the doorstep of Chun-hie. Having nowhere else to go, he forces her to allow him to stay until they can contact their mutual friend to solve the problem. Their initial contempt for each other gradually softens.