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In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.
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Gina, an American flight attendant, falls in with a Parisian bartender on a layover only to find herself tangled in a web of deception, delusion and unrequited amour fou.
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Naomi (Emily Browning) é uma intercambista australiana de 20 anos de idade que passa um tempo nos Estados Unidos. Lá, ela começa a trabalhar com Nick (Adam Horovitz), enquanto se aproxima de seu primo distante Buddy (Jason Schwartzman), um produtor musical. Nesse pouco tempo, no entanto, ela consegue atrapalhar suas vidas e causar um equilíbrio emocional em suas respectivas famílias.
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Uma história sobre mudanças de estações e atitudes, um jovem escritor deve lidar com erros e infortúnios que afetam aqueles que o rodeiam, incluindo sua namorada, a irmã dela, seu ídolo e a filha, além de todas as ex-namoradas e inimigos que as ruas de Nova York podem suportar.
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Francine is released from prison and settles down in a small town. She is unable to regain a foothold in society and turns to animals for comfort.
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A distilled, up-to-the-minute portrait of our agitated nation, its politics, its economics, its delusions and its dreams. Laurie Anderson's tone is less outraged than elegiac, mourning for lives lost, ideals misplaced. The music is dramatically stripped down to a handful of players, centered around Anderson's haunting violin and voice, frequent Bill Frisell band-mate Eyvind Kang's viola and Peter Scherer's keyboards.
