André Téchiné

André Téchiné

Nascimento : 1943-03-13, Valence, Tarn-et-Garonne, France

História

André Téchiné (born 13 March 1943) is a French screenwriter and film director. He has a long and distinguished career that places him among the most accomplished post-New Wave French film directors. Téchiné belongs to a second generation of French film critics associated with Cahiers du cinéma who followed François Truffaut, Claude Chabrol, Jean-Luc Godard and others from criticism into filmmaking. He is noted for his elegant and emotionally charged films that often delve into the complexities of emotions and the human condition. One of Téchiné's trademarks is the lyrical examination of human relations in a sensitive but unsentimental way, as can be seen in his most acclaimed films: My Favorite Season (1993) and Wild Reeds (1994). In his films he addresses various themes related to morality and the development of modern society, such as homosexuality, divorce, adultery, family breakdown, prostitution, crime, drug addiction or AIDS. Description above from the Wikipedia article André Téchiné, licensed under CC-BY-SA, full list of contributors on Wikipedia

Perfil

André Téchiné
André Téchiné

Filmes

Soul Mates
Writer
Lieutenant of the French forces engaged in Mali, David Faber is seriously burned during the explosion of his armored vehicle. Repatriated to France for intensive care, he must begin a long convalescence, under the worried but devoted gaze of his sister Jeanne. They meet again in the family house in the Alps, between mountains, lake and forests. Jeanne tries to reconnect her brother with the past, but David, who suffers from amnesia after the accident, does not seem to be interested in reconciling with the man he used to be.
Soul Mates
Director
Lieutenant of the French forces engaged in Mali, David Faber is seriously burned during the explosion of his armored vehicle. Repatriated to France for intensive care, he must begin a long convalescence, under the worried but devoted gaze of his sister Jeanne. They meet again in the family house in the Alps, between mountains, lake and forests. Jeanne tries to reconnect her brother with the past, but David, who suffers from amnesia after the accident, does not seem to be interested in reconciling with the man he used to be.
Adeus à Noite
Screenplay
Muriel está emocionada ao ver Alex, seu neto, que veio passar alguns dias na casa dela, antes de ir morar no Canadá. Intrigada com o comportamento do rapaz, Muriel logo descobre que ele está mentindo para ela. A verdade é que Alex está se preparando para uma outra vida. Desesperada, ela terá de agir muito rapidamente.
Adeus à Noite
Director
Muriel está emocionada ao ver Alex, seu neto, que veio passar alguns dias na casa dela, antes de ir morar no Canadá. Intrigada com o comportamento do rapaz, Muriel logo descobre que ele está mentindo para ela. A verdade é que Alex está se preparando para uma outra vida. Desesperada, ela terá de agir muito rapidamente.
André Téchiné: A Passion for Cinema
Self - Filmmaker
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.
Golden Years
Writer
Baseado na história real de Paul e Louise, que se casaram às vésperas da Primeira Guerra Mundial. Recrutado pelo exército francês, Paul logo se fere e decide abandonar os confrontos. Para fugir do esquadrão de fuzilamento que não perdoa desertores, ele conta com a ajuda de sua mulher, que rapidamente o transforma em Suzanne, uma parisiense que se tornou uma celebridade nos agitados anos 1920. Ao receber sua anistia, Paul enfrentará o desafio de voltar a viver como homem após mais de uma década na pele de Suzanne. Do diretor francês André Téchiné. Festival de Cannes 2017.​
Golden Years
Director
Baseado na história real de Paul e Louise, que se casaram às vésperas da Primeira Guerra Mundial. Recrutado pelo exército francês, Paul logo se fere e decide abandonar os confrontos. Para fugir do esquadrão de fuzilamento que não perdoa desertores, ele conta com a ajuda de sua mulher, que rapidamente o transforma em Suzanne, uma parisiense que se tornou uma celebridade nos agitados anos 1920. Ao receber sua anistia, Paul enfrentará o desafio de voltar a viver como homem após mais de uma década na pele de Suzanne. Do diretor francês André Téchiné. Festival de Cannes 2017.​
Quando Se Tem 17 Anos
Writer
A história é sobre Damien, o filho de um soldado, que vive no sudoeste da França com sua mãe médica, enquanto o pai está em missão na África Central. Damien é gay e sofre abuso de um menino em sua escola, Tom, cuja mãe adotiva está doente. O quadro vai tornar-se ainda mais problemático quando a mãe de Damien decide acolher Tom sob seu teto...
Quando Se Tem 17 Anos
Director
A história é sobre Damien, o filho de um soldado, que vive no sudoeste da França com sua mãe médica, enquanto o pai está em missão na África Central. Damien é gay e sofre abuso de um menino em sua escola, Tom, cuja mãe adotiva está doente. O quadro vai tornar-se ainda mais problemático quando a mãe de Damien decide acolher Tom sob seu teto...
O Homem Que Elas Amavam Demais
Writer
1976, Riviera Francesa. Renée Le Roux (Catherine Deneuve) é a dona do Palácio Mediterrâneo, um luxuoso cassino que enfrenta problemas financeiros. Disposta a tudo para que o local não seja vendido ao seu grande rival, Fratoni (Jean Corso), ela conta com a ajuda do advogado Maurice Agnelet (Guillaume Canet) e de sua filha, Agnes (Adèle Haenel), para assumir a presidência do conselho. Após a eleição, Maurice fica desapontado por não conseguir uma posição de destaque na nova organização do cassino e, com isso, deixa de assessorar Renée. Não demora muito para que ele se envolva romanticamente com Agnes e lhe apresente uma inusitada proposta: que vote contra sua própria mãe no conselho, recebendo uma alta quantia de Fratoni.
O Homem Que Elas Amavam Demais
Director
1976, Riviera Francesa. Renée Le Roux (Catherine Deneuve) é a dona do Palácio Mediterrâneo, um luxuoso cassino que enfrenta problemas financeiros. Disposta a tudo para que o local não seja vendido ao seu grande rival, Fratoni (Jean Corso), ela conta com a ajuda do advogado Maurice Agnelet (Guillaume Canet) e de sua filha, Agnes (Adèle Haenel), para assumir a presidência do conselho. Após a eleição, Maurice fica desapontado por não conseguir uma posição de destaque na nova organização do cassino e, com isso, deixa de assessorar Renée. Não demora muito para que ele se envolva romanticamente com Agnes e lhe apresente uma inusitada proposta: que vote contra sua própria mãe no conselho, recebendo uma alta quantia de Fratoni.
Jean Douchet ou l’art d’aimer
Unforgivable
Scenario Writer
A middle-aged writer is looking for a quiet retreat; a slightly younger female estate agent gives him details of a house a close to Venice.
Unforgivable
Director
A middle-aged writer is looking for a quiet retreat; a slightly younger female estate agent gives him details of a house a close to Venice.
De la cage aux roseaux
Self
A journey into contemporary French cinema through a series of exclusive interviews with the leading figures of GLBT French cinematography: André Téchiné, Catherine Corsini, Gaël Morel, Olivier Ducastel, Jacques Martineau and other old acquaintances of our film festival. This documentary offers an interesting insight into the official and non-official cinema from the point of view of gender identity. A look behind the scenes: discussing issues like censorship and self-censorship, women' cinema and misogyny, transvestism and homo-eroticism, cinema d'auteur and popular cinema (was the Nouvelle Vague homophobic?). From past to present, from Jacques Demy to François Ozon.
Catherine Deneuve, belle et bien là
Self (archive footage)
Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.
A Garota no Trem
Screenplay
Jeanne (Emilie Dequenne) vive nos arredores de Paris com a mãe (Catherine Deneuve) e procura, sempre com os seus patins mas sem grande convicção, um emprego. Louise, a mãe, toma conta de crianças e um dia vê um anúncio de emprego na internet onde reconhece o nome de um advogado (Michel Blanc) que conheceu muitos anos antes. É uma oportunidade para Jeanne, que entretanto começa a namorar com Franck (Nicolas Duvauchelle), mas a jovem vai tornar-se centro de um caso midiático de agressão antissemita em um trem.
A Garota no Trem
Director
Jeanne (Emilie Dequenne) vive nos arredores de Paris com a mãe (Catherine Deneuve) e procura, sempre com os seus patins mas sem grande convicção, um emprego. Louise, a mãe, toma conta de crianças e um dia vê um anúncio de emprego na internet onde reconhece o nome de um advogado (Michel Blanc) que conheceu muitos anos antes. É uma oportunidade para Jeanne, que entretanto começa a namorar com Franck (Nicolas Duvauchelle), mas a jovem vai tornar-se centro de um caso midiático de agressão antissemita em um trem.
As Testemunhas
Screenplay
Manu arrives in Paris, in the early days of AIDS, at the beginning of the 1980s. He strikes up a friendship with Adrien, a wealthy doctor in his early fifties, who introduces him to Sarah and Mehdi, a young couple.
As Testemunhas
Director
Manu arrives in Paris, in the early days of AIDS, at the beginning of the 1980s. He strikes up a friendship with Adrien, a wealthy doctor in his early fifties, who introduces him to Sarah and Mehdi, a young couple.
Tempos Que Mudam
Writer
In Tangiers where he traveled for his work, a man finds the woman he loved, and attempts to revive their romance though it ended some 30 years earlier.
Tempos Que Mudam
Director
In Tangiers where he traveled for his work, a man finds the woman he loved, and attempts to revive their romance though it ended some 30 years earlier.
Anjo da Guerra
Screenplay
Junho de 1940. Os alemães se preparam para invadir Paris. Odile (Emmanuelle Béart) obedece ao pânico geral e abandona a cidade junto com seus dois filhos, Philippe (Grégoire Leprince-Ringuet) e Cathy (Clémence Meyer). Mas, logo no início da peregrinação, os alemães bombardeiam e metralham o campo de refugiados. Um rapaz enfeitado e de cabeça raspada (Gaspard Ulliel) aparece de uma vala para salvá-los. Seu nome é Yvan, e ele tem apenas 16 anos. Eles vão para o campo e descobrem uma grande casa abandonada por seus proprietários. Yvan permanece um mistério: da mesma forma que mente a Odile e a seus filhos, tem um grande cuidado em protegê-los. Resta aos quatro saber conviver com a desconfiança para conseguir sobreviver.
Anjo da Guerra
Director
Junho de 1940. Os alemães se preparam para invadir Paris. Odile (Emmanuelle Béart) obedece ao pânico geral e abandona a cidade junto com seus dois filhos, Philippe (Grégoire Leprince-Ringuet) e Cathy (Clémence Meyer). Mas, logo no início da peregrinação, os alemães bombardeiam e metralham o campo de refugiados. Um rapaz enfeitado e de cabeça raspada (Gaspard Ulliel) aparece de uma vala para salvá-los. Seu nome é Yvan, e ele tem apenas 16 anos. Eles vão para o campo e descobrem uma grande casa abandonada por seus proprietários. Yvan permanece um mistério: da mesma forma que mente a Odile e a seus filhos, tem um grande cuidado em protegê-los. Resta aos quatro saber conviver com a desconfiança para conseguir sobreviver.
Longe
Writer
Serge é um camionista que faz a travessia da Europa a África e vai regularmente a Tânger onde se encontra a sua amante Sarah e o seu amigo Said. Pela primeira vez, Serge vai ceder à tentação do tráfico de droga enquanto Said vive com uma ideia fixa – passar clandestinamente para a Europa e descobrir o mundo.
Longe
Director
Serge é um camionista que faz a travessia da Europa a África e vai regularmente a Tânger onde se encontra a sua amante Sarah e o seu amigo Said. Pela primeira vez, Serge vai ceder à tentação do tráfico de droga enquanto Said vive com uma ideia fixa – passar clandestinamente para a Europa e descobrir o mundo.
Alice and Martin
Writer
Twenty-year-old Martin seems to be living the dream. After moving from the French countryside to Paris, he quickly found professional success as a fashion model and romantic fulfillment in dating his half-brother's fiery roommate, Alice. Deep down, however, he is avoiding inner turmoil that stems from his tumultuous upbringing. But when Alice becomes unexpectedly pregnant, the full force of his repression is let loose, wreaking havoc on his life.
Alice and Martin
Director
Twenty-year-old Martin seems to be living the dream. After moving from the French countryside to Paris, he quickly found professional success as a fashion model and romantic fulfillment in dating his half-brother's fiery roommate, Alice. Deep down, however, he is avoiding inner turmoil that stems from his tumultuous upbringing. But when Alice becomes unexpectedly pregnant, the full force of his repression is let loose, wreaking havoc on his life.
Transatlantique
Screenplay
In this French-Portuguese film -- directed by Jacques Rivette's screenplay collaborator Christine Laurent -- French vocalist Laure Constant (Laurence Cote) goes to Montevideo, Uruguay, to see her old lover Colossus (Jose Olivera), but when he's a no-show, she becomes involved with several other men, while listening to advice from some older French women who are costume designers. Shown at the 1997 Locarno Film Festival.
Thieves
Writer
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother Alex, a cop with a cleanliness fetish; siblings Juliette and Jimmy, Ivan's partners in a seedy nightclub; the love triangle of Alex, Juliette, and Marie, a professor of philosophy; and of Alex and his nephew, Ivan's dour, stoic son. Ivan's death changes every relationship.
Thieves
Director
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother Alex, a cop with a cleanliness fetish; siblings Juliette and Jimmy, Ivan's partners in a seedy nightclub; the love triangle of Alex, Juliette, and Marie, a professor of philosophy; and of Alex and his nephew, Ivan's dour, stoic son. Ivan's death changes every relationship.
Le chêne et le roseau
Screenplay
Le chêne et le roseau
Director
Rosas Selvagens
Writer
Um registro dos anos 1960, em Villeneuve, sudoeste da França, durante a guerra da independência da Argélia. Entre dúvidas sobre a adolescência, a sexualidade e a política, um grupo de amigos vai ingressando, cada qual à sua maneira, no mundo dos adultos. Henri, um jovem argelino, é enviado à cidade para completar seus estudos e acaba trazendo aos colegas a dura realidade da guerra. François e Serge são desafiados pela agressividade de Henri, enquanto a bela Maïté se sente atraída por ele.
Rosas Selvagens
Director
Um registro dos anos 1960, em Villeneuve, sudoeste da França, durante a guerra da independência da Argélia. Entre dúvidas sobre a adolescência, a sexualidade e a política, um grupo de amigos vai ingressando, cada qual à sua maneira, no mundo dos adultos. Henri, um jovem argelino, é enviado à cidade para completar seus estudos e acaba trazendo aos colegas a dura realidade da guerra. François e Serge são desafiados pela agressividade de Henri, enquanto a bela Maïté se sente atraída por ele.
My Favorite Season
Writer
Elderly woman Berthe leaves her house to live with her daughter Emilie. Emilie and her brother Antoine had a falling out three years ago and have not seen each other since, but Emilie invites him for Christmas. Memories will resurface and impact both Berthe's destiny and the strange relationship between Emilie and Antoine.
My Favorite Season
Director
Elderly woman Berthe leaves her house to live with her daughter Emilie. Emilie and her brother Antoine had a falling out three years ago and have not seen each other since, but Emilie invites him for Christmas. Memories will resurface and impact both Berthe's destiny and the strange relationship between Emilie and Antoine.
I Don't Kiss
Writer
A good-looking but naive lad leaves his mountain village to try and make his way in Paris. He thinks maybe he will try acting but things don't go too well for him. Eventually he is forced to sell himself to men and though he meets an attractive girl she is herself a prostitute with a vicious pimp.
I Don't Kiss
Director
A good-looking but naive lad leaves his mountain village to try and make his way in Paris. He thinks maybe he will try acting but things don't go too well for him. Eventually he is forced to sell himself to men and though he meets an attractive girl she is herself a prostitute with a vicious pimp.
Les Ministères de l'art
Self
Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.
A Culpa dos Inocentes
Adaptation
Situado em Toulon, no litoral mediterrânico, o filme tece uma complexa teia de relações entre as personagens: uma jovem vinda do norte de França, o seu irmão surdo-mudo, um maestro de meia-idade e duas figuras opostas, ligadas ao maestro: o seu jovem amante árabe e o filho, ligado a grupos de extrema-direita.
A Culpa dos Inocentes
Screenplay
Situado em Toulon, no litoral mediterrânico, o filme tece uma complexa teia de relações entre as personagens: uma jovem vinda do norte de França, o seu irmão surdo-mudo, um maestro de meia-idade e duas figuras opostas, ligadas ao maestro: o seu jovem amante árabe e o filho, ligado a grupos de extrema-direita.
A Culpa dos Inocentes
Director
Situado em Toulon, no litoral mediterrânico, o filme tece uma complexa teia de relações entre as personagens: uma jovem vinda do norte de França, o seu irmão surdo-mudo, um maestro de meia-idade e duas figuras opostas, ligadas ao maestro: o seu jovem amante árabe e o filho, ligado a grupos de extrema-direita.
A Cena do Crime
Screenplay
In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ensues, and through happenstance, the murderer and the boy's mother form an alliance. All this takes place in four days during which the boy has his first communion, his separated parents face each other amidst grandmother's hopes they'll reunite, the grandfather just wants to go fishing, the school's chaplain complains about the boy's behavior, and the convicts' shared girlfriend comes, gun in hand, to help them escape to Tangier. The mother's surprising decisions complete the story.
A Cena do Crime
Director
In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ensues, and through happenstance, the murderer and the boy's mother form an alliance. All this takes place in four days during which the boy has his first communion, his separated parents face each other amidst grandmother's hopes they'll reunite, the grandfather just wants to go fishing, the school's chaplain complains about the boy's behavior, and the convicts' shared girlfriend comes, gun in hand, to help them escape to Tangier. The mother's surprising decisions complete the story.
O Encontro
Dialogue
Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.
O Encontro
Screenplay
Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.
O Encontro
Director
Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.
La Matiouette ou l'Arrière-pays
Writer
Two brothers: one of them has become an actor and lives in Paris; he goes back home and meets his sibling who has stayed in the village where he married "la Matiouette", a local girl. The reunion is warm, but they soon discover that now they are worlds apart.little by little, the conversation becomes less friendly,less kind,and regrets, resentment resurface. Their reunion will leave them two broken men.
La Matiouette ou l'Arrière-pays
Director
Two brothers: one of them has become an actor and lives in Paris; he goes back home and meets his sibling who has stayed in the village where he married "la Matiouette", a local girl. The reunion is warm, but they soon discover that now they are worlds apart.little by little, the conversation becomes less friendly,less kind,and regrets, resentment resurface. Their reunion will leave them two broken men.
Hotel das Américas
Writer
Helene, a pill-addicted anesthesiologist, is mourning the death of her boyfriend when, through a car accident she causes, she chances to meet the lethargic Gilles, a young man who lives for free at his mother's hotel. Gilles pursues Helene romantically, and she eventually softens up. Gilles, however, is also devoted to Bernard, a petty crook who revels in mugging gay men. All three struggle with relationships that seem to be going nowhere.
Hotel das Américas
Director
Helene, a pill-addicted anesthesiologist, is mourning the death of her boyfriend when, through a car accident she causes, she chances to meet the lethargic Gilles, a young man who lives for free at his mother's hotel. Gilles pursues Helene romantically, and she eventually softens up. Gilles, however, is also devoted to Bernard, a petty crook who revels in mugging gay men. All three struggle with relationships that seem to be going nowhere.
As Irmãs Brontë
Screenplay
Na Inglaterra do século XIX, as irmãs Brontë - Charlotte, Emily e Anne - moram no campo de Yorkshire com o pai e o irmão Branwell, pintor e escritor. Elas enganam o isolamento através da escrita, disciplina pela qual demonstram grande disposição.
As Irmãs Brontë
Director
Na Inglaterra do século XIX, as irmãs Brontë - Charlotte, Emily e Anne - moram no campo de Yorkshire com o pai e o irmão Branwell, pintor e escritor. Elas enganam o isolamento através da escrita, disciplina pela qual demonstram grande disposição.
Barocco
Writer
A woman falls in love with the man who killed her former boyfriend.
Barocco
Director
A woman falls in love with the man who killed her former boyfriend.
French Provincial
Director
Director André Téchiné brings his usual obsessions -- including a preoccupation with the fortunes of the bourgeoisie -- to this episodic drama, which serves as a thinly-veiled portrait of France's economic peaks and valleys from the 1930s through the 1970s. Jeanne Moreau stars as Berthe Pedret, a simple laundry woman who marries Hector (Michael Auclair), son of a wealthy, upper class, Spanish immigrant family that owns a successful farm machinery factory. Through a series of vignettes, Techine depicts the passage of years, during which the ambitious working class woman blooms through several bold moves, such as negotiating a workers' strike settlement and using her alliance with the war-time French Resistance movement to increase the enterprise's prestige.
Aloïse
Writer
The painful life of a mentally unstable but highly gifted woman is unveiled in this film, based on episodes from the life of an actual person. Aloise (Delphine Seyrig) creates a series of haunting drawings while she is incarcerated in an institution for the insane in turn-of-the-century Switzerland. She endures torments as a musically gifted girl and later as a young woman; her developing madness and the barbaric treatments of the time are shown.
A Mãe e a Puta
Café Les Deux Magots' Customer (uncredited)
Um parisiense aparenta manter um relacionamento aberto ideal com sua namorada, mas acaba se apaixonando por uma enfermeira, que se orgulha de sua vida casual. Um triângulo amoroso se estabelece na tentativa de formar um ménage-a-trois.
Paulina Is Leaving
Director
Paulina leaves the apartment where she lives with her two brothers, Nicolas and Olivier. Her departure is mark by chaotic and sometimes violent confrontations.
L'Amour fou
Assistant Director
Follows the dissolution of the marriage between Claire, an actress and Sebastien, her director.
The Accompaniment
A musician has to compose a commissioned work for a film. But his mind is guided by external solicitations that constantly divert him from his work.
The Idols
Assistant Director
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
My New Friends
Screenplay
Lucie a police officer is fond of her new neighbors a young couple. Soon she discovers that Yann, the father has a heavy criminal record. Lucie's moral conflict between her professionalism and her desire to help this family.
My New Friends
Director
Lucie a police officer is fond of her new neighbors a young couple. Soon she discovers that Yann, the father has a heavy criminal record. Lucie's moral conflict between her professionalism and her desire to help this family.