Writer
Lieutenant of the French forces engaged in Mali, David Faber is seriously burned during the explosion of his armored vehicle. Repatriated to France for intensive care, he must begin a long convalescence, under the worried but devoted gaze of his sister Jeanne. They meet again in the family house in the Alps, between mountains, lake and forests. Jeanne tries to reconnect her brother with the past, but David, who suffers from amnesia after the accident, does not seem to be interested in reconciling with the man he used to be.
Director
Lieutenant of the French forces engaged in Mali, David Faber is seriously burned during the explosion of his armored vehicle. Repatriated to France for intensive care, he must begin a long convalescence, under the worried but devoted gaze of his sister Jeanne. They meet again in the family house in the Alps, between mountains, lake and forests. Jeanne tries to reconnect her brother with the past, but David, who suffers from amnesia after the accident, does not seem to be interested in reconciling with the man he used to be.
Screenplay
뮈리엘은 말을 사육하면서 대형 아몬드 농장을 운영한다. 그녀가 사랑으로 키운 손자 알렉스는 캐나다로 여행을 떠나기 전 그녀의 집을 방문한다. 이때 뮈리엘은 알렉스가 여행보다도 훨씬 더 위험한 계획을 세우고 있다는 사실을 알게 된다.
Director
뮈리엘은 말을 사육하면서 대형 아몬드 농장을 운영한다. 그녀가 사랑으로 키운 손자 알렉스는 캐나다로 여행을 떠나기 전 그녀의 집을 방문한다. 이때 뮈리엘은 알렉스가 여행보다도 훨씬 더 위험한 계획을 세우고 있다는 사실을 알게 된다.
Self - Filmmaker
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.
Writer
Paul and Louise get married as World War I breaks out. After two years on the frontline, Paul maims himself and deserts his post. To hide when he is condemned to death in war-torn Paris, Louise dresses him up as a woman. He becomes Suzanne, drags his wife around the debauched Paris of the Golden Twenties and earns quite a reputation for himself.
Director
Paul and Louise get married as World War I breaks out. After two years on the frontline, Paul maims himself and deserts his post. To hide when he is condemned to death in war-torn Paris, Louise dresses him up as a woman. He becomes Suzanne, drags his wife around the debauched Paris of the Golden Twenties and earns quite a reputation for himself.
Writer
Set in the beautiful high Pyrenees in south-west France, Damien lives with his mother Marianne, a doctor, while his father, a pilot, is on a tour of duty abroad with the French military. At school, Damien is bullied by Thomas, who lives in the farming community up in the mountains. The boys find themselves living together when Marianne invites Thomas to come and stay with them while his mother is ill in hospital. Damien must learn to live with the boy who terrorised him.
Director
Set in the beautiful high Pyrenees in south-west France, Damien lives with his mother Marianne, a doctor, while his father, a pilot, is on a tour of duty abroad with the French military. At school, Damien is bullied by Thomas, who lives in the farming community up in the mountains. The boys find themselves living together when Marianne invites Thomas to come and stay with them while his mother is ill in hospital. Damien must learn to live with the boy who terrorised him.
Writer
In 1976 in Nice, Agnes, the daughter of the owner of the Palais de la Méditerranée, falls in love with an older lawyer.
Director
In 1976 in Nice, Agnes, the daughter of the owner of the Palais de la Méditerranée, falls in love with an older lawyer.
Scenario Writer
A middle-aged writer is looking for a quiet retreat; a slightly younger female estate agent gives him details of a house a close to Venice.
Director
A middle-aged writer is looking for a quiet retreat; a slightly younger female estate agent gives him details of a house a close to Venice.
Self
A journey into contemporary French cinema through a series of exclusive interviews with the leading figures of GLBT French cinematography: André Téchiné, Catherine Corsini, Gaël Morel, Olivier Ducastel, Jacques Martineau and other old acquaintances of our film festival. This documentary offers an interesting insight into the official and non-official cinema from the point of view of gender identity. A look behind the scenes: discussing issues like censorship and self-censorship, women' cinema and misogyny, transvestism and homo-eroticism, cinema d'auteur and popular cinema (was the Nouvelle Vague homophobic?). From past to present, from Jacques Demy to François Ozon.
Self (archive footage)
Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.
Screenplay
The Girl on the Train is a 2009 French drama film directed by André Téchiné. Jeanne is a young woman, striking but otherwise without qualities. Her mother tries to get her a job in the office of a lawyer, Bleistein, her lover years ago. Jeanne fails the interview but falls into a relationship with Franck, a wrestler whose dreams and claims of being in a legitimate business partnership Jeanne is only too happy to believe. When Franck is arrested, he turns on Jeanne for her naivety; she's stung and seeks attention by making up a story of an attack on a train. Is there any way out for her?
Director
The Girl on the Train is a 2009 French drama film directed by André Téchiné. Jeanne is a young woman, striking but otherwise without qualities. Her mother tries to get her a job in the office of a lawyer, Bleistein, her lover years ago. Jeanne fails the interview but falls into a relationship with Franck, a wrestler whose dreams and claims of being in a legitimate business partnership Jeanne is only too happy to believe. When Franck is arrested, he turns on Jeanne for her naivety; she's stung and seeks attention by making up a story of an attack on a train. Is there any way out for her?
Screenplay
Manu arrives in Paris, in the early days of AIDS, at the beginning of the 1980s. He strikes up a friendship with Adrien, a wealthy doctor in his early fifties, who introduces him to Sarah and Mehdi, a young couple.
Director
Manu arrives in Paris, in the early days of AIDS, at the beginning of the 1980s. He strikes up a friendship with Adrien, a wealthy doctor in his early fifties, who introduces him to Sarah and Mehdi, a young couple.
Writer
In Tangiers where he traveled for his work, a man finds the woman he loved, and attempts to revive their romance though it ended some 30 years earlier.
Director
In Tangiers where he traveled for his work, a man finds the woman he loved, and attempts to revive their romance though it ended some 30 years earlier.
Screenplay
Fleeing the June 1940 arrival of Hitler's army in Paris, a young war widow and her two children are rescued from dive-bombing German fighters by a cocky, reckless teenager. He finds them refuge in an abandoned house, but despite the fact that the family quickly comes to be depending much on his cunning and survival abilities, their cohabitation proves uneasy.
Director
Fleeing the June 1940 arrival of Hitler's army in Paris, a young war widow and her two children are rescued from dive-bombing German fighters by a cocky, reckless teenager. He finds them refuge in an abandoned house, but despite the fact that the family quickly comes to be depending much on his cunning and survival abilities, their cohabitation proves uneasy.
Writer
Serge is a long distance lorry driver between Morocco andEurope. In Tangier, he tries to reconcile with his former girlfriend, Sarah. She has refused to have anything to do with him since her mother’s death and intends to join her brother in Canada. Serge appeals to Sarah’s protector, a young Arab named Saïd, to allow him to meet up with Sarah, promising in return to smuggle Saïd into Europe...
Director
Serge is a long distance lorry driver between Morocco andEurope. In Tangier, he tries to reconcile with his former girlfriend, Sarah. She has refused to have anything to do with him since her mother’s death and intends to join her brother in Canada. Serge appeals to Sarah’s protector, a young Arab named Saïd, to allow him to meet up with Sarah, promising in return to smuggle Saïd into Europe...
Writer
프랑스의 작은 시골 마을. 홀어머니 밑에서 자란 마틴은 10살이 되던 해에 아버지 빅터를 처음으로 만난다. 그가 만난 아버지 빅터는 마틴 모자를 버리고 이미 다른 여자와 세 명의 아들을 낳아 가정을 꾸리고 있는 상태. 마틴에게는 갑자기 반갑지 않은 세명의 이복 형제들이 생겼다. 12년이 지난 후 마틴은 그의 고향을 떠나 파리로 간다. 운 좋게도 우연히 모델일을 제안 받은 그는 일을 위해 파리로 떠난 것이다. 그리고 그 곳에서 그의 이복형인 벤자민의 여자 친구 앨리스를 만나게 된다. 폐쇄적인 성격의 바이올리니스트인 앨리스에게 마틴은 본능적으로 이끌린다. 서로에게 강렬하게 매혹된 두 사람은 사랑에 빠지지만 그들이 함께 할 미래에는 앨리스가 극복해야 하는 마틴의 어두운 그림자가 놓여 있다. 마틴은 그의 과거와 가족들을 떠난 이유에 대해 앨리스에게 한마디도 말하지 않지만 그들은 서로의 과거에 대해 더 이상 묻지 않는다. 그러나 앨리스가 마틴에게 임신한 사실을 알리자 그는 과거의 기억을 떠올리며 갑자기 심각한 발작증세를 보인다. 앨리스는 마틴을 도울 수 있는 유일한 길인 그의 숨겨진 과거를 찾아 나서기로 한다.
Director
프랑스의 작은 시골 마을. 홀어머니 밑에서 자란 마틴은 10살이 되던 해에 아버지 빅터를 처음으로 만난다. 그가 만난 아버지 빅터는 마틴 모자를 버리고 이미 다른 여자와 세 명의 아들을 낳아 가정을 꾸리고 있는 상태. 마틴에게는 갑자기 반갑지 않은 세명의 이복 형제들이 생겼다. 12년이 지난 후 마틴은 그의 고향을 떠나 파리로 간다. 운 좋게도 우연히 모델일을 제안 받은 그는 일을 위해 파리로 떠난 것이다. 그리고 그 곳에서 그의 이복형인 벤자민의 여자 친구 앨리스를 만나게 된다. 폐쇄적인 성격의 바이올리니스트인 앨리스에게 마틴은 본능적으로 이끌린다. 서로에게 강렬하게 매혹된 두 사람은 사랑에 빠지지만 그들이 함께 할 미래에는 앨리스가 극복해야 하는 마틴의 어두운 그림자가 놓여 있다. 마틴은 그의 과거와 가족들을 떠난 이유에 대해 앨리스에게 한마디도 말하지 않지만 그들은 서로의 과거에 대해 더 이상 묻지 않는다. 그러나 앨리스가 마틴에게 임신한 사실을 알리자 그는 과거의 기억을 떠올리며 갑자기 심각한 발작증세를 보인다. 앨리스는 마틴을 도울 수 있는 유일한 길인 그의 숨겨진 과거를 찾아 나서기로 한다.
Screenplay
In this French-Portuguese film -- directed by Jacques Rivette's screenplay collaborator Christine Laurent -- French vocalist Laure Constant (Laurence Cote) goes to Montevideo, Uruguay, to see her old lover Colossus (Jose Olivera), but when he's a no-show, she becomes involved with several other men, while listening to advice from some older French women who are costume designers. Shown at the 1997 Locarno Film Festival.
Writer
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother Alex, a cop with a cleanliness fetish; siblings Juliette and Jimmy, Ivan's partners in a seedy nightclub; the love triangle of Alex, Juliette, and Marie, a professor of philosophy; and of Alex and his nephew, Ivan's dour, stoic son. Ivan's death changes every relationship.
Director
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother Alex, a cop with a cleanliness fetish; siblings Juliette and Jimmy, Ivan's partners in a seedy nightclub; the love triangle of Alex, Juliette, and Marie, a professor of philosophy; and of Alex and his nephew, Ivan's dour, stoic son. Ivan's death changes every relationship.
Screenplay
Director
Writer
알제리 전쟁이 한창인 60년대 프랑스. 청년들은 전쟁을 피하기 위해 결혼을 하고, 학생들은 무엇이 옳고 그른지 치열하게 고민을 한다. 기숙학교에서 만난 프랑수아와 알제리인 세르주는 우정 이상의 감정을 갖고 가까워지지만 프랑수아는 소꿉친구인 메이테에게도 마음을 두고 있다. 지독한 성장통을 겪는 청년들의 삼각관계를 시골 마을의 목가적인 풍경과 함께 그린 멜로드라마. (2012년 제7회 시네바캉스 서울)
Director
알제리 전쟁이 한창인 60년대 프랑스. 청년들은 전쟁을 피하기 위해 결혼을 하고, 학생들은 무엇이 옳고 그른지 치열하게 고민을 한다. 기숙학교에서 만난 프랑수아와 알제리인 세르주는 우정 이상의 감정을 갖고 가까워지지만 프랑수아는 소꿉친구인 메이테에게도 마음을 두고 있다. 지독한 성장통을 겪는 청년들의 삼각관계를 시골 마을의 목가적인 풍경과 함께 그린 멜로드라마. (2012년 제7회 시네바캉스 서울)
Writer
Elderly woman Berthe leaves her house to live with her daughter Emilie. Emilie and her brother Antoine had a falling out three years ago and have not seen each other since, but Emilie invites him for Christmas. Memories will resurface and impact both Berthe's destiny and the strange relationship between Emilie and Antoine.
Director
Elderly woman Berthe leaves her house to live with her daughter Emilie. Emilie and her brother Antoine had a falling out three years ago and have not seen each other since, but Emilie invites him for Christmas. Memories will resurface and impact both Berthe's destiny and the strange relationship between Emilie and Antoine.
Writer
A good-looking but naive lad leaves his mountain village to try and make his way in Paris. He thinks maybe he will try acting but things don't go too well for him. Eventually he is forced to sell himself to men and though he meets an attractive girl she is herself a prostitute with a vicious pimp.
Director
A good-looking but naive lad leaves his mountain village to try and make his way in Paris. He thinks maybe he will try acting but things don't go too well for him. Eventually he is forced to sell himself to men and though he meets an attractive girl she is herself a prostitute with a vicious pimp.
Self
Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.
Adaptation
A woman becomes trapped in the middle of a feud between two men while attempting to free her younger brother from a life of petty crime.
Screenplay
A woman becomes trapped in the middle of a feud between two men while attempting to free her younger brother from a life of petty crime.
Director
A woman becomes trapped in the middle of a feud between two men while attempting to free her younger brother from a life of petty crime.
Screenplay
프랑스의 한 한적한 시골 마을, 소년 토마스(니콜라스 지라우디)는 숲속에서 도망친 죄수 마르탱(바덴 스탄크작)을 만나게 된다. 이혼한 어머니와 할머니와 함께 살고 있는 토마스는 돈을 가지고 오라는 마르탱의 협박에 매사가 공포스럽다. 한편, 바에서 일하는 토마스의 어머니 릴리(카트린느 드뇌브)는 이혼한 상태임에도 여전히 그의 전 남편이 계속 자신의 주위를 맴도는 것이 못내 부담스럽다. 탈출구를 찾으려 하지만 그 시골 마을을 벗어나지 않는 이상 어렵다는 것을 알게 된다. 그러다 칼에 찔려 쓰러져 있는 마르탱을 릴리가 도와주면서, 그들 모자 사이에 마르탱이 끼어들게 된다. 젊은 마르탱과 릴리는 그렇게 계속 가까워진다. 그런데 마르탱에게는 또 다른 젊은 애인이 있는 상태다. 그렇게 그들의 관계는 조금씩 파국으로 치닫는다.
Director
프랑스의 한 한적한 시골 마을, 소년 토마스(니콜라스 지라우디)는 숲속에서 도망친 죄수 마르탱(바덴 스탄크작)을 만나게 된다. 이혼한 어머니와 할머니와 함께 살고 있는 토마스는 돈을 가지고 오라는 마르탱의 협박에 매사가 공포스럽다. 한편, 바에서 일하는 토마스의 어머니 릴리(카트린느 드뇌브)는 이혼한 상태임에도 여전히 그의 전 남편이 계속 자신의 주위를 맴도는 것이 못내 부담스럽다. 탈출구를 찾으려 하지만 그 시골 마을을 벗어나지 않는 이상 어렵다는 것을 알게 된다. 그러다 칼에 찔려 쓰러져 있는 마르탱을 릴리가 도와주면서, 그들 모자 사이에 마르탱이 끼어들게 된다. 젊은 마르탱과 릴리는 그렇게 계속 가까워진다. 그런데 마르탱에게는 또 다른 젊은 애인이 있는 상태다. 그렇게 그들의 관계는 조금씩 파국으로 치닫는다.
Dialogue
Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.
Screenplay
Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.
Director
Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.
Writer
Two brothers: one of them has become an actor and lives in Paris; he goes back home and meets his sibling who has stayed in the village where he married "la Matiouette", a local girl. The reunion is warm, but they soon discover that now they are worlds apart.little by little, the conversation becomes less friendly,less kind,and regrets, resentment resurface. Their reunion will leave them two broken men.
Director
Two brothers: one of them has become an actor and lives in Paris; he goes back home and meets his sibling who has stayed in the village where he married "la Matiouette", a local girl. The reunion is warm, but they soon discover that now they are worlds apart.little by little, the conversation becomes less friendly,less kind,and regrets, resentment resurface. Their reunion will leave them two broken men.
Writer
Helene, a pill-addicted anesthesiologist, is mourning the death of her boyfriend when, through a car accident she causes, she chances to meet the lethargic Gilles, a young man who lives for free at his mother's hotel. Gilles pursues Helene romantically, and she eventually softens up. Gilles, however, is also devoted to Bernard, a petty crook who revels in mugging gay men. All three struggle with relationships that seem to be going nowhere.
Director
Helene, a pill-addicted anesthesiologist, is mourning the death of her boyfriend when, through a car accident she causes, she chances to meet the lethargic Gilles, a young man who lives for free at his mother's hotel. Gilles pursues Helene romantically, and she eventually softens up. Gilles, however, is also devoted to Bernard, a petty crook who revels in mugging gay men. All three struggle with relationships that seem to be going nowhere.
Screenplay
In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.
Director
In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.
Writer
A woman falls in love with the man who killed her former boyfriend.
Director
A woman falls in love with the man who killed her former boyfriend.
Director
Director André Téchiné brings his usual obsessions -- including a preoccupation with the fortunes of the bourgeoisie -- to this episodic drama, which serves as a thinly-veiled portrait of France's economic peaks and valleys from the 1930s through the 1970s. Jeanne Moreau stars as Berthe Pedret, a simple laundry woman who marries Hector (Michael Auclair), son of a wealthy, upper class, Spanish immigrant family that owns a successful farm machinery factory. Through a series of vignettes, Techine depicts the passage of years, during which the ambitious working class woman blooms through several bold moves, such as negotiating a workers' strike settlement and using her alliance with the war-time French Resistance movement to increase the enterprise's prestige.
Writer
The painful life of a mentally unstable but highly gifted woman is unveiled in this film, based on episodes from the life of an actual person. Aloise (Delphine Seyrig) creates a series of haunting drawings while she is incarcerated in an institution for the insane in turn-of-the-century Switzerland. She endures torments as a musically gifted girl and later as a young woman; her developing madness and the barbaric treatments of the time are shown.
Café Les Deux Magots' Customer (uncredited)
클래식 음악과 실존주의 철학을 신봉하는 인텔리 알렉상드르는 직업도 없이 애인인 마리에게 빌붙어 살고 있다. 어느 날 그는 옛 연인 질베르트에게 청혼하지만 거절당한다. 그는 카페에서 우연히 만난 베로니카와 사랑에 빠지고, 마리와 베로니카는 서로를 질투하게 된다.
Director
Paulina leaves the apartment where she lives with her two brothers, Nicolas and Olivier. Her departure is mark by chaotic and sometimes violent confrontations.
Assistant Director
Follows the dissolution of the marriage between Claire, an actress and Sebastien, her director.
A musician has to compose a commissioned work for a film. But his mind is guided by external solicitations that constantly divert him from his work.
Assistant Director
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
Screenplay
Lucie a police officer is fond of her new neighbors a young couple. Soon she discovers that Yann, the father has a heavy criminal record. Lucie's moral conflict between her professionalism and her desire to help this family.
Director
Lucie a police officer is fond of her new neighbors a young couple. Soon she discovers that Yann, the father has a heavy criminal record. Lucie's moral conflict between her professionalism and her desire to help this family.
