Cinematography
Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.
Camera Operator
Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.
Director of Photography
Director of Photography
Director of Photography
Um roteirista está sendo perseguido por um grupo sinistro, então decide se unir a um velho amigo em busca da verdade. Mas essa jornada só vai trazer caos e violência.
Director of Photography
Far from showing a shipwreck as an adventure, La encomienda reveals the traumatic experience suffered by those who fight for their lives in extraordinary circumstances, in which both hopelessness and their own patience become powerful enemies.
Director of Photography
50 years can be golden even though the knees hurt, even if the air isn’t the same or a layer of distress settles on one corner of the brain. The protagonist reflects on his fifty, shoots a film about endless loves and inquires, with existential humor, into the daily struggle of living.
Director of Photography
Director of Photography
O venerável mundo do VHS pode ter surpresas. Um estranho feitiço captura os protagonistas e os submerge direto no mundo dos mais implausíveis filmes policiais argentinos. Um fluxo incrível de imagens perdidas, esquecidas e recuperadas cujo consumo ameaça tornar-se viciante.
Director of Photography
An enthusiast pioneer founds a city full of alchemical symbolism. A gentleman is named Grand Master of the Lodge of the Eastern Knights. A writer publishes the frst utopian novel of Uruguay. An entrepreneur builds castles, churches, hotels and palaces that will have different destinies. The pioneer, the Knight, the writer and the businessman are the same man: Francisco Piria.
Cinematography
Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.
Director of Photography
"For her next movie, De eso no se habla, María Luisa Bemberg needs a dwarf". That was an ad on local media during preproduction of the movie that would become the last od the director. Among the peoplewho responded the ad was Alejandra Podestá, who ended up getting the leading role along Marcello Mastroianni. Through testimonies of varios friends, members of the crew and the words by Alejandra herself, who was brutally murdered in 2011, A Beautiful Dream tells us the story of the making of the film and the relationship between Bemberg and Podestá, which winds up being a tribute to both women.
Director of Photography
Leonardo consegue emprego como piloto de pulverização nas plantações de soja e se muda para o campo com sua família. Quando começa a trabalhar, ele descobre um segredo sombrio na cidade que coloca tanto ele quanto seus entes queridos em perigo.
Director of Photography
Martin quer adotar um bebê, mas seu parceiro, Leonardo, que foi adotado, tem suas dúvidas. Martín entra em um grupo de apoio aos pais imersos no processo de adoção, mas sua determinação altera a estabilidade do casal.
Director of Photography
Mónica did not make a client's payments of the office where she works. The missing 15K pesos not only commit her but also a colleague, who is the one who discovers the fault. It seems that is not the first time that this happens, but the colleague, despite his anger, kept silence and chose to believe her again: Mónica commits to replenish the sum of money the next morning.
Director of Photography
In Costa Rica, Panchita has just turned 109 and hopes for a visit from two of her children: Pablo, 93 years old, and Calixto, 88 years old. Sarita, who is 93, has no hesitation in confessing her love for Denis, a young policeman. Pachito’s daughter, fearing that something may happen to her 98-year-old father, tries to prohibit him from continuing horse-riding. In Sardinia, for his 93rd birthday, Adolfo wants to fulfil his dream of flying a plane. In Okinawa, Tomi, 93 years old, cannot recover from the death of her first son. Her friend Haru, who is 98, encourages her to return to the pop group formed of the island’s grandmothers.
Director of Photography
Lola, a 30-year-old failed kleptomaniac with a bad temper receives a phone call from Mar del Plata: her father, whom she thought had been dead for years, has just died, and she must travel in order to check on some things related to the inheritance. Along with Teo, her former boyfriend, and his sister Rita, she sets off in Teo's school van. In Mar del Plata, she meets Natalio, her father's partner, and everyone must now travel to Bariloche in order to spread the ashes of the deceased.
Director of Photography
About Christmas, or about the construction of fiction, about the protagonists of the farce, about the exploited by the system, about the mercenaries of the performance; a film about angelic beings.
Director of Photography
Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.
Director of Photography
Ely tem 17 anos, está no ensino médio e trabalha num pet shop no bairro da Boca em Buenos Aires. Ao descobrir que está grávida, seu mundo interno colapsa. Ela tem que tomar uma decisão que mudará sua vida para sempre.
Director of Photography
An unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. Obliquely inspired by Bela Bartok’s sole opera, Bluebeard’s Castle.
Director of Photography
French actress Maria Falconetti (1892-1946) traveled a winding road from her glory days in luminous Paris, in the 1920s, to her last days in Buenos Aires, in the late 1940s. In her strange journey through life, she found a very special character, the center of a tragic story and the obsession of a peculiar filmmaker: a unique opportunity, a sublime performance, so remarkable that nothing would ever be the same for her again…
Director of Photography
The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.
Director of Photography
Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.
Director of Photography
Ana spent the last four hours wasting her father's money on things that she doesn't need. Within minutes of closing time at the mall, she pays for her parking and then goes to find of her car, but when she gets to where she thinks she parked - Rabbit 105- the car is not there. If that was not enough, she also feels that someone is following her. Enjoy the suspense and tension of the dark parking lot!
Director of Photography
Director of Photography
In the house where several gererations used to live no one is living anymore At least apparently. Because if any one intensifies hearing and view, he can see He sees the footprints of formers inhabitants. He sees the marks of life and death in the deserted spaces He is the witness of the persistence of voices , bodies, ligths and shadows.
Director of Photography
Biguá, a port worker, awaits a son with his young girlfriend and embarks on the high seas. Javier, at 40 years old, has a wife he loves, works, enjoys a good time; and imagines recurring dreams. Another life, with another being very different, they cross as in a magical and mysterious dream. The film revisits the theme of the double and its question: will there be, somewhere in the world, a double for each one of us? And, if it exists, what would happen if we took their life?
Director of Photography
Um caminhoneiro aceita levar com ele uma mulher e um bebê de Assunção, Paraguai até Buenos Aires, Argentina, mas tenta ignorá-los durante a viagem.
Director of Photography
Director of Photography
Nacho was a happy 21-year-old guy, with a great family, friends and girlfriend. But a year later he's not the same guy: he lives alone and he doesn't care anymore about anyone. He's lost and desperate, tortured by what happened a year ago.
Cinematography
Na década de 1970, o povo da Federação foi vítima da construção da barragem de Salto Grande.
Director of Photography
An elderly couple debates whether to cut down an ancient acacia tree that has witnessed the major memories of our lives.
Director of Photography
Reynols é uma banda atípica cuja inspiração vem de um homem que enxerga além.
Still Photographer
The spiritual journey of a man with a debt that cannot be paid. In a Korean supermarket not too important, a small embezzlement is discovered. Luciano, a young man who works there, is pressured by the Koreans to return the money he stole in less than twenty-four hours.
Producer
The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.