Diego Poleri

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

Belgrano neighborhood, Buenos Aires, Argentina. Someone is watching Fernando Berlasky from one of the countless windows in front of his apartment and sending him e-mails.

Far from showing a shipwreck as an adventure, La encomienda reveals the traumatic experience suffered by those who fight for their lives in extraordinary circumstances, in which both hopelessness and their own patience become powerful enemies.

50 years can be golden even though the knees hurt, even if the air isn’t the same or a layer of distress settles on one corner of the brain. The protagonist reflects on his fifty, shoots a film about endless loves and inquires, with existential humor, into the daily struggle of living.

The venerable VHS may have surprises. A strange spell captures the protagonists, who are friends, and submerges them straight into the world of the most implausible Argentine cop films. An amazing flow of images lost, forgotten and recovered whose consumption threatens to become addictive.

An enthusiast pioneer founds a city full of alchemical symbolism. A gentleman is named Grand Master of the Lodge of the Eastern Knights. A writer publishes the frst utopian novel of Uruguay. An entrepreneur builds castles, churches, hotels and palaces that will have different destinies. The pioneer, the Knight, the writer and the businessman are the same man: Francisco Piria.

Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.

"For her next movie, De eso no se habla, María Luisa Bemberg needs a dwarf". That was an ad on local media during preproduction of the movie that would become the last od the director. Among the peoplewho responded the ad was Alejandra Podestá, who ended up getting the leading role along Marcello Mastroianni. Through testimonies of varios friends, members of the crew and the words by Alejandra herself, who was brutally murdered in 2011, A Beautiful Dream tells us the story of the making of the film and the relationship between Bemberg and Podestá, which winds up being a tribute to both women.

Unable to land a job as an airline pilot, Leonardo takes a job as a fumigator pilot at a farm in the countryside. On his very first night, he discovers the town harbors a deadly secret that will put everyone in danger.

Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.

Mónica did not make a client's payments of the office where she works. The missing 15K pesos not only commit her but also a colleague, who is the one who discovers the fault. It seems that is not the first time that this happens, but the colleague, despite his anger, kept silence and chose to believe her again: Mónica commits to replenish the sum of money the next morning.

In Costa Rica, Panchita has just turned 109 and hopes for a visit from two of her children: Pablo, 93 years old, and Calixto, 88 years old. Sarita, who is 93, has no hesitation in confessing her love for Denis, a young policeman. Pachito’s daughter, fearing that something may happen to her 98-year-old father, tries to prohibit him from continuing horse-riding. In Sardinia, for his 93rd birthday, Adolfo wants to fulfil his dream of flying a plane. In Okinawa, Tomi, 93 years old, cannot recover from the death of her first son. Her friend Haru, who is 98, encourages her to return to the pop group formed of the island’s grandmothers.

Lola, a 30-year-old failed kleptomaniac with a bad temper receives a phone call from Mar del Plata: her father, whom she thought had been dead for years, has just died, and she must travel in order to check on some things related to the inheritance. Along with Teo, her former boyfriend, and his sister Rita, she sets off in Teo's school van. In Mar del Plata, she meets Natalio, her father's partner, and everyone must now travel to Bariloche in order to spread the ashes of the deceased.

About Christmas, or about the construction of fiction, about the protagonists of the farce, about the exploited by the system, about the mercenaries of the performance; a film about angelic beings.

서른이 넘도록 어머니의 품에서 벗어나지 못한 남자, 다리오. 어떻게 해서라도 아이를 갖고 싶은 레즈비언 커플, 레나와 셀레스테. 어느 날, 클럽에서 처음 만난 세 사람. 셀레스테가 다리오에게 접근하면서 이들의 운명이 얽히기 시작한다.

자신이 임신했다는 사실을 알게 된 고등학생 엘리. 겉으로는 아무렇지 않게 일상을 이어가지만, 마음은 복잡하기 그지없다. 두렵고, 당혹스럽고, 암담한 기분. 그리고 이미 알고 있다. 어떤 결정을 하든 결코 옛날로 돌아갈 수 없다는 걸.

An unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. Obliquely inspired by Bela Bartok’s sole opera, Bluebeard’s Castle.

French actress Maria Falconetti (1892-1946) traveled a winding road from her glory days in luminous Paris, in the 1920s, to her last days in Buenos Aires, in the late 1940s. In her strange journey through life, she found a very special character, the center of a tragic story and the obsession of a peculiar filmmaker: a unique opportunity, a sublime performance, so remarkable that nothing would ever be the same for her again…

The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.

Ana spent the last four hours wasting her father's money on things that she doesn't need. Within minutes of closing time at the mall, she pays for her parking and then goes to find of her car, but when she gets to where she thinks she parked - Rabbit 105- the car is not there. If that was not enough, she also feels that someone is following her. Enjoy the suspense and tension of the dark parking lot!

In the house where several gererations used to live no one is living anymore At least apparently. Because if any one intensifies hearing and view, he can see He sees the footprints of formers inhabitants. He sees the marks of life and death in the deserted spaces He is the witness of the persistence of voices , bodies, ligths and shadows.

Biguá, a port worker, awaits a son with his young girlfriend and embarks on the high seas. Javier, at 40 years old, has a wife he loves, works, enjoys a good time; and imagines recurring dreams. Another life, with another being very different, they cross as in a magical and mysterious dream. The film revisits the theme of the double and its question: will there be, somewhere in the world, a double for each one of us? And, if it exists, what would happen if we took their life?

단순한 내용과 형식 속에서 따뜻한 감동이 솟아오르는 수작. 루벤은 10년 넘게 트럭운전을 해왔다. 어느 날 왠 아기를 안은 여자가 태워달라고 사정하고 마지못해 허락한다. 파라과이의 아순시온에서부터 아르헨티나 부에노스아이레스에 이르는 1500km의 긴 여정을 남자, 여자, 아기 셋이 동행하게 된다. (2011년 16회 부산국제영화제)

Nacho was a happy 21-year-old guy, with a great family, friends and girlfriend. But a year later he's not the same guy: he lives alone and he doesn't care anymore about anyone. He's lost and desperate, tortured by what happened a year ago.

The story of the rebirth of Federación, Argentina that in 1974 was flooded by the waters of the Uruguay River and subsequently destroyed by the government to be relocated and rebuild, told by its characters.

An elderly couple debates whether to cut down an ancient acacia tree that has witnessed the major memories of our lives.

Documentary about the enigmatic and experimental music group "Reynols", his lead singer and leader who was down syndrome and the peculiarity of having a discography published in the most dissimilar corners of the planet.

The spiritual journey of a man with a debt that cannot be paid. In a Korean supermarket not too important, a small embezzlement is discovered. Luciano, a young man who works there, is pressured by the Koreans to return the money he stole in less than twenty-four hours.

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.