Costume Design
The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.
Set Designer
Jessye Norman is a regal Ariadne, the mythological Greek heroine in this opera-within-an-opera, opposite the passionate Bacchus of the great James King. Kathleen Battle delivers the coloratura fireworks of Zerbinetta, the leader of a commedia dell’arte troupe that finds itself stranded on Ariadne’s island. Tatiana Troyanos and Franz Ferdinand Nentwig star as the young Composer and the Music Master in the opera’s prologue. James Levine brings out all the color and charm of Strauss’s brilliant chamber-sized score with its equal amounts of pathos and humor. Bodo Igesz’s production features sets by esteemed designer Oliver Messel.
Costume Design
A jovem socialite Catherine Holly fica traumatizada após testemunhar a morte do seu primo. Mas a sua tia tenta subornar um médico para fazer uma lobotomia na sobrinha, com o objetivo de manter as circunstâncias da morte do filho em segredo.
Production Design
A jovem socialite Catherine Holly fica traumatizada após testemunhar a morte do seu primo. Mas a sua tia tenta subornar um médico para fazer uma lobotomia na sobrinha, com o objetivo de manter as circunstâncias da morte do filho em segredo.
Costumer
An elderly countess strikes a bargain with the devil and exchanges her soul for the ability to always win at cards. An army officer, who is also a fanatic about cards, murders her for the secret, then finds himself haunted by the woman's spirit.
Costume Design
Story of a ballet dancer of the Edwardian era. From the novel by Compton Mackenzie.
Costume Design
The aging Caesar finds himself intrigued by the young Egyptian queen. Adapted by George Bernard Shaw from his own play.
Costume Design
Menino ladrão das ruas de Bagdá ajuda jovem sultão deposto do trono por feiticeiro a recuperar o poder. Para isso conta com a ajuda de um gênio mágico que lhe concede três desejos.
