How to Be a Candid Woman (2022)
A myriad of images (from classic cinema to influencer videos) in a musical critique of the representation and education of women over the years through audiovisual media.
Жанр : документальный
Время выполнения : 5М
Директор : Francisca Dores
Краткое содержание
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
Сюжет фильма основан на серии комиксов о приключениях греческой наемной убийцы Электры Начиос. Электра получает задание убрать «клиента» и его дочь. Но вместо этого они становятся друзьями и решают вместе противостоять заказчикам — воинам-ниндзя из тайного ордена наемных убийц…
Фильм состоит из двух новелл, первая рассказывает о преследовании христиан в средневековой Японии. Вторая — о жизни японского дома терпимости 19 века. Фильм изобилует кадрами изощрённых пыток и казней.
Семеро школьниц отправляются навестить тётю одной из них. Но они и не подозревают, что Дом — это демон, пожирающий девственниц.
When he understood it was all a dream. He decided to stay until eternity, darker since you died.
Агнес Варда, фотограф, художник по инсталляции и пионер французской новой волны, является вехой французского кино. Занимая место на театральной сцене, она использует фотографии и отрывки из фильмов, чтобы дать представление о своем неортодоксальном творчестве.
Бocca oднoгo из клaнoв тpиaды, Энди, лoвят вo вpeмя нeлeгaльнoй cдeлки c пoличным и кaзнят в мaтepикoвoм Kитae. Bcё cвoe имyщecтвo Энди ocтaвляeт cвoeй дoчepи Oдpи и cынy Джeйcoнy. Ho нa дeньги, кoтopыми pacпopяжaлcя Энди, пpeтeндyeт и дpyгaя eгo «ceмья». Eгo пpaвaя pyкa Фaнки нacтaивaeт нa тoм, чтo вce дeньги дoлжны oтoйти клaнy и eгo нoвoмy глaвe. И кoгдa ктo-тo нaчинaeт yбивaть члeнoв бaнды oдин зa oдним — cтaнoвитcя яcнo, чтo ктo-тo xoчeт зaпoлyчить дeньги в eдинoличнoe пoльзoвaниe.
Перевоплощение легендарной серии о женщине-мстительнице, заключенной № 701 aka Скорпион. Мэйко Кадзи заменена заслуженной мстительницей всея Азии Мики Мидзуно. На сей раз Нами Мацусима подставлена группой наемных убийц, целью которых был отец ее жениха Хэй Тая, профессор Лам. Наемники предоставляют Нами выбор: либо она убивает сестру Хэй Тая, либо Хэй Тай отправляется вслед за своим отцом. Став, таким образом, соучастницей убийства, Нами попадает в тюрьму. Ее жизнь разрушена, Хэй Тай желает ей смерти, тюремная жизнь — ад. Однако Нами удается бежать из тюрьмы; волею судеб она попадает к таинственному Собирателю трупов. Видимо, давно скучавший Собиратель, находит себе развлечение и обучает Нами боевым искусствам. Теперь Скорпион обрела силу и готова мстить. Но не слишком ли долго подогревалось блюдо под названием месть?
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.
This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.
King Louis XIII of France is thrilled to have born to him a son - an heir to the throne. But when the queen delivers a twin, Cardinal Richelieu sees the second son as a potential for revolution, and has him sent off to Spain to be raised in secret to ensure a peaceful future for France. Alas, keeping the secret means sending Constance, lover of D'Artagnan, off to a convent. D'Artagnan hears of this and rallies the Musketeers in a bid to rescue her. Unfortunately, Richelieu out-smarts the Musketeers and banishes them forever.
A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene
A collection of bloopers and outtakes from an enormous selection of Hollywood classic productions spanning from the 1930s through the 1980s.
Experimental thriller about a female assassin who avenged the killing of a friend and now becomes the hunted.
A frigid winter on the Mongolian steppe, an untimely snowstorm aggravated the lives of a pregnant herder and her 8-year-old daughter: the missing flock of sheep, the unborn child, the absent husband, traces of wolves...... everything led the mother and daughter to places they’ve never been.
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
This is a simple test, with a small and personal motivation to improve the history of motion and time, in the mind of the filmmaker. Hanife released it on 20 July 2018 while he had started executive part from 3 weeks before it.
