Elements

Семеро школьниц отправляются навестить тётю одной из них. Но они и не подозревают, что Дом — это демон, пожирающий девственниц.

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.

When he understood it was all a dream. He decided to stay until eternity, darker since you died.

“The lakes, their rounds palms, they drowned the face of the Sky: I have turned the sphere to look at the Sky". Victor Segalen. Estelas

После катастрофической глобальной войны молодой режиссер просыпается в кровавой бойне и ищет убежища в единственном выжившем: эксцентричной, идеологически оппозиционной фигуре вооруженных сил Соединенных Штатов. Вместе они преодолевают токсичный ландшафт в поисках безопасности... и ответов.

A film about creation itself, a rite of the sun and the surfaces illuminated by it. Light capturing and light summoning "in a primitive attempt to catch the sun with my hands".

Фильм о мире, любви и войне. Посвящается 100-летию окончания Гражданской войны в России. Действие фильма происходит в конце лета 1917 года, когда Россия и весь мир находились на перепутье двух эпох. Никто из людей даже представить себе не мог, насколько сильно изменится его жизнь в самом ближайшем будущем. Странным образом атмосфера фильма перекликается с нашей нынешней реальностью и с тем, что происходит сегодня в России. По форме визуализации фильм относится к экспериментальному псевдодокументальному кинематографу. Чтобы придать большую достоверность происходящему на экране, съемка велась на черно-белые негативы 16 и 35 мм, использовались камеры с ручным управлением, а материал проявлялся в ручных спиральных емкостях. Документальная хроника армии Колчака 1919 года и Белой армии на Дальнем Востоке 1922 года встроена в финал фильма.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

A study of light and shadows, framing and composition with no clear narrative. A visual essay on silence and the passing of time.

Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.

The film is about the deceleration of motion in linear form and speed, establishing a connection between space and love. It ends with high-contrast photos with increasingly drastic color changes. This short film, inspired by Brakhage's Stellar film, was created by manipulating 1750 space photos in Photoshop along with grotesque paintings. Some frames contain black paintings by Francisco Goya, grotesque drawings by Leonardo da Vinci, grotesque engravings by William Blake. In order to refer to Brakhage's poetic style and understanding of storytelling in experimental cinema, two poems by Frank O'Hara and Kenneth Koch are placed in the beginning and end of the film.

A cine-essay about the ego death and consciousness rebirth.

Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.

An abstract, experimental film of a character observing a rainy night.

This is a simple test, with a small and personal motivation to improve the history of motion and time, in the mind of the filmmaker. Hanife released it on 1 July 2018 while he had started executive part from one week before it.

A photographer looks at pictures of the last day of a boy's life.