/3lymzAEZKCXgwwFMscHAIu832G4.jpg

Martyrs of Love (1967)

We are all...

Жанр : мелодрама, комедия

Время выполнения : 1Ч 11М

Директор : Jan Němec
Писатель : Jan Němec, Ester Krumbachová

Краткое содержание

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Актеры

Petr Kopřiva
Petr Kopřiva
Marta Kubišová
Marta Kubišová
Hana Kuberová
Hana Kuberová
Jan Klusák
Jan Klusák
Karel Gott
Karel Gott
Vladimír Preclík
Vladimír Preclík
Josef Koníček
Josef Koníček
Denisa Dvořáková
Denisa Dvořáková
Zdeněk Fanta
Zdeněk Fanta
Pavel Bošek
Pavel Bošek
Miloň Novotný
Miloň Novotný
Alena Čepková
Alena Čepková
Olga Světelská
Olga Světelská
Jiří Mucha
Jiří Mucha
Marta Kadlečíková
Marta Kadlečíková
Inka Zemánková
Inka Zemánková
Eva Olmerová
Eva Olmerová
Jiří Verberger
Jiří Verberger
Pavel Vitoch
Pavel Vitoch
Ferdinand Havlík
Ferdinand Havlík
Eugen Jegorov
Eugen Jegorov
Karel Pilar
Karel Pilar
Laco Déczi
Laco Déczi
Jan Hammer
Jan Hammer
Miroslav Vitouš
Miroslav Vitouš
Laco Tropp
Laco Tropp
Jaroslav Boťa
Jaroslav Boťa
Milan Tesař
Milan Tesař
Zdeněk Bruderhans
Zdeněk Bruderhans
Jitka Cerhová
Jitka Cerhová
Ivana Karbanová
Ivana Karbanová
Jiří Kovařík
Jiří Kovařík
Helena Anýžová
Helena Anýžová
Antonín Bahenský
Antonín Bahenský
Vlasta Bambulová
Vlasta Bambulová
Jana Dufková
Jana Dufková
Libor Fára
Libor Fára
Karel Greif
Karel Greif
Šárka Horáčková
Šárka Horáčková
Miroslav Hotový
Miroslav Hotový
Pavel Jaderník
Pavel Jaderník
Marie Jančová
Marie Jančová
Jiřina Jandová
Jiřina Jandová
Herbert Kisza
Herbert Kisza
Zdena Korčáková
Zdena Korčáková
Jan Krumbach
Jan Krumbach
Ela Květoňová
Ela Květoňová
Jana Lauferová
Jana Lauferová
Jana Lichtenbergová
Jana Lichtenbergová
Jana Mašíková
Jana Mašíková
Emanuel Pejška
Emanuel Pejška
Irena Pejšková
Irena Pejšková
Antonín Pražák
Antonín Pražák
Jiří Reichel
Jiří Reichel
Zuzana Schnöblingová
Zuzana Schnöblingová
Marie Simínová
Marie Simínová
Marie Sixtová
Marie Sixtová
Miloš Šafránek
Miloš Šafránek
Jana Ševčíková
Jana Ševčíková
Zdena Škvorecká
Zdena Škvorecká
Václav Vodák
Václav Vodák
Karel Volf
Karel Volf
Roman Weiss
Roman Weiss
Lindsay Anderson
Lindsay Anderson
Man in traffic police booth (uncredited)

Экипажи

Jan Němec
Jan Němec
Director
Miroslav Ondříček
Miroslav Ondříček
Director of Photography
Miroslav Hájek
Miroslav Hájek
Editor
Jaroslav Chytrý
Jaroslav Chytrý
Set Decoration
Ester Krumbachová
Ester Krumbachová
Costume Design
Jiří Cvrček
Jiří Cvrček
Set Decoration
Jiří Drégr
Jiří Drégr
Set Decoration
Jiří Mikeťuk
Jiří Mikeťuk
First Assistant Director
Marie Kaplanová
Marie Kaplanová
Assistant Director
Alena Mikeťuková
Alena Mikeťuková
Assistant Director
Jan Němec
Jan Němec
Story
Jan Němec
Jan Němec
Screenplay
Ester Krumbachová
Ester Krumbachová
Story
Ester Krumbachová
Ester Krumbachová
Screenplay
Ester Krumbachová
Ester Krumbachová
Art Direction
Eduard Kadeřábek
Eduard Kadeřábek
Camera Operator
Čestmír Církva
Čestmír Církva
Assistant Camera
Oldřich Bosák
Oldřich Bosák
Production Design
Eva Martincová
Eva Martincová
Costumer
Libuše Černá
Libuše Černá
Costumer
František Malec
František Malec
Makeup & Hair
Marie Džbánková
Marie Džbánková
Makeup & Hair
František Fabián
František Fabián
Sound
Věra Kadlecová
Věra Kadlecová
Production Manager
Eva Kučerová
Eva Kučerová
Unit Production Manager
Václav Havlík
Václav Havlík
Unit Production Manager
Vladimír Tišer
Vladimír Tišer
Assistant Production Manager
Jan Klusák
Jan Klusák
Original Music Composer
Karel Mareš
Karel Mareš
Original Music Composer
Štěpán Koníček
Štěpán Koníček
Conductor
Ester Krumbachová
Ester Krumbachová
Lyricist
Bedřich Kubala
Bedřich Kubala
Creative Producer
Ladislav Novotný
Ladislav Novotný
Executive Producer

Подобные

Город грехов
Город грехов - это адская бездна преступлений. Один из его жителей пытается найти убийцу своей невесты. Другой, фотограф, случайно убивает полицейского и старается скрыть свое преступление. Спуститесь по глухому переулку города, и вы найдете кое-что еще. В Городе грехов полиция коррумпирована и улицы смертельно опасны…
Who Killed Mrs De Ropp?
On a train journey, Saki meets Mrs De Ropp, an oppressive aunt and guardian to an unruly brood. Inspired by the meeting, he imagines a tale of repressed children who find solace in their childish wonder, and are saved by their imagination.
Audition
Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
Fimfarum 2
In this antological film, four fairy tales from the book by Jan Werich, each one by a different director. Břetislav Pojar directs the story of Thumbelina, Aurel Klimt "The Hunchbacks of Damascus", Vlasta Pospíšilová "Three Sisters and a Ring" and Jan Balej close the film with "The Sea, Uncle, Why is it Salty?".
Jaroslav Hasek's Exemplary Cinematograph
Комические рассказы Гашека
Четыре коротких рассказа великого чешского сатирика Ярослава Гашека. «Суп для бедных детей» рассказывает о том, как сам принц Роберт готовил суп для бедных детей, «Заседание муниципального совета в Медловарах» - это история участка муниципального полицейского, «Страдания пана Тенкрата» показывает, как странные события приводят к браку и продвижению по службе, «Бунт арестанта Шейбы» описывает победоносную борьбу осужденного Шейбы за клецки для служителей мессы.
Букет
Фильм, состоящий из 7 баллад-сказок по мотивам чешского фольклора. Все они о любви и страсти, которые не подвластны времени. Невесты и жены встречаются с водяными духами, князьями, колдуньями.
Майские звёзды
По-разному складываются судьбы героев в Праге 1945 года. Один грустит о мирной довоенной жизни. Другой встретил свою любовь. Кто-то пересел из танка в милый сердцу городской трамвайчик… А кому-то судьба уготовила навсегда остаться в земле на чужбине, отдав свою жизнь за жизни других.
Love Your Neighbor
This film tells several short stories that end up lapsing in the emergency room of a hospital, because it is dedicated to nurses. Cantinflas appears at the end of the film playing the role of Luis, a man who has five daughters and looks forward to a boy, but fate plays a trick and the child dies at birth, but history gives a nice twist and a message of hope.
The Deserter and the Nomads
An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.
The Pipes
This three-part Austrian/Czech comedy stretches the boundaries of what is considered to be humorous. Part one finds a silent film actor upset because of a rival actor's attention to the former's wife. When he kills his rival, it is only when he is strapped to the electric chair that he realizes that this is his last live scene. The second episode has the wife of an elderly British nobleman having an affair with the young gamekeeper of their estate. Part three finds a peasant woman taking a lover when her husband goes off to fight the war.
Dialogue 20-40-60
"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."
Desire
A poignant overview of how short life can be, this interesting drama from Czech director Vojetch Jasny is divided into four separate segments. In the first skit, a young child's impressions are observed as his newborn baby sister becomes a part of the family. In the second, a young woman falls in love for the first time one summer, and in the third, a tough, older peasant woman battles against the farming cooperatives. Finally, in the last segment, everything comes full circle as a woman who is about to become a grandmother dies while her daughter-in-law has not yet given birth.
People in Places
A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.
The End of a Priest
A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.
Жемчужинки на дне
Картина является сборником из 5 новелл, поставленных каждым из режиссеров по мотивам сюрреалистических произведений чешского писателя Богумила Грабала: «Смерть пана Балтазара», «Мошенники», «Дом радости», «Автоматический свет», «Романс».
Buffalo Boy
Set along the southern coast of Vietnam during the French occupation in the 1940s, water is everywhere, giving life and bringing decay and rot. Kim is 15; his father and step-mother have two buffalo, their lifeline as subsistence rice farmers. During the rainy season, there's no grass and the buffalo are starving. Kim volunteers to take the beasts inland to find food. On this coming-of-age journey, Kim sees men mistreat women, men fight with men, and French taxes rob the poor. He works for Lap, a buffalo herder whose past is entangled with Kim's parents, and he makes friends who will lead him to his place in the world.
The Motive for Murder
Pět z milionu
Radhošť
Three stories ; The Garden of Eden, The Open Country of a Lonely Man, Riedgost ; introduce the youngest generation of Czech filmmakers. They are linked through the similarity of their story-telling poetic and their interest in uncommon environments and heroes. The filmmakers' results confirm the saying that what we long for most is often sitting right in front of our eyes.