Let Us Persevere in What We Have Resolved Before We Forget (2013)

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.

Когда Королева Троллей Поппи узнает, что у бергенов нет праздников, она заручается поддержкой своих друзей Брэнча и других, чтобы помочь ей принести праздник в Берген Таун.

Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.

A kid begs to stay home while his older sister runs to the store. After she leaves, he wishes he would have gone because he doesn’t feel comfortable being at home in the dark as strange things start to happen...

Иккинг и Беззубик воссоединяются, чтобы напомнить викингам и драконам о неразрывной связи между ними.

Очень старая женщина хочет поужинать со своими друзьями. Но так как они все уже умерли, ее слуге приходится изображать каждого из гостей.

Марго, Эдит, и Агнес поехали на велосипедах за мороженным, но Агнес падает. Миньоны, увидев, что она расстроилась из-за этого, приняли решение построить ей мотоцикл. Агнес отправляется в небольшую поездку по городу.

Короткая история о контакте миньона Дэйва (Гадкий Я) с представителем внеземной цивилизации...

Семья сталкивается с естественным желанием любимого сына и внука Дениса иметь домашнее животное. Дедушка Дракула не может отказать внуку и дарит гигантского монструозного щенка…

Пегги Картер работает на организации OSS, которая является предшественницей Щ. И. Т. а и ставит перед собой задачу остановить плохих парней, которые собрали своё общество под названием Зодиак. Пегги придется нелегко, ей придется доказывать, что в OSS есть место для женщины, которая ничем не уступает рядовому агенту-мужчине.

Короткометражный фильм расскажет о дальнейшей судьбе Тревора Слэттери после событий показанных в ленте Шейна Блэка «Железный человек 3».Тревор Слэттери отбывает своё заключение в тюрьме строгого режима «Seagate». К счастью для него, образ террориста по имени Мандарин - принес ему большую известность и защиту даже за решеткой, вследствие чего, актер с удовольствием согласился дать интервью режиссеру-документалисту Джексону Норрису.Для Норриса это последний шанс зайти дальше, чем ложь и отговорки, столкнуть Слэттери с элементами его собственного прошлого и добраться до правды. Потому, что всем нужно выяснить раз и навсегда: кто такой Тревор Слэттери?

Короткометражный фильм расскажет об обратной стороне событий показанных в ленте Джосса Уидона «Мстители». Центральные герои: Клэр и Бенни - молодая нью-йоркская пара, в руки которой попало импульсное оружие пришельцев Читаури. Но, ребята решают использовать находку вовсе не на благое дело. Во всеобщем хаосе они взялись грабить банки. Остановить современных Бонни и Клайда посланы два агента организации Щ.И.Т., один из которых Джаспер Ситуэлл.

Миньонам нужно сделать дом Грайса безопасным для детей, до того как придет проверяющий органов опеки и попечительства.

A trip to church with her family on Christmas Eve gives young Angela an extraordinary idea. A heartwarming tale based on a story by Frank McCourt.

Пластилиновый мультфильм об изобретателе Уоллесе и его собаке Громите. В этом фильме гангстер-пингвин снимает комнату в доме Уоллеса. Чтоб осуществить ограбление, пингвин решил украсть технические штаны, изобретенные друзьями. Но Громит встает на пути у грабителя.

After discovering her mother’s dead body, Luz tries to protect her younger sister, Catalina, from the harmful reality by using fantasy and games.

Сюжет фильма является альтернативной историей развития событий вселенной Смертельной Битвы. В данном фильме ведется переосмысление роли и сущности каждого из героев.

Three kids unleash more than they bargained for from an ancient book of witches.

In Titan's Goblet refers to a landscape painting by Thomas Cole circa 1833. The film is intended as a homage to Cole, who is regarded as the father of the Hudson River School of painting.

July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with “straight photography” than Brakhage, but far more engaged with tactility and the plastics of the image than Jonas Mekas, this early work embraces the mundane—making bread in the kitchen, riding bikes by the San Francisco Bay, hanging out in a cheap-looking flat with friends, plucking a game fowl for supper—while also paying attention to the wind, water, and trees that surround these fleeting moments.

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

A portrait of a dedicated filmmaker who is a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.

The film traces the extensive journey of two unidentified brothers who venture from the outskirts of Paramaribo, Suriname, on land and through rapids, past a Maroon village on the Upper Suriname River, in a rehearsal of the voyage undertaken by their ancestors, who escaped from slavery at the hands of the Dutch 300 years prior. A path still traveled to this day, its changing topography bespeaks a diverse history of forced migration.

Знакомит ребенка с шестью цветами (красный, оранжевый, зеленый, синий, фиолетовый) через картины Ван Гога и природу. Сочетает в себе поэзию, классическую музыку, кукольные сценки и развивающие элементы. Возраст: от 1 года

A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond…the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA

Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley. Consisting of 35 shots, each over two minutes long, the film quietly portrays nature's subjugation to encroaching commercial interests. This film was screened at the 2000 Sundance Film Festival.

Multifarious images of a lake are overlaid with water effects and a narrated history of the campaigns fought by the fictional water-wracket army.

William Douglas Street is bored with his life. Working for his father is getting to him, his wife wants more money, and he's had enough. His solution is to re-invent himself. He becomes a chameleon, taking on whatever role suits the situation. From reporter to doctor to lawyer, he impersonates anyone he feels a need to be and he can earn money being. The movie is based on the real figures William Douglas Street, Jr. and Erik Dupin.

A stunning study of real-time light changing from day to night which was filmed in a forest high up in California’s Sierra Nevada Mountains

In 2005, a suicide bomber walked into Ashraf's wedding, killing 27 people. Now he is on a quest to confront terrorism around the globe.

An affectionate portrait of the left-wing publisher and bookshop owner François Maspero, who was a contributor to Far From Vietnam and would later publish the commentary to Le Fond de l’air est rouge. Maspero is one of the most satisfying and likeable of Marker’s films from this period, achieving an exemplary balance of quirky human warmth with a clear and inventive form of political argument.

An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty?

A color-separation portrait of the Exarchia neighborhood of Athens, Greece, made during the Anti-Austerity protests in late 2011. In a place thick with stray cats and scooters, cops and Molotovs, ancient myths and new ruins; where fists are raised like so many columns in the Parthenon, this is a film of surfaces - of grafitti'd marble streets and wheat-pasted city walls - hand-processed in red, green, and blue.

American Colour was funded by the Images Festival and the Deluxe Cinematic Vision Award. "Joshua Bonnetta’s American Colour (note the bi-national spelling), was shot on old rolls of 16mm Kodachrome during a pilgrimage from the stock’s birthplace in upstate New York to Kansas, where its final rolls were processed earlier this year. Like a postscript to Dean’s Kodak, American Colour explores Kodachrome’s historic use and singular hues, doing so with digital means in the wake of its obsolescence.

The first part (winter) of a seasonal study of the Hudson river in New York.