Doublevision Presents: Cabaret Voltaire (1982)

Жанр : музыка

Время выполнения : 1Ч 30М

Директор : Peter Care, St. John Walker, Cabaret Voltaire

Краткое содержание

This scintillating compilation of various Cabaret Voltaire albums and singles makes a great introduction to this interesting group. Tracks include "Diskono," "Obsession," "Nag Nag Nag," "Seconds Too Late," "This Is Entertainment," "Badge of Evil," "Eddie's Out," "Landslide," "Photophobia," "Extract from Johnny Yesno," "Walls of Jericho," "Moscow," "Trash (Parts I & II)" and more.

Актеры

Richard H. Kirk
Richard H. Kirk
Himself
Stephen Mallinder
Stephen Mallinder
Himself
Chris Watson
Chris Watson
Himself

Экипажи

Peter Care
Peter Care
Director
Cabaret Voltaire
Cabaret Voltaire
Music
St. John Walker
St. John Walker
Director
Cabaret Voltaire
Cabaret Voltaire
Director

Подобные

Куб
Группа людей, которые никак друг с другом не связаны, неизвестным образом внезапно оказываются в странной кубической комнате, каждая грань которой снабжена люком, ведущим в другую такую же комнату. Единственная разница между комнатами — это их цвет и наличие разнообразных смертоносных ловушек. Совместными усилиями эти пятеро пытаются найти ключ к выходу из этого гигантского сооружения.
Суспирия
Юная американка Сюзи приезжает в Германию обучаться мастерству танца в старой римской балетной школе. В ночь приезда ее туда почему-то не пустили, но она видела, как из здания школы выбежала девушка, которая в ту же ночь будет жестоко убита. Наутро недоразумение разрешится, Сюзи примут, и она приступит к занятиям. Ее принудят остаться жить в пансионате при школе, на ночь будут поить вином с подмешанным снотворным, но девушка все равно почувствует витающую в воздухе школы мистическую угрозу и захочет выяснить, что ей угрожает
Чистый, бритый
Питер Уинтер, шизофреник, которого недавно выпустили из специального медицинского учреждения, пытается освоиться в незнакомом для него внешнем мире. Он отправляется на поиски своей дочери Николь, живущей с приёмными родителями. По дороге с ним происходит ряд инцидентов…
Passfire
A film about fireworks, the people who make them and the cultures behind them across the globe.
ULTRA II
A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. CHARLES MANSON family interviews/LP tracks WHITEHOUSE LP TRACKS 2 birthdeath experience side B SUTCLIFFE JUGEND studio action 1 RAMLEH interview & music PETER SUTCLIFFE trial report KINGS CROSS PROSITIUTION 1982
ULTRA III: Peter Kurten, Sadist & Mass Slayer
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ULTRA IV
A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. PETER SUTCLIFFE preview WHITEHOUSE LP TRACKS 3 total sex side A SUTCLIFFE JUGEND interview & music WHITEHOUSE studio action 2 HERMANN NITSCH a study AUSCWITZ / BIRKENAU 1941-82
ULTRA I
A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. SUTCLIFFE JUGEND interview and music PETER KURTEN preview WHITEHOUSE LP TRACKS 1 birthdeath experience side A PHILIP BEST talks to MARY DOWD WHITEHOUSE studio action 1 KINGS CROSS PROSTITUTION 1982
Дональд Дак: Капли свели Дональда с ума
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Кукарекающая собака
Collection of classic Tex Avery visual gags, set up as a battle between a sleep-deprived bulldog who just wants some shut-eye and a rooster driven by his natural instincts to crow all night long.
Mechanical Principles
Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears spin. Shafts turn some mechanism that is out of sight. Screws revolve and move other gears; a bit rotates. More subtle mechanisms move other mechanical parts for unknown purposes. Weights rise and fall. The movements, underscored by sound, are rhythmic. Circles, squares, rods, and teeth are in constant and sometimes asymmetrical motion. These human-made mechanical bits seem benign and reassuring.
За гранью жестокости
"За гранью жестокости" - творческий тандем голландского режиссёра Арьяна Каганофа (Ян Керкхоф) и известного японского нойзера и писателя Масами Акиты (Merzbow). Это фильм-повествование о поисках и становлении творческого мира Акиты, его взглядах на искусство, жизнь и уход из неё; снятый также в форме репортажа, фильм раскрывает суть японской шумовой музыки, таинство и спорность покидания тела через ритуалы сэппуку и харакири, воплощённые в серии псевдо-снафф-видео Onna Harakiri; слепок архитектурных пейзажей Токио; развитие БДСМ-культуры в Стране Восходящего Солнца...
The Jesus Lizard: Sho(r)t Film
Live, documented at Chicago's Vic Theatre in April of 1996. 1 Thumbscrews 2 Fly On The Wall 3 Mailman 4 Destroy Before Reading 5 Thumper 6 Bloody Mary 7 Wheelchair Epidemic
1/57: Experiment with Synthetic Sound (Test)
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
Electronics in the World of Tomorrow
Erkki Kurenniemi was arguably one of the first artists to propose or fantasise about a complete cultural surrender to cyber existence, and his entire career, covering such diverse fields as artificial intelligence, music, engineering, film, dance or rhetorics, testifies to this desire to escape the limits of the human body and transgress into a different dimension, bordering on techno-fetishism. In his 1964 short Electronics in the World of Tomorrow, Kurenniemi presents a slideshow of the most aseptic signs of technological imagination: diagrams, chips, machines, cold surfaces. But footage of human warmth also comes up - mostly in black and white, as if to give humans the status of a memory. Originally silent, the film was in this version endowed with a electronic music piece by Kurenneimi himself: a cold, aggressive soundtrack that could be said to present technology as a potentially menacing affair, although this is a reading that the director would certainly refute.
People Who Do Noise
'People Who Do Noise' is a film about the experimental music of Portland, Oregon. Extensive interviews and intimate performance footage provide an intense portrait of the motivations, emotions, and methods that go into this uncompromising, sometimes brutal musical form. Unwavering in its focus, the film brings to light an art form unfathomable to many, with only the words of the musicians themselves providing any explanation for the pulsating sonic chaos they create. The unflinching cinematic style defies any trend-setting or commercial representation, opting instead for a stark portrayal of a musical underground at its most genuine and vital.
Unemployed Clown at Home
Clown work. Features a noise soundtrack by Dead Bait, Anthony Boobier.
Ministry: Tapes of Wrath
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The Jesus Lizard: Live at The Paradiso, Amsterdam 1993
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