La casa delle vedove (1960)

At the lowest point of his life, Richie gets a call from his estranged sister, asking him to look after his nine-year old niece, Sophia, for a few hours.

Что случилось в те первые дни Творения, которые сделали Человека и Собаку настолько неотделимыми? Собака, исследуя этот мир, встречает странное существо - человека, называемого Адамом, - и с этим обнаруживает новую связь с миром.

После долгих лет замужества, Уолтер и Мэдж разделяются: он живет на полу, а она — на потолке. Когда Уолтер пытается разжечь их прошлый роман, все выходит из равновесия и пара, которая не может согласовать где верх, а где низ, должны найти способ вернуть их брак.

Тадео — упрямый исследователь необычного, который редко может избежать неприятностей. Вот и в этот раз он самоотверженно входит в обычную пирамиду и встречает самую необычную семью мумий.

Early short showing the titular park in around 2 minutes.

Немой художественный короткометражный фильм Петра Чардынина по мотивам одноимённой повести Александра Пушкина.

Little Pancho Vanilla dreams of becoming a bullfighter, but his mother tells him that's impossible. The greatest bullfighter in Mexico, Don Jose, is coming to town; Pancho tells the local women he's better, so he goes to the amateur tryout, but he gets thrown out because he's so small. The bull quickly disposes of the other amateurs, sending one over the fence, where he catapults Pancho into the ring right on top of the bull, knocking out the bull to great acclaim from the crowd.

AJUMMA! Are you krazy??? is a zany comedy that follows the misadventures of three Korean drama fanatics. Fueled by their schoolgirl hormones, the hopelessly romantic Ajummas, Judy (Thea Matsuda), the lovable and innocent heroine, Susan (Tessie Magaoay) the gruff-tough one, and Amy (Cari Mizumoto) the sassy tart, go on a hilarious journey to try and meet Korean super star Michael Park (Michael Hsia) by stealing his itinerary, breaking into his hotel room, and sneaking on to his music video set. Witty writing, a light-hearted story and a likable cast allow this short film to succeed in taking a humorous look at the K-drama phenomenon and what some ladies will do for a crush.

With only one male grey panda left in the entire world, Ron the Zookeeper is sent in to get a sperm sample, no matter what.

Thang, Rose and Didi help the young Queen Jo build a new ant hill while avoiding the sinister geckos and keeping Sal Caterpillar out of trouble.

Begone Dull Care shines with his masterful use of scratching and painting on film stock. In Begone Dull Care, McLaren adds complexity to Lye’s compositions, emphasising sound/visual synchronisation and generating depth on his mobile canvas. The film gives warmth and movement to compositions resembling a constantly morphing Jackson Pollock painting, yet never fails to remind us of its very calculated aesthetics when it suddenly adapts to the score’s slower movements and shifts from expressionistic and oversaturated explosions to minimalist vertical lines that vibrate accordingly to Oscar Peterson’s piano.

"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders

Another short was 3 American LPs, which was the first film I did with Peter Handke. It was a film about American music, about three pieces of three LPs. There was a song by Van Morrison, another by Harvey Mandel, and one of Credence Clearwater Revival. It was mainly the music and some shots out of a car, landscapes out of the car window. And it had a little bit of commentary – dialogue between Peter and me about American music and about how American rock music was about emotion and images instead of sounds. That is to say, about a kind of phenomenon, that it was in a way a kind of film music, but without a moving picture. It was a 12-minute film and it was never shown. – Wim Wenders

Mickey's orphans ask for a story; Mickey casts himself as Jack in Jack and the Beanstalk. He starts with the climbing of the beanstalk; after evading the giant a few times, he ends up inside a cheese sandwich, and then in the giant's mouth, where he ultimately grabs onto a pipe and gets pulled out by the giant. In the ensuing chase, Mickey launches a pepper bomb to slow the giant down, then outruns him coming down the beanstalk and sets the stalk on fire.

Mickey's film is having a premiere, and all the stars turn out at the Chinese Theatre. Among those shown: Laurel and Hardy, the Marx Brothers, Jimmy Durante, Clark Gable, Sid Grauman, Mae West. The picture, Galloping Romance (Pegleg Pete kidnaps Minnie, and Mickey gives chase on a variety of animals), starts, and everyone in the audience sways along to the music, then rolls in the aisles with laughter. After, everyone comes on stage to congratulate Mickey; Garbo smothers him with kisses.

Строительство дома: история знакомства рабочего и продавщицы.

Mickey Mouse's new job at Tony's Pet Store is jeopardized when Beppo the Gorilla escapes and kidnaps Minnie. Mickey fights back with the help of the other animals in the store.

Mickey Mouse and his friends stage their own production of Harriet Beecher Stowe's Uncle Tom's Cabin.

Mickey's in trouble when Pluto and Fifi eat Minnie's chocolates.

In a circus tent, Betty, Bimbo and Koko demonstrate some gadgets reminiscent of TV ads; an animated sewing machine gets out of hand.