Кровь – не вода (1935)

In the summer of 1980, a successful yuppie faces an existential crisis when a nosferatic ghoul joins his social circle and undermines his social status.

Bruno is making his way through the city searching for its soul. Driven by his curiosity, a challenging imagination and his wild reflection on reality he is lifting the old dusty curtain on the city's crusted perception.

Lyrical debut film of avant-garde/structuralist filmmaker Ernie Gehr. Morning light streams through a window in Gehr's apartment. As Gehr changes the aperture from open to closed and back again, the light pulsates, in turns overwhelmingly bright and almost vanishing in darkness. A beautiful mediation on the essence of cinema and perception.

Self fashion show.

A nightmare of a woman depressed by the concrete world she lives in, and her journey from suicidal despair to personal renewal with the help of an unlikely spirit guide.

A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.

Rune is 14 years old and lives in the suburbs; he is different from the other boys. One day after having a fight with his dad he leaves home to hang out at the docks and be by himself. But he is not the only one there; the slightly older Benjamin is also at the docks painting graffiti on an abandon factory. Intrigued and curious Rune goes over to say hi.

A medical documentary for students.

A dark and stormy night in a drugstore. The druggist mixes a potion and falls asleep. The skull-and-crossbones on the bottle comes to life and drips the potion on the druggist.

It's St. Valentine's Day. Cupid is having fun arranging, while a young devil is making mischief sabotaging, love affairs.

A (barely) two minute short is that it was made specially for a Paramount newsreel segment on Bute and Nemeth making films in their teensy New York apartment. Paramount apparently never got round to including the filmmakers in any newsreel, but their own film survived in the Bute-Nemeth Archive. (weirdwildrealm.com) To the rhythm of music that sounds a bit like a Busby Berkeley tune, lines and circles appear against a black background. Then triangles, in groups. Black and white squares move in tandem. Sparkling forms turn in kaleidoscopic patterns. Then cubes appear, white against the background, bouncing; a yin and yang rotate a few times before the film ends with an quick burst of scattering light.

The "Our Gang" kids stage a production of "Romeo and Juliet," but the show is threatened when leading lady Darla walks out on star Alfalfa.

Когда помощник игрока в гольфе на местном поле для гольфа объявляют забастовку, банда вмешивается, чтобы заработать немного денег.

Банда помогает Скотти и его дедушке после того, как неприятный владелец закусочной заставляет их переместить киоск с лимонадом.

In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of "La sortie des ouvrier de l'usine Lumière" was projected. The stringing together of the individual developed sections make up the new film, which reads the original frame like a page from a musical score: within the strips from top to bottom and sequentially from left to right.

By showing a series of different-coloured objects, the film aims to familiarize very young children with the various colours, and ends with a shot of a blackboard, a symbol of learning.

Daffy Duck is a message courier bird delivering a military secret that a femme fatale Nazi spy is determined to get.

There are 10,000 people dying everyday due to hunger and malnutrition. This short film shows a forgotten portion of the society. The people who live on the refuse of men to survive. What is inspiring is the hope and spirituality that never left this people.This film is about the hunger and poverty brought about by Globalization.

Overweight and uninspired Millie attempts to finally reconcile with her gay father, but his half-dressed male companions keep getting in the way.

An aspiring photographer and his bumbling assistant go to great lengths to take a picture of a beautiful actress whose wealthy husband does not want her photographed.