Fordlandia (2014)

Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.

“Shows how a full carload of coal is loaded onto a vessel every thirty seconds at the great Erie Railroad Docks, Cleveland, Ohio. Great clouds of coal dust rise as each car is unloaded.”

An environmental account of Henry Ford’s Amazon experience decades after its failure. The story addressed by the film begins in 1927, when the Ford Motor Company attempted to establish rubber plantations on the Tapajós River, a primary tributary of the Amazon. This film addresses the recent transition from failed rubber to successful soybean cultivation for export, and its implication for land usage.

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Manoel de Oliveira's final work revisits one of his earliest films and celebrates a century of industrialization in Portugal.

Fordlandia is a small settlement on the River Tapajos in the Brazilian part of the Amazon, where Henry Ford set up a rubber industry in the 1920s. Mainly due to the resistance of nature, the project failed and was abandoned some 20 years later. Fordlandia is a voyage of (de)colonisation whereby the drifts and detours of modernity in uncertain places are highlighted, turning away from whatever their historical imaginaries were. The tensions between industrial and natural landscape are levelled off in a certain horizontality of hierarchies between form and content, and at the same time the animal resignifies possibilities of the community of the living.

On the 10th anniversary of the publication of his first video on the Internet, "Rubius X" is a documentary that deals with the origin, motivation and secrets behind Rubius, one of the most followed Spanish content creators in the world. A review of the history of a pioneer, the icon of a whole generation, who represents like few others the revolution of the new digital media.

We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector.

Дэниэл Рэдклифф, Руперт Гринт и Эмма Уотсон встретятся со своими коллегами и впервые за долгие годы окажутся в стенах Хогвартса.

The last year in the life of Diego Maradona told by friends, family and former companions reveals his deep humanity. In the midst of the Covid 19 pandemic, a Maradonian funeral sends him away amid tears, songs and tear gas.

A baby pufferfish travels through a wondrous microworld full of fantastical creatures as he searches for a home on the Great Barrier Reef.

Даже в демократических странах, где свобода слова исторически считалась данностью, противостояние между медиа и властью обострилось. Возможно, это связано с глобализацией, появлением интернета, распространением фейковых новостей и ужесточением внутренней политики некоторых государств.

История белой медведицы, готовящейся к материнству в холодных полярных землях.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

Doris Muñoz is a young, ambitious music manager whose undocumented family depends on her ability to launch pop stars. When she loses her biggest client, Doris hustles to discover new talent and finds Jacks, another daughter of immigrants for whom "making it" isn't just a dream: it's a necessity.

В этом короткометражном анимационном документальном фильме ветераны Второй мировой войны находят тайный лагерь, где еврейские солдаты содержали нацистских военнопленных.