Caos de tránsito (2018)
crude reality of human rights in Argentina
Жанр : документальный
Время выполнения : 1Ч 30М
Директор : Ignacio Liang
Краткое содержание
Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
Леденящие душу жуткие события сотрясают пригородное местечко, где соседствуют три уютных домика. Неведомая и невидимая сила зверски убивает женщину на глазах мужа. Ночью у кровати его соседа появляется ужасный монстр. А мальчик из дома напротив, погибший под колесами автомобиля, возвращается с кладбища и садится за кухонный стол. Искать причину необъяснимых кошмаров берутся три специалиста по паранормальным явлениям и детектив из отдела по расследованию убийств.
Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him.
Raising Bertie is a longitudinal documentary feature following three young African American boys over the course of six years as they grow into adulthood in Bertie County, a rural African American-led community in Eastern North Carolina. Through the intimate portrayal of these boys, this powerful vérité film offers a rare in-depth look at the issues facing America's rural youth and the complex relationships between generational poverty, educational equity, and race. The evocative result is an experience that encourages us to recognize the value and complexity in lives all too often ignored.
Легендарная Рита Хейворт опаляет чувственностью и магнетизмом, когда поет «Put the Blame on Mame» и блистает в роли манящей соблазнительницы Джильды. В истории «Джильды» Джонни Фаррелл поступает на работу к Баллину Мандсону, содержащему подпольное казино в южноамериканском городе, и быстро становится его правой рукой. Все идет хорошо, пока Мандсон не возвращается из поездки со своей невестой Джильдой – женщиной из прошлого Джонни. Мандсон, не зная об их бывшей любовной связи, дает Фарреллу задание охранять верность своей жены Джильды. Полная ненависти Джильда старается изо всех сил оттолкнуть, запугать и вызвать ревность у Фаррелла, пока обстоятельства не помогают ему расплатиться.
Правдивая история клана Пуччио. Эта семья похищала и убивала людей в 1980-х.
In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
После индонезийского военного переворота 1965 года, военизированные формирования и садистские преступники убили более миллиона предполагаемых коммунистов. Эти убийства остались безнаказанными, а виновные до сих пор являются влиятельными людьми, которые могут рассчитывать на поддержку коррумпированных политиков.
PUBLIC ENEMY NUMBER ONE looks at the war on drugs from 1968 until today and looks at trigger points in history that took cannabis from being a somewhat benign criminal activity into a self-perpetuating constantly expanding policy disaster.
More than two decades after the shooting at Columbine, an entire generation has grown up under the threat of gun violence. This film examines the epidemic of school shootings and their lasting impact through the eyes of survivors.
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.
Агустин узнает о смерти своего брата-близнеца Педро и решает присвоить себе его жизнь. Но он не догадывается, какое криминальное прошлое было у его брата…
The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.
A rock documentary, about the Mexican band Molotov, that focuses more in the political and musical context of Mexico rather than in the actual story of the band.
After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.
Intimate story about the rising career of Gabriela Adam, only with her determination and the support of an institutional educational network, where her family plays a fundamental role.
In the wake of the high school shootings in Parkland, Florida, concerned citizens travel by bus to the State Capitol to debate legislators about an urgent issue: Gun Reform. One of them, a stay-at-home mom, runs for office to honor her son.