As they pass (2001)
Жанр :
Время выполнения : 7М
Директор : Brigitta Bödenauer
Краткое содержание
The introductory text of as they pass is spoken calmly and quietly. The voice doesn't tell a story, it conveys atmosphere. It´s superimposed over images that flare up briefly and are punctuated by relatively long intervals of black frames whenever the viewer begins to orient him or herself. And suddenly, the images in Bödenauer´s animation made with silk paint on glass - start to overlay one another: They´re arranged by layer, extending into the screen´s depths, and the uppermost layer flows apart, revealing the one below it. In the end they seem to have all moved away, their composition has turned into strips of color which zip upward or to the side. This is accompanied by an increasing volume of sound. At the film´s conclusion there is openness rather than a point.
Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.
После катастрофической глобальной войны молодой режиссер просыпается в кровавой бойне и ищет убежища в единственном выжившем: эксцентричной, идеологически оппозиционной фигуре вооруженных сил Соединенных Штатов. Вместе они преодолевают токсичный ландшафт в поисках безопасности... и ответов.
An experimental film: dozens of pictorial techniques applied directly on celluloid; a work of impressive aesthetics that recovers certain ideas of abstract expressionism: endless chromaticism, constant mutations, the music of the cosmos, mysticism, synesthesia… and an enigmatic title that, although it imitates the phonetics of the Basque language, means nothing.
IT специалист-скептик, который уже отчаялся найти помощь, решает провести серию экспериментов в своей импровизированной домашней лаборатории. Всё это, чтобы вылечить мешающее жизни нарушение слуха. Но к чему приведут его исследования?
A lonely character in a deserted world watches as it goes up silently in flames.
2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.
The human psyche unfolds and becomes something different in this musical dance film featuring specialised choreography and direction.
Event and murmur: modulating attention through channels, like shifting through radio, can reveal signals in noise – the basis for "frequency hopping" cryptography, which gives the logic for mobile networks. At the beach, networks fail, we hop waves, acumulate dead time, roam. ( Super8 films shot in the 1970s and processed only in 2020.)
The introductory text of as they pass is spoken calmly and quietly. The voice doesn't tell a story, it conveys atmosphere. It´s superimposed over images that flare up briefly and are punctuated by relatively long intervals of black frames whenever the viewer begins to orient him or herself. And suddenly, the images in Bödenauer´s animation made with silk paint on glass - start to overlay one another: They´re arranged by layer, extending into the screen´s depths, and the uppermost layer flows apart, revealing the one below it. In the end they seem to have all moved away, their composition has turned into strips of color which zip upward or to the side. This is accompanied by an increasing volume of sound. At the film´s conclusion there is openness rather than a point.
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
an eight-hour long experimental film/performance art piece in which filmmaker chandler pippin creates their own arbitrary form of service work and films a shift in its entirety.
A description of two nude bodies.
