Bootlegger (2021)
Жанр : драма
Время выполнения : 1Ч 21М
Директор : Caroline Monnet
Краткое содержание
Mani, a master’s student, returns to the reserve in northern Quebec where she grew up. Her painful past resurfaces. Resolved to reintegrate into the community, she gets involved in the debate around a referendum on allowing the free sale of alcohol on the reserve. Laura, a bootlegger, pockets the profits she makes there under the protection of the band council and her partner Raymond. The latter is still angry with Mani, whom he holds responsible for the death of his daughter in a fire. Opposing forces quickly divide the community into two sides who face each other to determine the best path to independence.
A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.
A detective, goes from Spain to the Venezuelan Guajira, hired by the king of Wuayuus, to protect her, Niña de Maracaibo (wife of King, who belongs to an aristocratic family in the city) the detective tries to discover a conspiracy greater than initially imagined. Where he is only one piece in a plot which mixes smuggling, power struggles and tribal magic. The clash of two opposite visions, the 'Western' Spanish researcher, and the 'native' the Wuayuu original owners of Caribbean, converts this format film apparently 'police' in a thesis film revealing the mystery of the still existing singular South American identity.
ETERNAL ASHES tells the story of a mother, Ana and her daughter, Elena. Although they are separated, in the space and time they remain united forever. The people and the millenarian culture of Yanomami are the framework of this story about the unbreakable bonds of filiations. After an accident in the furious flow of the mythical Orinoco River, in the fifties, Ana was considered dead. Elena as an adult and facing the negligible possibility that her mother is alive decides to leave to the Amazon to search her. ETERNAL ASHES is a story of filiations, poetry, wisdom and especially of humanity.
Мартин Блэнк приезжает на встречу выпускников в свой родной городок Гросс-Пойнт. У него богатые планы на этот вечер: он должен помириться со своей бывшей девушкой, которую не видел десять лет, а заодно, чтобы совместить приятное с полезным… совершить убийство. Ведь в отличии от остальных одноклассников, Мартин выбрал карьеру профессионального киллера, и в Гросс-Пойнте его ждет очередное задание. И не только его… За Мартином уже давно охотятся два правительственных агента и конкурент, которые не дадут гостям скучать.
Семья выходцев из племени маори пытается выжить в урбанистическом кошмаре, где царят насилие, преступность, самые разные человеческие пороки. Бет, дочь вождя аборигенов, уведённая с земли предков 18 лет назад своим мужем Джейком, по мере сил противостоит пьянству, беспутству и жестокости опустившегося супруга, желая запоздало уберечь сыновей и дочь от дурного влияния улицы…
Красиво снятый приключенческий фильм переносит нас на остров Пасхи. Тогда это был райский уголок земли, на котором начался острейший конфликт между двумя кланами островитян. Норо — парень из правящего клана длинноухих полюбил девушку из клана короткоухих — Раману, которую любил другой парень, их общий друг детства и тоже короткоухий Маке. Раз в год племена устраивают соревнования: кто доставит с соседнего острова целое птичье яйцо, тому и достанется девушка и он станет человеком-птицей, представителем местного бога.
Alex has a deeply troubled mind. He also has a seriously dysfunctional - not to say incestuous - family. Why then, has he returned from his merchant seaman job to the rocky coasts of his home? Perhaps he couldn't cut manage to march in his father's footsteps in that job. His mother doesn't seem to mind, and lets him stay at her bed and breakfast hotel. His sister still seems to have the hots for him, just as she does for his (and her) old boyfriend Jean-Louis, who has just shown up. Even his mother seems to find him sexy. All these people appear eager to get their hands on his body, but he's too wrapped up in what's going on inside his head to notice.
Navajo Film Themselves is a series of seven short documentaries: Intrepid Shadows (1966), The Navajo Silversmith (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966).
Towards the end of the 16th century, the Spanish conquerors living in the New World faced a serious problem: the evangelization of the indigenous people, who did not understand or accept Christianity due to their unshakable faith in their own religion. The court of the Inquisition cracks down on heretics and the natives prepare for a general uprising ...
This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.
A white lawyer finds his values shaken when he is paired with an angry Indigenous activist who insists on kidnapping the head of a logging company to teach him the price of his destruction.
After 3 years abroad Junior returns to Iceland with his set of problems hoping that his father can sort them out but his homecoming isn't quite what he had expected.
Фильм повествует о страшном геноциде, учиненном военными Гватемалы против индейцев народа майя в 1982 году, об истреблении 450 гватемальских деревень вместе с их жителями.
The Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.
Shouting Secrets is a hopeful and heartwarming, universal story taking place in a present day Native American family. It's a story that is at once about the constancy and the fragility of love, as well as the importance of family.
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
In an indigenous village a murder occurs, and young man is sentenced to death for it. However his father, the real culprit, takes the responsibility.
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
