Small World (2022)

Для великого народа наступили тяжелые времена: на страну напало воинственное племя гуннов. Переодевшись в мужскую одежду, Мулан присоединяется к другим воинам и отправляется в опасный поход к подножию заснеженных гор. Ее сопровождает забавный дракончик Мушу, который больше похож на маленькую собачку, чем на мифическое чудовище.Пытаясь скрыть тайну, они попадают в забавные ситуации и не подозревают, что их секрет вот — вот раскроется!…

Юная охотница и её отец отправляются в Ирландию, чтобы истребить последнюю стаю волков. Но всё меняется после встречи с девушкой из загадочного племени, которое, по слухам, ночью превращается в волков.

Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

A chimney sweep and his beloved shepherdess are aided by Wonderbird in their escape from a ruthless dictator

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

22 Light-years draws on a range of visual sources, including photographic negatives, diagrams, found patterned papers, and archival footage. These sources merge, sometimes uncomfortably, with video that was screen-recorded while operating desktop home design software. By creating digital floor plans, landscaping, and roofless homes in real time, and manipulating those videos to move them further away from the software’s intent, Geiser fabricates a digitally lush, elliptical, uncanny world, where home planning never results in a tangible home. The familiar material elements (negatives, diagrams, flower seed packets) wear the skin of the immaterial realm, suggesting time as simultaneous, mutable, and unknown. (janiegeiser.com)

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Хаос царит повсюду: в её голове, в её окружении, в городе; вещи начинают жить собственной жизнью – молодая Рейне находится в поиске, но не знает, чего ищет. В нежном рисунке мы видим мир её глазами, и её восприятие мира становится нам понятным и осязаемым.

После катастрофической глобальной войны молодой режиссер просыпается в кровавой бойне и ищет убежища в единственном выжившем: эксцентричной, идеологически оппозиционной фигуре вооруженных сил Соединенных Штатов. Вместе они преодолевают токсичный ландшафт в поисках безопасности... и ответов.

100 basic images switching positions for 4000 frames.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.

An obsessive, genius programmer sacrifices everything in his personal and professional life to build a computer of unprecedented power.

Single frame exposures of words.

A commission for the San Francisco Exploratorium, this film-collage studies the water systems and architecture of the San Francisco waterfront, in abstract and formal contexts.

Various gestures of hand held razorblade, single frame exposures.

A film accompaniment featuring songs from Perfume Genius' newest record, Ugly Season.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.