Malíř Kamil Lhoták (1960)

Portrait of Kamil Lhoták

Жанр : документальный

Время выполнения : 7М

Директор : Karel Vachek
Писатель : Karel Vachek

Краткое содержание

A poetic documentary portrait about czechoslovakian painter.

Актеры

Kamil Lhoták
Kamil Lhoták
Self / Commentary (voice)
Ladislav Mrkvička
Ladislav Mrkvička
Commentary (voice)

Экипажи

Karel Vachek
Karel Vachek
Director
Karel Vachek
Karel Vachek
Idea
Karel Vachek
Karel Vachek
Screenplay
Ivan Renč
Ivan Renč
Director of Photography
František Švanda
František Švanda
Assistant Camera
Ljuljana Lorencová
Ljuljana Lorencová
Editor
Oldřich Tichý
Oldřich Tichý
Sound
Jana Kresslová
Jana Kresslová
Production Manager

Подобные

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Itch
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Trapped
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Lean on Me
Lean on Me tells the story of a broken relationship between a father and son who have recently encountered a terrible family tragedy. The two loggerheads are at constant odds but learn that the only way through this is together.
I Took a Nap and I Miss You
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What We May Be
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Wallflowers in the Parade
With the banning of the religion in 1972, male Jehovah's Witnesses are made to spend their National Service in the detention barracks for two and a half years or longer. This documentary follows the lives of three male Jehovahs Witnesses and their lives in Singapore as well as the first Witness who was imprisoned in 1972.
Gunkworld
Using a unique format of episodes and advertisements: GUNKWORLD is a short film about a horror cult cartoon series on TV where the main characters: Gunkman, Sallysweets and Roboji, are cute monster schoolchildren who terrorize human characters. Outside the TV show, GUNKWORLD begins to advertise its brand through commercials and merchandise, which quickly gains popularity at an unholy rate. The entire planet eventually becomes crazed, all their thoughts replaced with messages from GUNKWORLD. Back in the TV show, Gunkman starts to miss his lines. Gunkman is up to something... As a film, GUNKWORLD overloads the viewer with loud, colorful and compressed visuals, audio, stories and designs, playing with ideas of hypnotic subconscious consumption. It paints a vibrant yet ugly picture of needless ‘over-consumption’ and loss of control. GUNKWORLD is also a love letter to Japanese media, seen from the eyes of a child growing up in Singapore during the 90s.
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Echo Chamber
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Sing for Us
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Ceiling
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The Delivery
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The Exortwist
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