Director
Alma Mahler's affair with the young architect Walter Gropius sets in motion a marital drama that forces her husband Gustav Mahler to seek advice from Sigmund Freud.
Co-Producer
A womanizer gets his own cooking show and, ironically, the females who call in end up airing their relationship problems to him.
Screenplay
A womanizer gets his own cooking show and, ironically, the females who call in end up airing their relationship problems to him.
Director
A womanizer gets his own cooking show and, ironically, the females who call in end up airing their relationship problems to him.
Screenplay
The eccentric owner of a Los Angeles self-storage company finds his world come crashing down when his long-suffering wife dies, only to return as a beautiful ghost.
Associate Producer
The eccentric owner of a Los Angeles self-storage company finds his world come crashing down when his long-suffering wife dies, only to return as a beautiful ghost.
Screenplay
A young orphaned woman, named Kotzebue, is trying to find out who her parents are in the icy landscapes of Alaska. Kotzebue (K.d. Lang) is helped by a east-german librarian (Rosel Zech), whose husband was killed while fleeing from the GDR. Although both women could not be more different from each other, a fragile relationship forms.
Second Assistant Camera
Действие своего первого фильма на английском языке режиссер поместил в захудалый мотель посреди пустыни Мохаве. Жасмин Мюнхгстеттнер, обычная немецкая домохозяйка, поссорилась с мужем, и тот бросил ее одну в пустыне. Побродив некоторое время под обжигающим солнцем, она приходит в пыльный мотель, управляемый Брендой, острой на язык, крутой женщиной, которая обращается со своей новой клиенткой как с инопланетянкой. Через некоторое время, однако, эти две столь разные женщины становятся лучшими подругами и вдвоем превращают мотель в самое лучшее заведение к западу от Лас-Вегаса. Жасмин же просто притягивает к себе всех посетителей, в особенности, Руди Кокса, отчаянного романтика, который безумно хочет написать ее портрет.
