Chiu Kang-Chien

Chun, 28, Taiwanese, goes on a conflict-packed search journey with her Chinese guide, Ming, to find her father's long-lost first love, XiuQian, in China. Chun's father had promised XiuQian 60 years ago that he'd definitely come back to marry her. But not until recently, Taiwan and China were hostile to each other, he was never able to fulfill his promise. Chun and Ming grew up on two sides of the Taiwan Strait and were brought up with different values. They don't hesitate to cut each other down to size. Their turbulent romance unfolds in tears, laughter and a clash of values. The love story of two generations, across the Taiwan Strait, told with touching drama and biting comedy, is a poignant and entertaining road movie.

Наследный принц Ву и малышка Ван росли вместе во дворце. Повзрослев, они полюбили друг друга, но император решил сделать Ван своей новой женой. Безутешный Ву отправляется на юг искать утешения в музыке и танцах.

Ее взлет к славе был стремителен. Жуань Линъюй начала сниматься в кино в 16 лет и почти сразу стала любимой актрисой немого китайского кинематографа, но меньше чем через десять лет, в расцвете красоты и на пике успеха, свела счеты с жизнью…

A story of a girl haunted by the ghost of her mother, after witnessing her murder.

A story of a girl haunted by the ghost of her mother, after witnessing her murder.

Three Chinese women with vastly different backgrounds get acquainted and become friends amid the social desolation of New York.

A youth film about four city lasses.

Carole and Mandy have just become neighbors in a luxury apartment complex. Mandy is a successful career woman, educated and independent. Carole is a kept woman, dreaming of the day when her businessman lover will divorce his wife to marry her. Through Mandy, Carole meets Edgar, a neurotic headwaiter. She breaks off her affair with the businessman, but Edgar is still masochistically involved with his old girlfriend Alice. Carole realizes that she still has a lot to learn about life. And nothing is going to stop her from learning it.

Before the Big Ban on prostitution, West Hong Kong is famous for its houses of pleasure. The most infamous of them all is Floral Ode House. Among its girls are Yen Hung, who becomes a widow regularly; aristocratic Chien Chien; Cherry Fun, who manages to lose the nickname; and a bevy of beauties. The madam who is on good terms with the police chief claims the best business this side of virtue. Then there comes from England Cheng Li-Peng, commissioned to ban prostitution. He is engaged to Lily, the police chief's daughter. But his parents had arranged a wife for him when he was an infant. They have lost trace of each other. Cheng Li-Peng starts his investigation, which lead him to Yen Hung's and Chien Chien's bedrooms. He is surprised to find himself in love with all three girls. And one of them turns out to be his missing fiancee!

Действие завязывается в 30-х годах 20-го века, когда начинается любовная история между высококлассной проституткой Флер и богатым сынком уважаемых родителей Чаном Чен Пангом. Они вроде бы любят друг друга, но обстоятельства вокруг них настолько против этого, что вместе они могут быть только в лучшем из миров, куда они и намереваются отправиться, заключая договор о том, что покончат с собой. Но в то время, как Флер делает это, Чан Чен Панг не решается, оставаясь жить дальше. И призрак Флер, обреченный на скитания в ожидании своего любимого, вновь появляется в мире живых в 80-х годах, где знакомится с молодой парой, которые решают помочь ей разыскать до сих пор живущего Чан Чен Панга.

Four young people spend their time living the wild life - until one of them is brutally murdered in a burglary. The survivors come under the scrutiny of an eccentric cop, and their underlying fears and regrets slowly but surely emerge.

Chow Yun-Fat and Brigitte Lin have their incredible talents used to the hilt in this romantic mystery about a pair of tragic lovers from 2100 years before now reincarnated in modern Hong Kong.

A surreal uninhibited adventure between two boys, their mysterious love interest and two Japanese monks in the Tang dynasty. Feature debut by the acclaimed scriptwriter Chiu Kang-Chien.

A surreal uninhibited adventure between two boys, their mysterious love interest and two Japanese monks in the Tang dynasty. Feature debut by the acclaimed scriptwriter Chiu Kang-Chien.

Taoist priestess Yu Hsuan-chi longs for the sort of earthy experience that a woman born to her lofty station is not expected -- or desired -- to have. While putting in an appearance with society's elite, she carries on a passionate affair with an itinerate swordsman named Tsui Po-hou. With both Hsuan-chi and Po-hou fighting against the tedium and hide-bound conventions of Chinese society, the two seem like a perfect match. Yet the ever restless Po-hou soon leaves her and continues on his travels. Hsuan-chi develops a reputation as an amoral libertine, partially because she is having sex with her maid Lu Chiao. After Po-hou returns and leaves her again, Hsuan-chi learns that Lu Chiao is pregnant but she refuses to divulge the name of the father. Hsuan-chi's reaction ultimately results in tragedy.

Taoist priestess Yu Hsuan-chi longs for the sort of earthy experience that a woman born to her lofty station is not expected -- or desired -- to have. While putting in an appearance with society's elite, she carries on a passionate affair with an itinerate swordsman named Tsui Po-hou. With both Hsuan-chi and Po-hou fighting against the tedium and hide-bound conventions of Chinese society, the two seem like a perfect match. Yet the ever restless Po-hou soon leaves her and continues on his travels. Hsuan-chi develops a reputation as an amoral libertine, partially because she is having sex with her maid Lu Chiao. After Po-hou returns and leaves her again, Hsuan-chi learns that Lu Chiao is pregnant but she refuses to divulge the name of the father. Hsuan-chi's reaction ultimately results in tragedy.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

Four carefree lovers in Hong Kong enjoy their youth while danger looms on the edges.

Японский журналист приезжает во Вьетнам, надеясь понять суть общества, живущего по правилам Коммунистической партии. С помощью вьетнамской девочки, ему удается понять, какова болезненная правда скрывается в этой стране после разрушительной войны.

Ko leads a team of Hong Kong assassins that are taken out one by one. Ko manages to flee to the countryside, where he aims to find out who's behind this and to gain the strength to fight back. Helping him is local girl Tong, whilst chasing Ko is the long arm of the law, represented by cop Chung.

Four heroes embark on a secret mission for Dr Sun Yat Sen's Nationalist Guard. Relentlessly pursued by the warriors of notorious Warlord Yue Sai Hoi, they have seven days to reach the Lo Yang Pass with their secret cargo.

Hsiao-Peng, an unmarried mother is sent to a maternity home for young single mothers. During her time in the maternity home, she slowly overcomes the depressive thoughts and builds strong bonds with Wen-Yueh, Ko-Hsin, and Madam Pai. After moving out the maternity home, Hsiao-Peng lives with Wen-Yueh and Ko-Hsin in an apartment where they continue to be each other’s support. The two main settings of the film, the maternity home and the apartment, build an atypical family model. It is a tender coming-of-age tale where women are empowered with the right to think for themselves.

CHIU Kang-chien directed his first full-length film, Waken from A Dream of Red Chamber in Singapore in 1977, but it was never released in Hong Kong and Taiwan.

CHIU Kang-chien directed his first full-length film, Waken from A Dream of Red Chamber in Singapore in 1977, but it was never released in Hong Kong and Taiwan.

Legendary Chinese rebel Fong Sai Yuk (Fei Meng) takes on the Manchu dynasty in this high-octane martial arts actioner. After killing one of the governor's thugs, Fong must not only elude authorities, but also face a deadly assassin. Discovering the governor has murdered his two kung fu brothers, Fong vows to take on the corrupt leader. The film includes a slew of awe-inspiring battles using lethal Shaolin poles.

Yao Hao (Chen Sing), is a young man whose father was assassinated and whose mother was killed in an attack on the funeral procession. He survives the attack and winds up at a Shaolin temple where he insists he wants to stay and become a monk. His beautiful fiancée (Lu Shu Chin) pleads with him to come back with her, but he refuses. The head monk, Brother Fa (Chan Wai Man), an orphan who's been at the monastery all his life and is expecting to succeed the current Shaolin Abbot, is jealous of the privileges Yao Hao has had in life and asks him questions about the outside world, including what it's like to touch a woman. Brother Fa's weakening resolve soon finds him leaving the monastery and falling into the clutches of Lord Eagle (Kam Kong), the Manchu ruler in the area who's trying to wipe out all resistance to Manchu/Ching rule.

A wronged female ghost is out for revenge.

Fang Chih Kien (Elliot Ngok) witnesses a triad murder. When he picks the killer out of a lineup, the triad gang goes out of their way to make his family's life a living hell, until he can take no more and seeks revenge.

One night a textile worker is sexually assaulted by five deviants. The young lady tries to cope with the aftermath of this dramatic event but her life is ruined. Like a shattered vase, the pieces can be put back together but it'll never be the same. Cheng get's a job as a bar girl. She meets the club's owner who was a former kung-fu fighter until he was crippled. Cheng uses her position as a B-girl to go after the losers who raped her, She soon learns from a sleazy doctor that she has contracted a dark V.D. called Viet-Nam Rose. Crushed, she begs Lo Lieh to teach her kung-fu. At first he refuses until he learns her secret. Furious, Lo Lieh teaches her his deadly fight techniques (such as a groin crunching blow).

Little Bastard searches for the parents who abandoned him as an infant, with the help of Little Beggar. He finds his father, who is a powerful and wealthy manl and is taken in by him and his family. Before long Little Bastard is seduced by his attractive cousin, making Little Beggar very jealous. However, the seduction and family welcome are all part of a nefarious plan.

18-year-old Ainu is kidnapped and sold to a brothel. Her good looks and wild personality make her very popular with the lustful clients, but also draw the lesbian attentions of brothel madam Chun Yi. Chun Yi teaches Ai nu the ways of lust and the ways of kung fu, and Ai nu becomes more and more similar to her captor. But rage at her treatment is still burning inside her.

This creepy kung fu film fight-fest centers on the evil Madame Kung Sun and her poisonous "Finger of Doom", a unique supernatural power which allows her to transform normal, everyday people into horrifying zombies! In the face of this devastating talent, only one person has the guts to stop Madame Kung Sun in her chilling bid for martial arts supremacy - the villainess' own sister. But it's not something she can do alone, so this heroic young woman joins forces with three world-weary martial artists, The brothers-in-arms were actually looking to retire from the world of Jiang Hu, but now find themselves thrown back into the mix, embarking on one last mission to save the world from machinations of the venomous Madame Kung Sun!

Yueh Hua stars as an assassin who flees after killing a hated prime minister, with Lo Lieh as the relentless imperial guard who pursues him to a remote village being terrorized by bandits. When Yueh takes over the identity of a county officer newly assigned to the village, his ruse is assisted by a pretty innkeeper's daughter (Li Ching) who insists to Lieh that Yueh is indeed the county officer and happens also to be the cousin who was betrothed to her as a child. The confused innkeeper is persuaded by his daughter to support the ruse, thus delaying Lieh's efforts to arrest the wanted man.

Tan Jen-chieh's life spins out of control when he’s forced into exile to clear his name following the murder of his adopted father. He's hunted in the streets. His lover, Butterfly, turns to prostitution. And his father's likely killer – a smooth operator known as the Rambler – is always lingering nearby. But before Tan and the Rambler can slit each other's throats, they learn they've been double-crossed and go two against everyone in a rage of double-edged vengeance.

An unfinished Shaw Brothers production initially to be the directorial debut of Chiu Kang Chien, but was then shelved for a year before being taken over by Pao Hsueh-Li. However, the film appears never to have been finished and hence remains unreleased.

David Chiang stars as a nightclub vocalist whose former criminal friends blackmail him into working with them again.

In the mid-sixties Chang Cheh changed the face of female dominated films with his male dominated, violent kung-fu films. Dead End was the start of a new force that lasted 6 years, the first film to star David Chiang and Ti Lung under director Chang's discerning eye. The trouble all begins when Chen Hung-lieh's character disapproves of Ti Lung's character courting his sister.

A jewel thief decides to turn over a new leaf. He starts anew as a professional singer; but before long, the he becomes suspect again for a series of robberies. He sets up a trap to snare the copycat thief, but will it snare him instead?

A kung fu knight walks the road to vengeance after the evil Ghost Gang kills his wife and son. The swordsman known as "Twin Blades" must take on a quartet of color-coded cutthroats to set things right.

A simple woodcutter named Wei Fu finds his world shattered when three murderous horsemen arrive to kill his family and kidnap his sister. Left with nothing but his mother’s bell-laden bracelet, he sets out to seek his revenge. Lucky for him, Wei Fu encounters a master swordsman, who takes him under his wing.

A naked boy masturbates, accompanied by lines of poetry and caterpillars on the wall.