Dafnis Balduz

Элис Гулд, частный детектив, притворяется душевнобольной, чтобы проникнуть в психиатрическую больницу и собрать улики для дела, над которым она работает: смерть пациента при невыясненных обстоятельствах.

1938 год, Гражданская война в Испании. Чтобы избежать расстрела за нападение на судью, капитан 5-й бригады франкист Хан Лосано соглашается на опасную миссию. Взяв в качестве шофёра ожидающего наказания молодого дезертира, он отправляется через лесную местность доставить важную депешу. По пути они попадают в плен к республиканцам, но вскоре выясняется, что пора забыть о разногласиях и начать действовать сообща — погибшие с обеих сторон начинают восставать и нападать на живых.

Marc is a different boy from the others. He just lost his best friend, the year that he started college. He lives in a society of internet, social networks and the desire of young people to be adult. He decides to question his emotions. In him, he discovers his fears of being an adult and leaving the childhood stage. He scares to grow up unlike the others. With the support of the memory of Oscar, in the middle of the city, between tears and laughter. Marc learns to let go, heal old memories, and redefine his emotions.

Испания, 1936 год. Знаменитый писатель Мигель де Унамуно поддерживает военное восстание, надеясь, что оно разрешит царящий в Испании хаос. Тем временем власть в стране захватывает генерал Франко. Теперь Унамуно предстоит сделать выбор, от которого зависит не только его свобода, но и жизнь тех, кто ему дорог.

Jacint Verdaguer, poet and priest, had an exciting life, lived literary glory and became the most prestigious poet of his time. But circumstances and his indomitable and proud character caused his downfall.

TV Movie, nominated for the Gaudí, which adapts the eponymous play written by the playwright Pere Riera. Tense battle in front and behind the cameras between a journalist and a politician. This is not a work on politics. Nor is it a story about journalists. It is not a reflection on the always convulsive relations between the media power and the administration. "Desclassificats" shows us the meeting of three characters with very opposite points of view on ethics, professional integrity and dignity of the individual.

Psychiatrist Dr. Helena Jarra conducts a series of psychological experiments on several patients afflicted with schizophrenia in order to prove that schizophrenia is connected with paranormal phenomena. Jarra takes a handful of schizophrenics to a secluded house that's rumored to be haunted. Parapsychologist Matias Kram documents the events on videotape for posterity.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

Fifteen stories, contemporary and some historical, where humorous, sarcasm and courage passed bills to pain, old age, death and love, but above all with human stupidity, without concessions, watching her face the difficult life balance and human misery.

A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?