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Taiwanese horror comedy
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Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)
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The cruel son of a kind, wealthy man returns to his hometown in the company of a conniving, wicked woman, and they begin to persecute everyone. Soon the Kung Fu kid comes to the rescue, and put things right with his martial might fights choreographed by the late Lam Jing Ying
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The aggressive and dangerous Chin empire occupies the put-upon Chao kingdom while the hero-filled Wei empire is paralysed by an indecisive ruler.
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Renowned writer Shen Chiang had become so popular for his scripts that the studio let him direct as well. Here he continued his winning ways with this tale of the end of the Sung Dynasty and the survivors who band together to save their prime minister. Shen outdoes himself with this bold and stirring story of daring Sung avengers (led by Shaws' first international star, Lo Lieh), who must fight their way out of trap after trap.
