Wanlop Rungkamjad

A spiritual time-shifting drama following a woman from her carefree 20s in 1960s rural Thailand to present-day Bangkok as an older army general's wife.

Недалеко от прибрежной деревушки в Таиланде, на берегу моря, где утонули тысячи беженцев-рохинджа, местный рыбак нашёл в лесу человека в бессознательном состоянии. Он спасает незнакомца, который не говорит ни слова, предлагает ему свою дружбу и даёт имя Тонгчай. Когда же рыбак пропадает без вести в море, Тонгчай начинает занимать его место в жизни, в доме, на работе и в сердце бывшей жены.

Laila leaves Bangkok, besieged by law enforcement due to political and social unrest, and embarks on a road trip to the town of Pattani, in the far south of Thailand, along with her brother Sugood and Toi, a friend of his, to visit Sainab, the brothers' aunt, whom they barely know.

Masterfully filmed, atmospheric moment. The period of mourning comes to an end at a temple-like funeral chapel. The final visitors are not mourners, but want to buy off their guilt. The mother wants to see a real confession. And money. The intense emotionality the death of a child evokes is, as it were, sculpted in space while the tension between the mother and the visitors is captured more subliminally by a roving camera.

A young location scout meets the art director of her project in a day they will keep in their memories for a while, each for their own reasons.

A young woman leaves her hometown of Bangkok to visit her fiancé’s family on their isolated farm. Although the family embrace her, she doubts if she will ever adapt to their rural lifestyle.

Ananda has returned home from abroad. Unsure of his career plans, he accepts an invitation to act in a new movie for a famous director. During the filming in a small seaside town, Zoe, his American girlfriend from University, arrives for a week-long visit. But the change of country takes its toll and she soon becomes frustrated with the situation. Meanwhile, Ananda meets another girl on the beach.