Luis Álvarez

A meditation on violence and its recurrence in time. It shows circumstances that make vagrants unable to make their life better. They try to survive, albeit not sheltered correctly.

Чино Вальдес – ковбой, в одиночку разводящий лошадей. Он выбрал жизнь отшельника отчасти добровольно, а отчасти из-за косых взглядов, которые бросали на него в городе. Ведь в его жилах течет кровь как белых людей, так и индейцев. В поисках работы и крыши над головой к нему приходит Джимми. Чино разрешает ему остаться и обучает своему ремеслу. Но пройдет много времени, прежде чем они притрутся друг к другу…

A man has had a werewolf curse cast upon him. If he doesn't get rid of it, he turns into a killer werewolf when the moon is full.

Dale and Helen Brais are a marriage of farmers who subsist on what little they manage to get from their land. One stormy night, a stranger enters their home to rob and Dale kills him incidentally. The intruder is Red Burket, head of a band that is dedicated to sabotage the new railway line and there is a bounty on his head of $20,000. What seems the solution to the problems of the couple becomes the beginning of a nightmare.

After marrying in Tombstone, Peggy Morgan, a rancher harassed by a railroad company that covets their land, and Alan Jackson, a gunman who seeks peace, undertake an exciting honeymoon.

The purchase and sale of ranches that occupy land where the railway has to pass causes various problems. Also, a gold mine in these lands creates several disputes.

Менеджер по боксу узнает, что один из боксеров, которых он продвигает, влюбился в его возлюбленную. Обезумев от ревности, он устраивает драку между этим боксером и своим другом.

Female aliens (in bikinis!) arrive from the galaxy Epsilon Eridani and establish a laboratory in an old Spanish castle in order to make zombie robots from human corpses to do their evil bidding.

Although the title (which translates as "Murders in Chicago") promises a gangster story, this is more of a murder mystery that kicks off with the seemingly accidental death of a construction worker, followed shortly after by that of a noted publisher (an uneasy-looking Eduardo Fajardo). What follows is a very confusing story in which the police, a police coroner (José Campos) and a vagrant (Fernando Sánchez Polack) who witnessed Fajardo's death embark on separate inquests on what actually happened. Meanwhile, June (María Luisa Rubio), who works as a secretary for the publishing company, is under pressure by a blackmailer (Antonio Jiménez Escribano) who has pictures of her in the sack with the deceased publisher.

A celebrated cabaret singer, Rosa Lucena, is accused of killing Miguel, her dance partner. She is arrested, but not finding sufficient evidence of guilt, the judges decide to investigate her past, when Rosa and Miguel acted in a theater in Madrid and she fellin love with a young doctor, leaving his career for him. This situation has a direct impact on Miguel, which fails miserably with the withdrawal of his partner.

Roberto decides to ask for permission at the office because he suspects his wife has a lover and wants to catch her. A friend of the protagonist offers to investigate the woman with the intention of giving sufficient evidence of thedeception. However, he soon discovers that his wife knows his plans.

Two girl detectives known as "Labios Rojos" ("Red Lips") outwit both criminals and a bumbling police inspector.

Spanish comedy of the 50s, with carefree and youthful air.

Dawn in Madrid. In the Plaza de la Cibeles begins the daily grind. The statue of the goddess, from its source in the center of the square tells the story of a man, petty speculator, owner of an old building that is going to ask Saint Nicholas for his cooperation to make it sink, and thus be able to lift a twelve-story modern building. But the inhabitants of the block have also implored the Saint to prevent this from happening.

Year 1860. Rosa Maria, daughter of a wealthy Cuban landowner, is studying at a convent school in Cadiz and requests to return to Cuba after spending many years in Spain. But now the economic situation of his father is disastrous and therefore he tries to delay the return of his daughter, hiding that fact. Rosa Maria knows nothing and, at the refusal of his father, she runs away from school, embarking as a stowaway on a ship bound for home.