The Master
An aged , above any suspicion, bourgeois by the nickname 'The Master', lives isolated in a luxurious beachfront villa with his teenage daughter. In reality, however, he is an illicit trade in antiquities, a loan shark and a black market trader of antiquities. The 'Master' has two henchmen to do his 'dirty work', Mercury and John, both of committing a fatal mistake: while Mercury falls for the daughter of 'Master', John is obsessed with a prostitute. Both of them , as 'sentimentalists', must be whacked.
A Documentary about Nikos Nikolaidis' work. Nikos Nikolaidis was an acclaimed film director and author from Greece. He is famous for creating controversial characters in his films that have a rebellious attitude towards the social and political status quo. He illustrates a dark and pessimistic present and future, but also providing ambiguous hope for the end when his heroes find their escape in death. His films are shocking and contentious, raising questions during times when political visions start to fade away. His filming was poetic, dynamic and aesthetically beautiful in order to present situations on edge and elicit his audience's feelings. The aim of this project is to transfer his dynamics in a documentary that will convey some of his messages and create a platform for exchanging opinions among filmmakers from all over the world, in an effort to decipher his universe and his symbols as reflections of his unique and rare personality.
A love triangle story between two friends and a woman called Ioanna.
Old Man
On 29 January 1993 eighty prisoners escaped from an Athens prison. Well, in actual fact one convict escaped, a guy named Vassilis, for his beloved in Amalliada, but in his hurry he forgot the prison door open and little by little another seventy-nine got out... The film follows the eleven who made it down to the Peloponnese... with them an old musician who has a map he bought from a Greek in America for $2500 with the lost treasure of General Hursit Pasha.
Astynomikos Diefthintis
Centres on two brothers, Stelios and Yannis. The impulsive Stelios skips their small town, deserts from the army, and is thought dead, until Yannis, now a city cop, recognizes his name on the papers of an illegal immigrant seaman. He begins a search for his lost brother, a search that takes him across many borders: between past and present, between Greece and its neighbouring countries, between one identity and another.
The industrial shares that Argyris Zomas bought lose their value, leading him to financial disaster. Desperate to feed his family, he will be appointed as an undertaker.
This is a series of intersecting stories. A petty crook and former lover of a lazy ingénue steals the box-office receipts from the Odeon of Herodus Atticus, on the day an important football game is also taking place. There is also the story of the half-mad mother of the ingénue who refuses to put shoes on because she believes that shoes lead people astray. An eccentric grave-digger produces a two-seater coffin for couple-victims of car accidents. The film also tells the story of one of the Odeon's cleaning women and of a watermelon that goes all around the city, pursued by a tired theater technician and his sister, who is a tour guide. The impresario conducts an inquiry after the theft, but the thief and his two associates, the ingénue and the technician, use what was stolen to set up a small theatre. Small everyday stories and comic incidents combine to create a portrait of modern-day Athens.
A fantasy film, featuring the weird relationship between attractive Sylvia and Angelos. The girl breaks up with him. Three years later she is married to a doctor and her life is upset by a series of unbelievable events, such as strange assassinations of her friends and her being inexplicably aroused, at the most inappropriate moments and occasions. This mysterious experiences stem from the presence of Angelos, who, having built a time-machine, wanders around in space-time, in order to eliminate those he sees as rivals and to make love to her.
Hristos
Ahilleas Lambrou
A gifted electrician, Michalis Karamanos works for Greek Telecommunications Organization and it seems that he is the only one who hasn't been completely absorbed by the corrupt and all-devouring system. Acting as a member of the revolutionary organization Constitutional Struggle, which is fighting against the unpopular policy of the government, he connects the computer of the director of OTE to an explosive device. He threatens to destroy the telecommunications of the country if he is not allowed to broadcast on television his revolutionary message during the broadcast of an important football game. The Authorities, thinking that he has gone crazy, try to bring him around using his old friends from the army, whom they pick up one by one as intermediaries. This is a situation comedy with excellent, mature plot development, plenty of suspense as well as masterful criticism of sociopolitical reality.
Markos
Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.
Aris and Thanos are good friends and they share an apartment. The arrival of Stella will unbalance their relationship.
Angelos
During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.
Napoleon Lapathiotis
A biopic about the rise and fall of one of Greece's most esteemed poets, Napoleon Lapathiotis.
An old rocker return back home after 20 years to investigate the death of his brother
Argyris
Дневник последних дней жизни четвёрки молодых людей, маргиналов, ведущих «аморальный образ жизни», предпочёвших эффектную смерть блёклому существованию. Как и «Сингапурский Слинг» Николаидиса, этот фильм отличают изысканные декорации, запоминающийся музыкальный ряд и виртуозная операторская работа, и хотя здесь вы не обнаружите столь же будоражащих взор и желудок эпизодов, но безусловно узнаете и оцените характерную для режиссёра манеру воспевания криминального шарма, провокативную поэзию китча и сладость музыки смерти.