Guy Davidi

Innocence tells the story of children who resisted to be enlisted but capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment and home videos of the deceased soldiers whose stories are silenced and seen as a national threat.

Innocence tells the story of children who resisted to be enlisted but capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment and home videos of the deceased soldiers whose stories are silenced and seen as a national threat.

Innocence tells the story of children who resisted to be enlisted but capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment and home videos of the deceased soldiers whose stories are silenced and seen as a national threat.

Innocence tells the story of children who resisted to be enlisted but capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment and home videos of the deceased soldiers whose stories are silenced and seen as a national threat.

Амир Ориан отказался от славы, чтобы основать театр и школу актерского мастерства в своем доме. Когда Израиль атакует Газу, он не может удержаться от возражений против войны, в то время как его ученики сопротивляются обсуждению. Выступая на сцене, раскрываются их глубокие чувства, но их неповиновение угрожает существованию театра.

История палестинского фермера и его видеокамер, которыми он снимал борьбу своего народу с израильтянами...

For more than 20 years, the journalist Gideon Levy brought horror stories from the occupied territories to Israeli readers. A play writer reads his article and writes a play, a theater director adapts it to the stage, actors play in it to the audience, which are now able to encounter on stage the not so distant horrible reality. A mediated encounter. And now, accessible for you, a film... 'Keywords' exists in times where info is a product. It casts doubt on the capability of Media and Arts to fulfill the role they once filled: actual contact between people.

For more than 20 years, the journalist Gideon Levy brought horror stories from the occupied territories to Israeli readers. A play writer reads his article and writes a play, a theater director adapts it to the stage, actors play in it to the audience, which are now able to encounter on stage the not so distant horrible reality. A mediated encounter. And now, accessible for you, a film... 'Keywords' exists in times where info is a product. It casts doubt on the capability of Media and Arts to fulfill the role they once filled: actual contact between people.

For more than 20 years, the journalist Gideon Levy brought horror stories from the occupied territories to Israeli readers. A play writer reads his article and writes a play, a theater director adapts it to the stage, actors play in it to the audience, which are now able to encounter on stage the not so distant horrible reality. A mediated encounter. And now, accessible for you, a film... 'Keywords' exists in times where info is a product. It casts doubt on the capability of Media and Arts to fulfill the role they once filled: actual contact between people.