Marina Meliande

Raúl is an unemployed cattleman that lives in an isolated house on the fields. The landscape of pastures is being superimposed by huge soy plantations. Devastated by poverty, he joins a gang of other peasants that steals cattle during the darkness of the nights on the pastures.

Как снять фильм в стране, теряющей свою идентичность? Этот вопрос стоит перед Фернандо, разорившимся 30-летним белым режиссером из Бразилии.

Как снять фильм в стране, теряющей свою идентичность? Этот вопрос стоит перед Фернандо, разорившимся 30-летним белым режиссером из Бразилии.

Since 2015, the Landless Workers Movement has been occupying an indebted sugarcane factory's land to press for its redistribution through land reform. Grandma, P.C. and their encamped fellows struggle to conquer a small share of land where they can settle down and live a self-sustainable life, growing agro-ecological crops in a newly knit peasant community they draw in their dreams.

Since 2015, the Landless Workers Movement has been occupying an indebted sugarcane factory's land to press for its redistribution through land reform. Grandma, P.C. and their encamped fellows struggle to conquer a small share of land where they can settle down and live a self-sustainable life, growing agro-ecological crops in a newly knit peasant community they draw in their dreams.

A group of scientists digs on land within the Amazon in search of fertile black earth, used for agricultural purposes. As they approach the site of the Kawa Indians, they notice that the land acquires energetic and sensory powers.

Rio de Janeiro, 2016: the city simmers in anticipation of the Olympic Games. Lawyer Ana defends the interests of residents of homes to be replaced by stadiums, roads and luxury hotels. Is the heat affecting her perception or is the struggle becoming visible on her skin?

Rio de Janeiro, 2016: the city simmers in anticipation of the Olympic Games. Lawyer Ana defends the interests of residents of homes to be replaced by stadiums, roads and luxury hotels. Is the heat affecting her perception or is the struggle becoming visible on her skin?

The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.

The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.

The trajectory of a romantic couple of contemporary artists reveals how the limits, contradictions and obsessions of a romantic relationship are reflected in each of their artistic endeavors.

In 2008, a corpse identified by the police with the birth certificate of the writer João Paulo Cuenca was found in an occupied building in Lapa. Inspired by this fact, the movie investigates the theft of the author´s identity in a ghostly Rio de Janeiro and in deep transformation. If in fiction and in crime sections of newspapers it’s common to read about people who steal the identity of someone dead to start a new life, what we have here is the opposite case: someone who steals the identity of a living man to die in his place.

'Olmo and the Seagull' is a poetic and existential dive into an actress's mind during the nine months of her pregnancy as she must confront her most fiery inner demons while trying to rewrite a new philosophy of life, identity and love. Underlying this hybrid film is mounting tension over what is real and what is enacted when one is performing one's own life.

Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a morning ritual of arguments and insults, followed by an amicable cup of coffee on the bench outside Antonio's shop. At midday the church bells ring, summoning the villagers to mass. In the early evening, they all share a meal together. And so life proceeds in Jotuomba, the days languidly drifting into one another; the only variations seem to be in the weather. But, one day Rita arrives looking for a place to stay.

Bastu's grandchildren and friends help her pick up the strands of her life after her husband dies.

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.

Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.

Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.

Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.

The mother left Chile 26 years ago, her two children did not see her again. The children have grown up : the brother a film-maker, the daughter a librarian. They will try to fix, to give a body to the telephonic voice of their mother, to finish the spell of the family's phantom limb.

Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.

Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.

Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.

Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.

Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.

They met in the summer, in the rain. A film of carnival and silence. His Name (The Clown) is a surface film – based on newspaper news and daily life in large Brazilian cities, but without any direct link to any real event. Violence, joy and silence are worked on in the film in order to build a space where characters are as real as they are intangible – in a narrative of short marked sequences, in which a whirlwind of events mixes with a stitching of fragments and gaps: He is a quiet man and divides his time between his violent work in downtown Rio de Janeiro and his boarding house in Catumbi. She is the girl who appears in his life, on a rainy afternoon – and soon things start to go by very quickly. A film of carnival and silence, of love and anger – of apathy and will. A chronicle of the conflicts and festivities of a city sewn between hills, forests and cement. A tribute to Rio, perhaps?

They met in the summer, in the rain. A film of carnival and silence. His Name (The Clown) is a surface film – based on newspaper news and daily life in large Brazilian cities, but without any direct link to any real event. Violence, joy and silence are worked on in the film in order to build a space where characters are as real as they are intangible – in a narrative of short marked sequences, in which a whirlwind of events mixes with a stitching of fragments and gaps: He is a quiet man and divides his time between his violent work in downtown Rio de Janeiro and his boarding house in Catumbi. She is the girl who appears in his life, on a rainy afternoon – and soon things start to go by very quickly. A film of carnival and silence, of love and anger – of apathy and will. A chronicle of the conflicts and festivities of a city sewn between hills, forests and cement. A tribute to Rio, perhaps?

They met in the summer, in the rain. A film of carnival and silence. His Name (The Clown) is a surface film – based on newspaper news and daily life in large Brazilian cities, but without any direct link to any real event. Violence, joy and silence are worked on in the film in order to build a space where characters are as real as they are intangible – in a narrative of short marked sequences, in which a whirlwind of events mixes with a stitching of fragments and gaps: He is a quiet man and divides his time between his violent work in downtown Rio de Janeiro and his boarding house in Catumbi. She is the girl who appears in his life, on a rainy afternoon – and soon things start to go by very quickly. A film of carnival and silence, of love and anger – of apathy and will. A chronicle of the conflicts and festivities of a city sewn between hills, forests and cement. A tribute to Rio, perhaps?

Who was it that caught me inside a drop of water? Mario Quintana