Matias Mariani

Амади, музыкант из Лагоса, отправляется в Бразилию с миссией найти своего старшего пропавшего брата Икенну и вернуть его в Нигерию. Вскоре он обнаруживает, что его брат не был выдающимся математиком, которым он должен был быть. Теперь Амади должен выбрать между верностью своей разбитой семье или новой жизнью в Сан-Паулу.

Амади, музыкант из Лагоса, отправляется в Бразилию с миссией найти своего старшего пропавшего брата Икенну и вернуть его в Нигерию. Вскоре он обнаруживает, что его брат не был выдающимся математиком, которым он должен был быть. Теперь Амади должен выбрать между верностью своей разбитой семье или новой жизнью в Сан-Паулу.

Амади, музыкант из Лагоса, отправляется в Бразилию с миссией найти своего старшего пропавшего брата Икенну и вернуть его в Нигерию. Вскоре он обнаруживает, что его брат не был выдающимся математиком, которым он должен был быть. Теперь Амади должен выбрать между верностью своей разбитой семье или новой жизнью в Сан-Паулу.

The trajectory of a romantic couple of contemporary artists reveals how the limits, contradictions and obsessions of a romantic relationship are reflected in each of their artistic endeavors.

Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.

Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.

This is a film about Christopher Kirk, an American IT guy who moves to Colombia after reading about Pablo Escobar’s hippopotamuses. It is also a film about the story of V., a story that Kirk obsessively tells and retells about his infatuation with a mysterious Japanese-columbian woman. A story that may or may not have to do with his arrest in 2009 in Brazil for international drug trafficking. Moreover, it is also a film about two directors.

This is a film about Christopher Kirk, an American IT guy who moves to Colombia after reading about Pablo Escobar’s hippopotamuses. It is also a film about the story of V., a story that Kirk obsessively tells and retells about his infatuation with a mysterious Japanese-columbian woman. A story that may or may not have to do with his arrest in 2009 in Brazil for international drug trafficking. Moreover, it is also a film about two directors.

This is a film about Christopher Kirk, an American IT guy who moves to Colombia after reading about Pablo Escobar’s hippopotamuses. It is also a film about the story of V., a story that Kirk obsessively tells and retells about his infatuation with a mysterious Japanese-columbian woman. A story that may or may not have to do with his arrest in 2009 in Brazil for international drug trafficking. Moreover, it is also a film about two directors.

During World War II, looking up the Mountain, in Italy, a Brazilian Expeditionary Force - FEB - mines weeping platoon is hit by a panic-attack that sets them running aimlessly right in the middle of 'no man's land'. Desperate cold and hungry, the ill-prepared soldiers have to choose between facing military court or delve deeper into enemy lines. After a tense discussion, they decide to save their faces with the Brazilian Army by tackling a daring military objective: to disarm the most feared minefield in Italy. On their way there, they end meeting two others deserters; a remorseful Italian soldier trying to join the Partigianos and German officer who is just simply tired of war. with unexpected help of their ex-enemy, the soldiers are set to accomplish a mission that so far had been deemed impossible.

Biopic about the late Joãozinho Trinta, a self-taught classical dancer who turned Rio's Carnival into an international phenomenon in the 1970s and '80s by directing parades for samba schools and putting focus on costumes and decor.

This delicate and impressive collection of life experiences centers on a group of foreigners -- Chinese, Peruvian, North American, Senegalese, Australians, French -- who are trapped in Brazilian jails.

This delicate and impressive collection of life experiences centers on a group of foreigners -- Chinese, Peruvian, North American, Senegalese, Australians, French -- who are trapped in Brazilian jails.

This delicate and impressive collection of life experiences centers on a group of foreigners -- Chinese, Peruvian, North American, Senegalese, Australians, French -- who are trapped in Brazilian jails.

A group of strangers from different countries end up on Rio's beaches. Seeking self-fulfillment, they look for answers to existential questions. Yet it isn't until their different paths cross that they begin to understand why they came.

A documentary about the crowd of people that commingle throughout the 3.5km of the Minhocão, an overpass in the central region of São Paulo, built during Brazil's military dictatorship.

A pawn shop proprietor buys used goods from desperate locals – as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.

Если бы Сатана искал местечко для филиала ада на Земле, ему не пришлось бы долго возиться. Наверняка им стала бы тюрьма Карандиру, самое жуткое исправительное заведение в Бразилии. Фантастическая антисанитария, отвратительная еда, охранники-садисты и нарушения всех мыслимых прав человека сделали ее печально знаменитой задолго до того, как однажды в 1992 году доведенные до отчаяния заключенные Карандиру подняли мятеж. Полиция с огромным трудом потопила восстание в крови, убив 111 человек. В итоге, из-за разразившегося международного скандала властям пришлось разрушить тюрьму до основания как символ национального позора.