Pierre Bertrand

Isabelle Brodeur embarks on a journey to Vietnam, her adopted daughter’s birthplace. Throughout this stunningly beautiful journey, Isabelle discovers her daughter’s country through the eyes of the woman who brought her into this word.

Никогда не садитесь за руль пьяным! может произойти все, что угодно. Главный герой этой картины не послушался этой истины и все-таки оказался в нетрезвом состоянии за рулем снегоочистителя. Он думал, что переживать не из-за чего, тем более он ездил ночью в лесу. Но он случайно убил мужчину, а тело решил спрятать.

Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.

The man carrying his body, his reels of film, his bag and his old Nikon, is Boris Lehman, he's also Sisyphus, Jesus Christ, and Ixion as told by Alfred Jarry in La Chandelle Verte. An essay on heaviness and lightness. The carrying man would like to fly, vanish into thin air, into light. When he meets another machine-man, who carries electronic pictures, his dream will come true.

Just like every other summer, the children of two camp-sites play "war". But, this summer it takes an interesting turn.

Пережившая автокатастрофу Симон решает начать жизнь с чистого листа. Она намерена завести ребенка и просит своего друга стать его отцом. Тот ставит условие зачать ребенка в пустыне Солт-Лейк Сити, куда они отправляются, даже не догадываясь, как много важного им предстоит узнать о жизни и самих себе.

Nestor, Lei, Pierrette, Mohamed, Hafida, Marius, Marc, Galina, Genady, Mike and Lala: through their presence, Le temps qu’il fait weaves a mosaic of stories in which dreams and disappointments, hopes and worries intertwine with the life that is before them. In counterpoint, there are these new landscapes of financial centers, abandoned industrial spaces and wasteland from which we hear the echo of speeches that call to take the train of the new economy. By their simple attachment to a profession which gives them a living, the men and women of the film put up resistance to these slogans. Little by little, a radical rupture is emerging between economic thought and the movement of life. A break that shapes the present time.

Robert Hossein, Marina Vlady, Robert Le Beal. A brilliant "little" spy film. Hossein and Vlady play mysterious characters who meet up one night in a lonely cabin in the wilds of Normandy. They are both spies, but whom do they work for-the Allies or the Nazis.