Pavel Juráček
Рождение : 1935-08-02, Príbram, Czechoslovakia [now Czech Republic]
Смерть : 1989-05-20
История
Pavel Juráček was a Czech screenwriter and film director who studied at FAMU. Although not as famous as Miloš Forman or Jiří Menzel, he was an exponent of the Czech New Wave as well. He worked at Prague Barrandov Studios; however after his satirical movie Case for a Rookie Hangman (1970) was shelved, his movie career came to an end.
Self
An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.
Writer
A Czech director wrestles with problems personal and political during the Prague spring of 1968.
Creative Producer
Один из самых именитых чешских режиссеров снял заведомо непроходной фильм - крайне жесткую сатиру на тогдашний коммунистический режим. Фильм пролежал на полке 20 лет, вышел на экраны лишь в 1990 году и получил восторженные отзывы критиков. По роману Богумила Храбала. Прага начала 50-х. Действие фильма происходит в трудовом лагере. Разношерстная команда рабочих, среди которых и профессор литературы, и повар, и несколько женщин-заключенных, открывает в себе солидарность после того, как двое молодых людей влюбляются и решают пожениться. Они готовятся к свадьбе...
Story
Third movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu
Story
Second movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu
Story
First movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu
Screenplay
Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the film the action stops, and a moderator appears on stage to ask the audience to choose between two scenes; following an audience vote, the chosen scene is played.
Story
Kinoautomat was the world's first interactive movie, conceived by Radúz Činčera for the Czechoslovak Pavilion at Expo '67 in Montreal. At nine points during the film the action stops, and a moderator appears on stage to ask the audience to choose between two scenes; following an audience vote, the chosen scene is played.
Creative Producer
The female employees of the poultry-processing factory find relief from their monotonous work in chatting about weddings and marriages. The very young Zdena (Marta Vancurová), too, dreams about a white veil and an entourage of bridesmaids. On her return home from work, she runs into a peculiar man on an abandoned road who pertinaciously offers to read her palm for a few crowns to buy soup. His augury is rather usual - wealth and poverty, suffering and happiness. Then however, he declares that Zdena must marry exactly on 3 November of that year otherwise she will be unhappy.
Creative Producer
An experimental retelling of the story of Adam and Eve which then progresses into an allegorical depiction of the loss of innocence.
Creative Producer
Lemuel Gulliver (Lubomír Kostelka) has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.
Screenplay
Lemuel Gulliver (Lubomír Kostelka) has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.
Director
Lemuel Gulliver (Lubomír Kostelka) has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.
Creative Producer
Diane is married to an architect in this situation comedy. The two met in Czechoslovakia before marrying and moving to France. He becomes extremely jealous when he suspects her of having a lesbian affair with a ballet dancer. His incessant questions and insane jealousy make Diane resentful to the point she considers pushing him off a cliff.
Screenplay
Screenplay
The television adaptation of Jaroslav Hašek's satirical short story.
Director
The television adaptation of Jaroslav Hašek's satirical short story.
Director
Screenplay
A troupe of young women on post-apocalyptic earth are lead around by a mistress born before the war, eventually stumbling into the company of a lonely old man.
Story
A troupe of young women on post-apocalyptic earth are lead around by a mistress born before the war, eventually stumbling into the company of a lonely old man.
Story
Две девушки, обе по имени Мария, решают, что так как мир испорчен, они будут испорчены также. И стараются вести себя как можно хуже. Выходки девушек становятся столь экстравагантными, что пугают их самих.
Self
Documentary about the film academy in Prague and the Czech Film in 1965.
Screenplay
Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.
Story
Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.
Director
Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.
Screenplay
A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.
Screenplay
Действие фильма происходит в XVII веке, в Чехии, во время Тридцатилетней войны. Герои фильма — императорский мушкетер Матей, крестьянский парень Петр, завербованный в мушкетеры, и Ленка, молодая крестьянская девушка. Переодетые в брошенные в разгромленном лагере дорогие одежды, Петр, Ленка и Матей попадают в плен и оказываются в графском замке. И в зависимости от того, в какую сторону «подует злобный дух войны», меняется отношение графа к его пленникам. Однако после целого ряда приключений всем троим удается убежать из замка и вернуться к мирной жизни.
Screenplay
The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime.
Story
The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime.
Director
The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime.
Screenplay
Story
Действие начинается в июле 2163 года, когда экипаж из сорока человек корабля «Икар» отправляется в сторону планет звезды Альфа Центавра. Такому большому человеческому коллективу в замкнутом пространстве корабля угрожают непредвиденные психологические конфликты. Через четыре месяца начинается проявление отчётливой усталости и даже страха перед пустотой космоса. Но вдруг опасность мобилизует всех: на пути «Икара» появляется летающий объект.
Screenplay
Действие начинается в июле 2163 года, когда экипаж из сорока человек корабля «Икар» отправляется в сторону планет звезды Альфа Центавра. Такому большому человеческому коллективу в замкнутом пространстве корабля угрожают непредвиденные психологические конфликты. Через четыре месяца начинается проявление отчётливой усталости и даже страха перед пустотой космоса. Но вдруг опасность мобилизует всех: на пути «Икара» появляется летающий объект.
Idea
A character from a musical film falls into the real world in this short, predating similar films by Woody Allen (The Purple Rose of Cairo) and Wojciech Marczewski (Escape from the 'Liberty' Cinema).
Writer
A character from a musical film falls into the real world in this short, predating similar films by Woody Allen (The Purple Rose of Cairo) and Wojciech Marczewski (Escape from the 'Liberty' Cinema).
Story
The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.
Dialogue
Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.