Michele Astori

Рождение : 1978-01-01, Palermo, Italy

Фильмы

La primavera della mia vita
Writer
Grazie ragazzi
Writer
An actor past his prime gives drama lessons to prisoners in an attempt to stage "Waiting for Godot."
On Our Watch
Story
Arturo loses his tech job to an algorithm he himself created. The rest of his life quickly crumbles and he ends up working as a delivery man for FUUBER, shuttling take-out orders around town while his movements are monitored and evaluated by an unreasonably strict app. His only solace comes from Stella, a hologram girlfriend also connected to a FUUBER app whose free trial is running out. Unable to afford a subscription due to the financial uncertainty of his new job, Arturo decides to take a stand...
On Our Watch
Screenplay
Arturo loses his tech job to an algorithm he himself created. The rest of his life quickly crumbles and he ends up working as a delivery man for FUUBER, shuttling take-out orders around town while his movements are monitored and evaluated by an unreasonably strict app. His only solace comes from Stella, a hologram girlfriend also connected to a FUUBER app whose free trial is running out. Unable to afford a subscription due to the financial uncertainty of his new job, Arturo decides to take a stand...
At War for Love
Story
It's 1943 and World War II is raging in Europe. In New York, Arturo and Flora the daughter of a restaurant owner are in love, but she is promised in marriage to the son of a Mafia boss. There is a way around this, but to be able to marry Flora, Arturo needs to get permission from her father, who lives in a village in Sicily. Arturo doesn't have any money, so the only way he can get to Sicily is to enlist in the U.S. Army, which is preparing for a landing on the island.
At War for Love
Screenplay
It's 1943 and World War II is raging in Europe. In New York, Arturo and Flora the daughter of a restaurant owner are in love, but she is promised in marriage to the son of a Mafia boss. There is a way around this, but to be able to marry Flora, Arturo needs to get permission from her father, who lives in a village in Sicily. Arturo doesn't have any money, so the only way he can get to Sicily is to enlist in the U.S. Army, which is preparing for a landing on the island.
Мафия убивает только летом
Screenplay
Наблюдательный мальчик Артуро интересуется особенностями преступной жизни родного Палермо. Его собственная жизнь строится между двух полюсов: с одной стороны — безответное чувство к прекрасной и недоступной Флоре, с другой — кровавые разборки мафии. Все герои фильма вынуждены жить двойной жизнью: их дни рождения, влюблённости, важные моменты проходят на фоне покушений, угроз, убийств, в зоне действия правил мафиозного «кодекса чести». Артуро — и в детстве, и в зрелом возрасте — пытается бросить вызов этой раздвоенности, следуя зову сердца и чувству гражданского долга.
Мафия убивает только летом
Story
Наблюдательный мальчик Артуро интересуется особенностями преступной жизни родного Палермо. Его собственная жизнь строится между двух полюсов: с одной стороны — безответное чувство к прекрасной и недоступной Флоре, с другой — кровавые разборки мафии. Все герои фильма вынуждены жить двойной жизнью: их дни рождения, влюблённости, важные моменты проходят на фоне покушений, угроз, убийств, в зоне действия правил мафиозного «кодекса чести». Артуро — и в детстве, и в зрелом возрасте — пытается бросить вызов этой раздвоенности, следуя зову сердца и чувству гражданского долга.
1960
Screenplay
By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s.
1960
Writer
By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s.
In fabbrica
Writer
The movie revolves around the factory worker figure evolution from post-WWII in Italy, with the emigration from southern to northern regions, the years of economic boom, the strikes, the riots and the infamous march of the 40000 in Turin in 1980.