Alejo Moguillansky

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

Is this film about Clorindo Testa or not? Is it about the life of the director, about the life of his father, about the life of his country, or is it just one of those biographical films that proliferate at film festivals in which the narrator spends his time recounting family anecdotes and pulling old photos out of a box? This small, microscopic adventure, whose subtitle, stolen from the Savoyard Xavier de Maistre, could well be Voyage autour de mon père, navigates between these threats and others even worse.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

Garbiñe Ortega, artistic director of Punto de Vista, devised the creation of a collective audiovisual project with the collaboration of the filmmaker Matías Piñeiro in which several filmmakers will make a filmed letter addressed to another filmmaker in the history of cinema that they did not know personally and that he was as far away as possible from his own cinema. Thus was born Las cartas que no fueron también son

Garbiñe Ortega, artistic director of Punto de Vista, devised the creation of a collective audiovisual project with the collaboration of the filmmaker Matías Piñeiro in which several filmmakers will make a filmed letter addressed to another filmmaker in the history of cinema that they did not know personally and that he was as far away as possible from his own cinema. Thus was born Las cartas que no fueron también son

A "cinematic object" by Mariano Llinás, divided into 9 chapters, based on the poetry of Henri Michaux.

A poet dies and another one, younger, feels an obligation to promote her work. She is joined by a team of women filmmakers. The film begins with this unusual triangle but, interestingly, it grows into something more complex and subtle than a traditional research project.

The grass men - That's my duck! - Silence, Dvorak! -Kill that fly - Eat grass - Walkie Talkies - Fly fishing - The fan episode - Tourists under the bridge - The boat has a life of its own! - An American Anthem - The Canoe Ride Some blond idiots - Photo! - Hit the partner - Buckets falling from the sky! - Hunting in the mountains - The car has spasms - A flying umbrella! - Kicks in the butt - The top of the mountain - Tire throwing - The car goes alone! To catch a wheel - The river - A Cordovan quartet - Conservative throw - The water wells - Combat with umbrella - Trap with towel - Hip break - Gomerazos - Some children in the river - Drowning Kill the partner - A heron in the waterfall - Cross the river - He's a man of grass! - A shotgun for a deck chair - Shoot your neighbor - Aaaahhhh !!! - The last laugh - Dying, reviving and dying forever on the mountain

The grass men - That's my duck! - Silence, Dvorak! -Kill that fly - Eat grass - Walkie Talkies - Fly fishing - The fan episode - Tourists under the bridge - The boat has a life of its own! - An American Anthem - The Canoe Ride Some blond idiots - Photo! - Hit the partner - Buckets falling from the sky! - Hunting in the mountains - The car has spasms - A flying umbrella! - Kicks in the butt - The top of the mountain - Tire throwing - The car goes alone! To catch a wheel - The river - A Cordovan quartet - Conservative throw - The water wells - Combat with umbrella - Trap with towel - Hip break - Gomerazos - Some children in the river - Drowning Kill the partner - A heron in the waterfall - Cross the river - He's a man of grass! - A shotgun for a deck chair - Shoot your neighbor - Aaaahhhh !!! - The last laugh - Dying, reviving and dying forever on the mountain

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.

This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.

This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

The documentary registers with detail this first visit to Argentina. It's a meditation on the artistic and conceptual processes that Ai Weiwei needs to think of his art. The images dialogue between the director and his instagram, revealing an intimate side, close to the people.

The documentary registers with detail this first visit to Argentina. It's a meditation on the artistic and conceptual processes that Ai Weiwei needs to think of his art. The images dialogue between the director and his instagram, revealing an intimate side, close to the people.

Ale was a thief and the police shot him in a raid after he was betrayed. A puzzle of visual and testimonial elements takes us deep into this unsolved story. Based on a particular event, 
Orione faces us with situations we would rather not see.


The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…

The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…

The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…

Alfonso is exhausted after working and goes to the beach. He goes into the water and starts this fantastic journey through his different vacations in life, meeting old girlfriends, childhood friends, his daughter and his loneliness.

Подчеркнуто гипер-реалистичная история о жизни Мартина, мужчины за сорок, отчаянно одинокого и ищущего, через секс, компанию, чтобы провести время, от которого ничего не ждешь. Под гнетом постоянного одиночества, каждую ночь он находит мгновенные удовольствия в кокаине, алкоголе и оргиях.

In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.


Sound Design for Cinema in Argentina, by famous Sound Designers

Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.

Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.

Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.

Feminism, Victoria Benedictsson, Leandro N. Alem, the Radical Party in Argentina, suicide, stunts, Edgar Allan Poe, the complicated relationship between low-budget films with a political aim and the film industry, Robert Louis Stevenson, fiction, facts, greed, gold treasures left by the Jesuits in Argentina, the 19th Century vs. the contemporary and the search for truth and wisdom are the background for this portrait of a clash between a Swedish artist and an Argentine film director.

Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her. When she quits their ballet production and leaves, Loro looks for her in San Francisco, Argentina.

Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her. When she quits their ballet production and leaves, Loro looks for her in San Francisco, Argentina.

Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her. When she quits their ballet production and leaves, Loro looks for her in San Francisco, Argentina.

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

Argentina, the 70’s. One morning, several armed young men, dressed in military uniform, kidnap a Senior Army General and hide him in a modest cottage. There, without the hostage’s awareness of either the reason for his imprisonment or the people who planned it, the young kidnappers subject him to summary trial. In subsequent days, the military man will respond to an interrogation as severe as precise, that will lay bare the tense contradiction between two political and moral ideologies so incompatible that destruction surely awaits one of the opposite fields. The ending unveils a new chapter of a contemporary drama.

A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It and suddenly Luisa, who is playing Rosalinda, makes a bad decision.

Waiting alone for her boyfriend at a hotel, a woman starts paying attention to the mysterious behavior of some guests.

A fugitive, a fetishist and a detective walk through a mansion built in the 19th century on the banks of the River Plate. Within its walls, there are resonances, portraits of illustrious or unknown people, books, souvenirs, furniture from different periods and styles. At the heart of this secret order is a woman who has been portrayed throughout her life by painters of the Belle Epoque, by neoclassical sculptors, by avant-garde photographers. To reconstruct the history of these women, each of the visitors will create a fable, in which the essential names of the 20th-century culture are intertwined. Among the visitor to Victoria Ocampo's mansion we can mention the architect Le Corbusier, the composer Igor Stravinsky, the writers Graham Greene, Aldous Huxley, Waldo Frank, Albert Camus... You will also hear the whisper of two young writers cementing what will be a bond that will last for decades: Adolfo Bioy Casares and Jorge Luis Borges...

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Two women fall in love with the same man.

Two women fall in love with the same man.