Roland Schlimme

Dewayne Johnson, a Bay Area groundskeeper, suffered from rashes in 2014 and wondered if they were caused by the herbicide he'd been using for the past couple years. As his health deteriorated, Johnson became the face of a David-and-Goliath legal battle to hold a multi-national agrochemical corporation accountable for a product with allegedly misleading labelling.

Meat the Future ushers the viewer into a world vexed by the impacts of modern day industrial animal agriculture and zeros in on a solution-focused story. Revealing challenges and breakthroughs and posing a myriad of questions about the future, this 90-minute character-driven documentary explores the advent of real meat without the need to raise and slaughter animals. Spanning three years, Meat the Future chronicles the potentially game-changing birth of a new food industry referred to as “cell-based” “clean” and “cultured” meat – a term hotly debated as the industry approaches commercialization

Группа кинематографов побывала на шести континентах, чтобы изучить последствия воздействия деятельности человека на планету Земля.

A tale based on the mysterious traditions of the Shadow Nette Fishers of the Erie Valley. For the fisherman we meet here, only fate can decide whether his poses and gestures of virility will produce the result he so desires.

Through the heart and photographic lens of international photographer Jo-Anne McArthur, 
we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, 
the U.S. and in Europe. Each story is a window into global animal industries: 
Food, Fashion, Entertainment and Research.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.

Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.

Почему герой этой картины каждый день приходит в стриптиз-клуб «Экзотика» и приглашает за 5 долларов к своему столику одну и ту же танцовщицу, одетую под маленькую девочку в школьной форме. Фотография девочки в такой же форме висит у него дома, куда приходит бэбиситтер (нянька), тоже девочка, только постарше, посидеть с его дочерью, которая, как выясняется, уже два года, как покинула этот мир — она была убита.