Tomris Oğuzalp

A love affair threatened by a barrier as great as itself... Can differences of faith stand in the way of an innocent love affair? Two young people, Esma and Mustafa, fall in love. For them, the future only has meaning if they are together. Failing this, life is meaningless. However, overhanging their love is a barrier unique to the period and location: Mustafa is a clandestine Christian, when everyone including Esma thinks he is Muslim. In the meantime, the Ottoman Empire introduces a series of reforms giving Christians the same rights as Muslims. From this point on, the Church urges secret Christians to reveal their faith. This poses a dilemma for Mustafa: he is caught between his love and the Church.

Али и Решат привозят своего отца Ахмета, больного раком мозга, в Стамбул для прохождения курса химиотерапии. Ахмет, не желая больше выносить тяжелого курса лечения, сбегает из больницы и от своих детей и оказывается в доме престарелых. Жители дома престарелых, полагая, что Ахмет брошен своими детьми, настаивают на том, чтобы он остался. Ахмет, которому трудно разговаривать, соглашается с ситуацией. Али и Решат находят отца в доме престарелых, но видя, что он кажется счастливым, не противятся тому, чтобы он остался. То, что их отец проживет свои последние дни в спокойствии и счастье, гораздо важнее, чем лечение, которое может оказаться бесполезным, но причинит ему много боли. У каждого жителя дома престарелых есть своя история и своя личная драма. По мере того, как Ахмет узнает жизненные истории каждого из них, все они становятся ему еще ближе и дороже.

A Turkish watchmaker is employed to mend a village clock that has not worked for some seven years. However, what seems like a simple and un-exciting task is plunged into a web of mystery and intrigue when the watchmaker innocently witnesses the murder of a beautiful woman on his first day in the village.

Ahmet Celal, who was injured during the war, is in great pain and a young woman named Emine helps him and saves him and heals him. A stormy love breaks out in those scenes and the intrigued life of that love is worked out.

A civil servant in a small town, shunned by his family and his friends due to his lack of ambition, hits the jackpot in the national lottery. Not trusting anybody around him, he gradually starts to lose his mind.

Üftade is a young woman who lives with her parents and is constantly subjected to pressure from her stepfather. Her sister Azade, who had left the house many years ago, comes to visit the family one night with her husband and son Umur. Üftade and Umur start to spend most of their time together. However, as Umur gets to know his aunt, he will also become a partner in her secrets.

In the half-light of dawn, Halil falls down dead, murdered. His wife, Elmas, cries for justice, but, in fact, there will be no investigation. Life goes on for Elmas: during the day she works in the rice paddies with her little boy and, at night, she goes to catch frogs with the other villagers.

Sarı Zeybek is a 1953 biopic film written and directed by Münir Hayri Egeli. The film specifically showed the last 300 days of Mustafa Kemal's life and portrayed his ordinary human characteristics rather than his military prowess or political talents.