Tomris Oğuzalp

A love affair threatened by a barrier as great as itself... Can differences of faith stand in the way of an innocent love affair? Two young people, Esma and Mustafa, fall in love. For them, the future only has meaning if they are together. Failing this, life is meaningless. However, overhanging their love is a barrier unique to the period and location: Mustafa is a clandestine Christian, when everyone including Esma thinks he is Muslim. In the meantime, the Ottoman Empire introduces a series of reforms giving Christians the same rights as Muslims. From this point on, the Church urges secret Christians to reveal their faith. This poses a dilemma for Mustafa: he is caught between his love and the Church.

Beyaz Melek’ filmi; bir aşkın öyküsüdür.Bu aşk öyküsü, iki insanın birbirine duyduğu aşk değil, bir grup insanın hayata ve birbirlerine duyduğu aşkın ve sevginin hikayesidir.Filmde, doğudan batıya, mekteplisinden köylüsüne, gencinden yaşlısına sevginin her türlü motifi hem duygusal hem de esprili bir dille anlatılır.

A Turkish watchmaker is employed to mend a village clock that has not worked for some seven years. However, what seems like a simple and un-exciting task is plunged into a web of mystery and intrigue when the watchmaker innocently witnesses the murder of a beautiful woman on his first day in the village.

Ahmet Celal, who was injured during the war, is in great pain and a young woman named Emine helps him and saves him and heals him. A stormy love breaks out in those scenes and the intrigued life of that love is worked out.

A civil servant in a small town, shunned by his family and his friends due to his lack of ambition, hits the jackpot in the national lottery. Not trusting anybody around him, he gradually starts to lose his mind.

Üftade is a young woman who lives with her parents and is constantly subjected to pressure from her stepfather. Her sister Azade, who had left the house many years ago, comes to visit the family one night with her husband and son Umur. Üftade and Umur start to spend most of their time together. However, as Umur gets to know his aunt, he will also become a partner in her secrets.

In the half-light of dawn, Halil falls down dead, murdered. His wife, Elmas, cries for justice, but, in fact, there will be no investigation. Life goes on for Elmas: during the day she works in the rice paddies with her little boy and, at night, she goes to catch frogs with the other villagers.

Sarı Zeybek is a 1953 biopic film written and directed by Münir Hayri Egeli. The film specifically showed the last 300 days of Mustafa Kemal's life and portrayed his ordinary human characteristics rather than his military prowess or political talents.