Caroline Louise

Dayane suddenly leaves. Her mother Marluce, her sister Mariana and her fiancé Antônio stay. Between the incessant search, silent resignation and silent denial, this touching family drama from Ceará is located.

João, mounted on his horse Cruzeiro, and in the company of a wanderer named Tahiel, enters a large city in northeastern Brazil to face the one who took his lands and ended up with his family.

A terrified young woman is staring at a disturbing monstrosity, a kind of Pagan spirit that has sprung out of a river. Such is the opening scene of Pajeú, named after the creature, a fantastic character which follows the meanderings of the river and drives the story. Eager to get rid of a nightmare that is infecting her life, Maristela is looking into the story of Pajeú, the now forgotten figure buried in the depths of the city of Fortaleza. The film goes through successive urban transformations leading to the burying of Pajeú, a mystery imbued with supernatural elements.

Деузимар, владелица бара, грезит сбежать из мрачного, захудалого места, в котором она проработала всю жизнь. Cлучайное знакомство с моряком по имени Жарбас ставит её перед сложным выбором — остаться с любимым или пойти за мечтой.

The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.

Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.

In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.

Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.

An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.

A film about the city. A film about people. We are living at the beginning of the era of urban society. A new field still ignored and unknown. And the scenario for the future is not yet established.

A film about the city. A film about people. We are living at the beginning of the era of urban society. A new field still ignored and unknown. And the scenario for the future is not yet established.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

The cinematographic and literary versions of the same macabre plot are incorporated and establish tortuous relationships in an atmosphere where maintaining the mystery can be a matter of survival.