Paul Rodier

Michel Dolannes resigns from a major newspaper as a journalist to launch a new journal 'Le Cosmopolite' which reveals all kinds of shady deals.One day, he is killed but who is the killer?

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.

Тридцатиминутный короткометражный фильм, в котором Жак Тати демонстрирует искусство пантомимы группе студентов-энтузиастов. Среди выполненных пародий - пародия на теннисиста и наездника - эскизы, которые первоначально принесли Тати признание на сценах мюзик-холла в 1930-х годах.

Патриция невероятно устала от Антуана, своего 40-летнего обожателя, засыпающего ее дорогими подарками. Чтобы избавиться от него, она решает завести себе мужа, но только для платонических отношений. Эту роль Патриция предлагает молодому шоферу, который как раз доставил ей очередной подарок Антуана. Родители невесты, тяжело переживающие в это время неудачную покупку несуществующих нефтяных месторождений на берегах Ориноко, приходят в ужас от выбора дочери. Спокойная жизнь семейства превращается в сумасшедший дом.

Marching down the Italian peninsula to sack ancient Rome, Etruscan warrior Drusco instead offers to hold back his onslaught if the Romans hand over hostages, including Clelia, the sexy leader of a clan of woman warriors. But before long, intrigue and betrayal unravel the fragile peace. Directors Carlo Ludovico Bragaglia and Vittorio Cottafavi helm this vintage sword-and-sandal epic.

Юло приезжает погостить к двоюродному брату Арпелю, который работает управляющим на большой фабрике и полностью механизировал свой дом.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Alberto Spadolini, filmmaker and choreographer, dances to traditional Andalusian music. He pays tribute to the gypsy culture.