Jon Plazaola

Jon Plazaola

Рождение : 1982-03-08, Guipúzcoa - Spain

Профиль

Jon Plazaola

Фильмы

No es coma
José Ramón, victim of a serious accident, receives the visit of Agustín, who takes the opportunity to talk about old times.
The Little Switzerland
Gorka
The discovery of the tomb of William Tell’s son in a town in the Basque Country spurs the village's cantankerous citizens to lobby for Swiss annexation.
Окрестности Вильявисьосы
Carlos
Провинциальный городок Вильявисьосы взбудоражен, все обсуждают новость — выигрыш джекпота в самой популярной лотерее страны. Жители города судорожно пытаются узнать, кто же из местных горожан стал счастливым обладателем кругленькой суммы. Но счастливчик не выдает своей тайны вовсе не из-за боязни ограбления — просто в телевизионном эфире было объявлено место продажи счастливого лотерейного билета, и это был местный бордель. Понятно, что «счастливчик» теперь будет скрываться, ведь если об этой покупке узнает жена, ему несдобровать.
Tchaikovsky: The Queen of Spades - Gran Teatre del Liceu, Barcelona
Obsessive in gambling and in love, the soldier Hermann is the protagonist of Tchaikovsky’s Pique Dame, based on a story by Pushkin. He is smitten with the aristocratic Lisa and fixated on learning the winning secret of ‘the three cards’ from her grandmother, the Countess, played by iconic contralto Ewa Podles. This opulent production from Barcelona’s Liceu captures St Petersburg in the era of Catherine the Great, while the house’s Music Director Michael Boder conducts a large and impressive cast. Recorded at the Gran Teatre del Liceu, Barcelona, 30th June & 1st July 2010.
Norma
Flavio
NORMA tells the tragic story of a supposedly chaste druidic priestess, who is driven to murderous jealousy by her lover's inconstancy. But she forgoes vengeance, protects innocence, and sees to it that the guilty atone for their crimes. Fiorenza Cedolins, Sonia Ganassi, Vincenzo La Scola, and Andrea Papi star in this 2007 Gran Theatre Del Liceu/Grand Theatre de Geneve co-production of the Bellini opera.
Rigoletto
Matteo Borsa
In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.