Director
With a drug-addled lifestyle and a prison sentence firmly behind him, Abel is determined to go straight and stay clean... as soon as he's seen to one final heist. In the house that he burgles he comes across Elizabeth - rich, desperate, hopelessly addicted to a heroin and unconscious. Saving her from the clutched of an overdose, Abel stays out of compassion which eventually evolves into attraction. But when Abel takes on Elizabeth he also takes on her family. His resolution to go straight has to go on the back burner while he struggles against a drugs conspiracy that stretched from the slums of the East End to the Houses of Parliament.
Writer
Elphida is 30. She has been married for 13 years and has 3 children. She plans to restart her education when her youngest child goes to nursery. Then the nursery is closed. On top of this, her parents are contemplating divorce and want her to act as a go between.
Director
Elphida is 30. She has been married for 13 years and has 3 children. She plans to restart her education when her youngest child goes to nursery. Then the nursery is closed. On top of this, her parents are contemplating divorce and want her to act as a go between.
Writer
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting.
Director
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting.
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting.
