Karin Ono

Mishima Kiko was exploited by her own family. When she was little, her mother neglected her. After her mother remarried, Kiko was abused mentally and physically by her mother, stepfather, and younger stepbrother. She didn't belong to this family. Somehow, she disconnects from her family in Tokyo and moves to a seaside town in Oita. There, she meets a 13-year-old boy named Mushi. He has been abused by his mother and does not speak due to trauma from the abuse. Mushi reminds Kiko of herself when she was younger.

The anime industry of Japan is enormous, with 200 new TV shows and two trillion yen in revenue each year. For seven years, soft-spoken yet strong-willed Hitomi Saito has climbed the ranks, and is set to direct a series for the first time. At the same moment, the difficult but undeniably brilliant director Chiharu Oji is set to make his big comeback after almost a decade. The hit series that made Oji famous is what inspired Saito to jump into the anime field, and her goal is to match, and even surpass, his success and relevance. Her chance has arrived. Their two programs are both scheduled to debut in the same prime-time Saturday slot, and after Saito challenges her rival on stage at an anime convention, the two production teams each set out to outdo one another, because there can only be one number-one!

The year is 2020, the middle of the corona crisis. Art student Itsuka has her graduation exhibition canceled and must take home the piece which she had been working on for a year. In a whirlpool of emotions she clashes with her worried parents, her little sister overreacts to the virus and even her usually calm friend Hirai starts to build up frustration. In the middle of all that, she re-unites with Tanaka, who gave her the opportunity to absorb herself in painting, clashes with Hirai over their true feelings and tries to face her own future.

It depicts two high school girls trying to change the atmosphere of the world with their ideas by setting up a camera in the town and transmitting the footage via SNS.

Yoshihara Akihito had no particular goal and just managed to manage his daily life. One day, he happened to meet Ishikawa Eriko, who had a secret feeling in high school. Akihito decides to make a plan when he sees Eriko, who rejects all the past, "memories that he wants to change" and "memories that he wants to erase" that are revived by the reunion. To settle the abominable past for the two in high school. A straight and slightly bitter youth group story that depicts characters with a dark past facing each other desperately while being clumsy in order to repaint the memories of memories that turned away from their eyes as adults.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Apprentice chef Saori Nakagawa suddenly travels to Tokyo in 1964 to meet Ryuichi Kikuchi, a cook. From Kikuchi who devotes himself to cooking, Saori learns what is really important. The love of two people over 56 years.

Kotera (Haruka Kudo) is a high school student. She belongs to the school's climbing club and is enthusiastic with bouldering. She is polite and has a tender personality. Meanwhile, Kondo (Kentaro Ito) is a member of ping pong club at the same school and is attracted to Kotera.

What's most important in life always changes and goes away. Winter in 2009, Akiko Shimizu goes to high school in Tokyo as far from home as she can get in with her ability. She is in junior grade. She is always sleep deprived and cannot sleep at home. She goes to her grandma's house where she used to live together and falls asleep there. Akiko, in lack of sleep as usual, meets Yoshida in a train. Although she knows that they never understand each other, she falls in love with someone, spends some time together, and seperate. Even if it's been a mistake, Akiko Shimizu embraces the moment and falls asleep.

Following the comic series and the subsequent television serial of the same name, and featuring the same cast, a young and relatively inexperienced man comes across a woman during his working day and sparks fly.

Sota Nishino (Ryusei Yokohama) is a good looking high school student. He meets Mai who is his friend Yukihiro Nanase’s younger sister. She is also a high school student and somewhat naive. Sota Nishino mutters to Yukihiro Nanase "Your sister is cute." Mai overhears Sota's remark through the thin wall between her room and her brother's room.

Three days before a cultural festival, reliable heroine Hikari Sasaki suddenly quits the club. Left behind in the theater club are four sensitive girls, Saya Honjo, Aoi Fujisaki, Kurumi Nakahara and Mika Shinoda. The girls have relied on Hikari for such a long time, and are at a loss, with none of them interested in being the next heroine. Nobody has any desire to be a candidate, but without a leader for the theater club the manager Saya has the idea of having a secret ballot. But the result of the vote produces a shocking development.

The movie is made up of three parts. Cursing: A year has passed since Mari's (Mayu Hotta) mother died. She still misses her mom very much and feels loneliness without her. Her father decides to marry Asami Kamijo (Ayaka Komatsu) and he brings her to their house. Mysterious events take place. Waltz: A filming team goes to an abandoned mountain home to film a mockumentary. The director purposely avoided giving out a screenplay. The director tells his team that a tragedy will happen. A tragedy then occurs that the director did not expect. Ordinary Everyday: A teacher visits the home of his student who broke his arm. Secrets are revealed of the two-faced family there

A novelist receives a letter from a female university student named Kubo about strange sounds that emanate from a room in her apartment. They begin to investigate incidents involving former residents, and eventually discover the shocking truths lurking inside the building.

Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.

10 high school students including Yuka Kabayama are suddenly led to a room and must play the jinrou game. Yuka Kabayama has the jinrou card. She has to hide that fact and kill the players who have the citizens cards one by one. Yuka Kabayama gets excited by her situation.

Tamotsu Inukai is a married middle-aged man with a wife, daughter and son. Mr. Inukai has a strong dislike for dogs, but while he is working on the island his family takes in a Samoyed dog to fill in the father's absence, the family decides to raise the dog. At first Mr. Inukai opposes the family taking the dog in, but he can't persuade his family to abandon the dog. When Mr. Inukai arrives back in Tokyo, he now has to has to live with the Samoyed dog. Can he?

When eight men are assigned to live 14,000 kilometers from home in inhumanly cold conditions, food becomes their new existence.

Toho university hospital has established an outstanding coronary surgery team under the leadership of a up and coming, star, U.S. trained surgeon that specializes in the highly risky "Batista" procedure to shrink the size of enlarged hearts. Normally this procedure has only a 60% success rate, but "Team Batista" has achieved a run of 26 straight successes....when suddenly 3 patients in a row die on the operating table. Very disturbed, the lead surgeon requests an independent investigation. The hospital turns to Dr. Taguchi who is a specialist in psychosomatic disorders who is shocked to at the assignment because she knows nothing in particular about surgery. Assured, however, that this very lack of insider specialized knowledge is in fact the "objectivity" required, she diligently begins to investigate in her own polite, but persistent manner.