Kamila Andini

Birth and death occur when the devil's horns rise. The terror of waiting for the birth of a child from a pre-pregnant marriage and the 14 day wait for death due to an implant that had not been removed.

Marni, 35 years old, a village woman who is very happy because she was accepted to work at the Merapi Theatre. After just a week of work, cinemas are closed due to the pandemic. Employees were mowed down, sails had to be lowered. Cinema for sale. This is a story about how Marni tries to maintain the only screen in the cinema with all her efforts.

Для Индонезии 1960-е годы были временем неудачных госпереворотов и расправ над коммунистами. Семью Наны они не обошли стороной - ее мужа похитили и увезли в лес. И хотя сама она после этого смогла избежать насильного брака, тогда этот инцидент стоил ее отцу жизни и довел саму Нану до нищеты. Несколько лет спустя она безбедно живет в качестве второй жены богатого сунданца. Но прошлое возвращается к ней во снах.

Для Индонезии 1960-е годы были временем неудачных госпереворотов и расправ над коммунистами. Семью Наны они не обошли стороной - ее мужа похитили и увезли в лес. И хотя сама она после этого смогла избежать насильного брака, тогда этот инцидент стоил ее отцу жизни и довел саму Нану до нищеты. Несколько лет спустя она безбедно живет в качестве второй жены богатого сунданца. Но прошлое возвращается к ней во снах.

A story of childhood memories, love, and family. A story where Honda plays a part in every twist and turn as a family journeys through life, where childhood friends find true love only to find that fate seems to have other plans...

In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.

In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.

Manga creator Tsukasa Hojo's debut live-action film. 'Angel Sign' is Hojo's debut as a director, which is made by editing a number of short films into one movie. Hojo directs the "Prologue" and "Epilogue" stories, while a different director will handle each of the other stories, which were selected in Silent Manga Audition. All the stories will have no spoken lines, and will only have video and music.

Since his father died, Gimba did not want to get away from his mother, while his mother feels that her health is getting worsen. One day, Gimba was left in a hut by his mother. Gimba also realized that his mother was gone too long.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

A mother tries to leave her memory of being a victim during the war in Timor Leste. A daughter tries to secure herself under a marriage. They are trying to find the real meaning of freedom. Maria is one of the female victims of sexual violence in Timor Leste in their dark years of independence. She sees that such possibility can happen as well to Flora just because of a bride price.

A mother tries to leave her memory of being a victim during the war in Timor Leste. A daughter tries to secure herself under a marriage. They are trying to find the real meaning of freedom. Maria is one of the female victims of sexual violence in Timor Leste in their dark years of independence. She sees that such possibility can happen as well to Flora just because of a bride price.

A cheerful yet serious Indonesian Romeo and Juliet. A boy and a girl from the same district, but with difficult childhoods and other reasons not to acknowledge their love. Through the colourful and musical retro style - the 1970s came late to Indonesia - shines a chaotic political and social era.

When Diana’s husband returns home one night with big news—he has taken on a second wife, and expects Diana to live in harmony with the situation—she does what is least expected and plans to make a life on her terms.

When Diana’s husband returns home one night with big news—he has taken on a second wife, and expects Diana to live in harmony with the situation—she does what is least expected and plans to make a life on her terms.

A small island is inhabited by members of the Bajo tribe, a nomadic fishing community of the Wakatobi Islands. After her father is lost at sea, twelve-year-old Pakis keeps treasuring the mirror he gave her, hoping that (according to Bajo belief) he will return and appear reflected in it. Then a young man comes into her life, threatening conflict between Pakis and her mother.

A dance film that explores the role of women in the domestic space.