Screenplay
Seventeen-year-old Jeff is invited by his friend Max’s family to stay at the wilderness lodge of film director Blake Cadieux.
Director
Seventeen-year-old Jeff is invited by his friend Max’s family to stay at the wilderness lodge of film director Blake Cadieux.
Writer
Гийом учится в закрытой школе, по ночам читает Сэлинджера, а на уроках артистично пародирует своих учителей и одноклассников. Он молодой бунтарь и чувствует себя одиноко везде, где действует закон большинства. Его лучший друг Николя — местный ловелас, избалованный женским вниманием и не распознающий знаки подлинного чувства. Сестра Гийома Шарлотт вроде бы идеально вписана в социальную среду, но теряет себя после того, как ее бойфренд предлагает открытые отношения...
Director
Гийом учится в закрытой школе, по ночам читает Сэлинджера, а на уроках артистично пародирует своих учителей и одноклассников. Он молодой бунтарь и чувствует себя одиноко везде, где действует закон большинства. Его лучший друг Николя — местный ловелас, избалованный женским вниманием и не распознающий знаки подлинного чувства. Сестра Гийома Шарлотт вроде бы идеально вписана в социальную среду, но теряет себя после того, как ее бойфренд предлагает открытые отношения...
Writer
Autumn, somewhere in Copenhagen: a pair of students, Emil and Victoria, can’t make their relationship work but can’t quite break up either. Philippe, who has just lost his job as a professor in a film school, followed by his apartment, can’t cope with the way his affair with a young literature student ended and now he’s crashing with some of his old students, including Emil. Naturally, he soon meets Victoria.
Autumn, somewhere in Copenhagen: a pair of students, Emil and Victoria, can’t make their relationship work but can’t quite break up either. Philippe, who has just lost his job as a professor in a film school, followed by his apartment, can’t cope with the way his affair with a young literature student ended and now he’s crashing with some of his old students, including Emil. Naturally, he soon meets Victoria.
Director
Autumn, somewhere in Copenhagen: a pair of students, Emil and Victoria, can’t make their relationship work but can’t quite break up either. Philippe, who has just lost his job as a professor in a film school, followed by his apartment, can’t cope with the way his affair with a young literature student ended and now he’s crashing with some of his old students, including Emil. Naturally, he soon meets Victoria.
Screenplay
Десятилетний Феликс живет со своими родителями в уютном пригороде Монреаля. Для него и его друзей заканчивается очередной учебный год — впереди летние каникулы. Но после того, как ему рассказали, что в окрестностях появился маньяк, который похищает и убивает детей, у Феликса возникает чувство тревоги.
Director
Десятилетний Феликс живет со своими родителями в уютном пригороде Монреаля. Для него и его друзей заканчивается очередной учебный год — впереди летние каникулы. Но после того, как ему рассказали, что в окрестностях появился маньяк, который похищает и убивает детей, у Феликса возникает чувство тревоги.
Director
Writer
Hotel-Dieu Hospital in Montreal, one of the oldest in North America. In the emergency ward, patients await their diagnosis, foreshadowed by the most personal questions from doctors. Others don't have the luxury of worrying about such things. They suffer in pain, fight to live or simply want it all to end, despairing at the body's inability to do what it's supposed to. We cannot face disease, much less face those who suffer from it. But what's left of the human once laid out on the operating table, dreading bad news or anticipating the end? Something moving, feeling, loving. The heart that beats.
Cinematography
Hotel-Dieu Hospital in Montreal, one of the oldest in North America. In the emergency ward, patients await their diagnosis, foreshadowed by the most personal questions from doctors. Others don't have the luxury of worrying about such things. They suffer in pain, fight to live or simply want it all to end, despairing at the body's inability to do what it's supposed to. We cannot face disease, much less face those who suffer from it. But what's left of the human once laid out on the operating table, dreading bad news or anticipating the end? Something moving, feeling, loving. The heart that beats.
Director
Hotel-Dieu Hospital in Montreal, one of the oldest in North America. In the emergency ward, patients await their diagnosis, foreshadowed by the most personal questions from doctors. Others don't have the luxury of worrying about such things. They suffer in pain, fight to live or simply want it all to end, despairing at the body's inability to do what it's supposed to. We cannot face disease, much less face those who suffer from it. But what's left of the human once laid out on the operating table, dreading bad news or anticipating the end? Something moving, feeling, loving. The heart that beats.
