Martín Farina
Рождение : 1982-01-01, Buenos Aires, Argentina
Music
Sound
Editor
Director of Photography
Writer
Director
Sound
The carnival is coming soon. We witness the ritual of “cleaning the meat” performed by the “gauchos” who unfold their knives. The bucolic landscape mixes with the city streets. Slowly, everything fills with colour, feathers and semi-naked men. Face masks begin to cover the faces and alcohol disinhibit the bodies.
Director of Photography
The carnival is coming soon. We witness the ritual of “cleaning the meat” performed by the “gauchos” who unfold their knives. The bucolic landscape mixes with the city streets. Slowly, everything fills with colour, feathers and semi-naked men. Face masks begin to cover the faces and alcohol disinhibit the bodies.
Producer
The carnival is coming soon. We witness the ritual of “cleaning the meat” performed by the “gauchos” who unfold their knives. The bucolic landscape mixes with the city streets. Slowly, everything fills with colour, feathers and semi-naked men. Face masks begin to cover the faces and alcohol disinhibit the bodies.
Editor
The carnival is coming soon. We witness the ritual of “cleaning the meat” performed by the “gauchos” who unfold their knives. The bucolic landscape mixes with the city streets. Slowly, everything fills with colour, feathers and semi-naked men. Face masks begin to cover the faces and alcohol disinhibit the bodies.
Screenplay
The carnival is coming soon. We witness the ritual of “cleaning the meat” performed by the “gauchos” who unfold their knives. The bucolic landscape mixes with the city streets. Slowly, everything fills with colour, feathers and semi-naked men. Face masks begin to cover the faces and alcohol disinhibit the bodies.
Director
The carnival is coming soon. We witness the ritual of “cleaning the meat” performed by the “gauchos” who unfold their knives. The bucolic landscape mixes with the city streets. Slowly, everything fills with colour, feathers and semi-naked men. Face masks begin to cover the faces and alcohol disinhibit the bodies.
Director
Francisco and Sol were raised outside the system, in a religious community called La Familia Internacional. In an attempt to free their voice and reconfigure the puzzle of subjectivity, the recovery of the past through memories allows to bring up events that had been previously denied.
Writer
Francisco and Sol were raised outside the system, in a religious community called La Familia Internacional. In an attempt to free their voice and reconfigure the puzzle of subjectivity, the recovery of the past through memories allows to bring up events that had been previously denied.
Producer
Francisco and Sol were raised outside the system, in a religious community called La Familia Internacional. In an attempt to free their voice and reconfigure the puzzle of subjectivity, the recovery of the past through memories allows to bring up events that had been previously denied.
Editor
Francisco and Sol were raised outside the system, in a religious community called La Familia Internacional. In an attempt to free their voice and reconfigure the puzzle of subjectivity, the recovery of the past through memories allows to bring up events that had been previously denied.
Director of Photography
Francisco and Sol were raised outside the system, in a religious community called La Familia Internacional. In an attempt to free their voice and reconfigure the puzzle of subjectivity, the recovery of the past through memories allows to bring up events that had been previously denied.
Producer
Карнавал изображен с живописной точностью и живостью. В фильме показан не сам парад, а подготовка к нему, ожидания, последние часы перед событием, когда тела преображаются. Фильм превращает канун события в источник тайны и визуального волнения.
Executive Producer
Карнавал изображен с живописной точностью и живостью. В фильме показан не сам парад, а подготовка к нему, ожидания, последние часы перед событием, когда тела преображаются. Фильм превращает канун события в источник тайны и визуального волнения.
Director of Photography
Карнавал изображен с живописной точностью и живостью. В фильме показан не сам парад, а подготовка к нему, ожидания, последние часы перед событием, когда тела преображаются. Фильм превращает канун события в источник тайны и визуального волнения.
Editor
Карнавал изображен с живописной точностью и живостью. В фильме показан не сам парад, а подготовка к нему, ожидания, последние часы перед событием, когда тела преображаются. Фильм превращает канун события в источник тайны и визуального волнения.
Writer
Карнавал изображен с живописной точностью и живостью. В фильме показан не сам парад, а подготовка к нему, ожидания, последние часы перед событием, когда тела преображаются. Фильм превращает канун события в источник тайны и визуального волнения.
Editor
Tonight is the monthly meeting of the 75s graduates class. The conversation flows until it suddenly acquires an aggressive tone when they discuss the continuity of some members of the Whatsapp group who don't participate much.
Director of Photography
Tonight is the monthly meeting of the 75s graduates class. The conversation flows until it suddenly acquires an aggressive tone when they discuss the continuity of some members of the Whatsapp group who don't participate much.
Producer
Tonight is the monthly meeting of the 75s graduates class. The conversation flows until it suddenly acquires an aggressive tone when they discuss the continuity of some members of the Whatsapp group who don't participate much.
Writer
Tonight is the monthly meeting of the 75s graduates class. The conversation flows until it suddenly acquires an aggressive tone when they discuss the continuity of some members of the Whatsapp group who don't participate much.
Director
Tonight is the monthly meeting of the 75s graduates class. The conversation flows until it suddenly acquires an aggressive tone when they discuss the continuity of some members of the Whatsapp group who don't participate much.
Director
The death of the Markus family mother awakens a rift in the relationship between the five siblings and the father of the family.
Director of Photography
It's three o'clock in the afternoon of an August Friday in the province of Corrientes. A few weeks before embarking on their graduation trip, a group of students in the last year of high school meets after school to decide who will receive the free trip to go to Bariloche.
Editor
It's three o'clock in the afternoon of an August Friday in the province of Corrientes. A few weeks before embarking on their graduation trip, a group of students in the last year of high school meets after school to decide who will receive the free trip to go to Bariloche.
Writer
It's three o'clock in the afternoon of an August Friday in the province of Corrientes. A few weeks before embarking on their graduation trip, a group of students in the last year of high school meets after school to decide who will receive the free trip to go to Bariloche.
Director
It's three o'clock in the afternoon of an August Friday in the province of Corrientes. A few weeks before embarking on their graduation trip, a group of students in the last year of high school meets after school to decide who will receive the free trip to go to Bariloche.
Editor
Esther Diaz discovers her own self & transgenerational sex attraction late in life. While « exploring » and after she decides to study again and gets a PhD with distinction. She acts and narrates her own true story and experience with a touch of subjective fiction.
Cinematography
Esther Diaz discovers her own self & transgenerational sex attraction late in life. While « exploring » and after she decides to study again and gets a PhD with distinction. She acts and narrates her own true story and experience with a touch of subjective fiction.
Producer
Esther Diaz discovers her own self & transgenerational sex attraction late in life. While « exploring » and after she decides to study again and gets a PhD with distinction. She acts and narrates her own true story and experience with a touch of subjective fiction.
Director
Esther Diaz discovers her own self & transgenerational sex attraction late in life. While « exploring » and after she decides to study again and gets a PhD with distinction. She acts and narrates her own true story and experience with a touch of subjective fiction.
Editor
Francisco Cruzans is a young man from Buenos Aires suburbs, who was filmed from his first days of life and for more than 25 years, until today. From there, an archive that links him to his maternal family, stands out for the frustrations and longings of parents, grandparents and great-grandparents to carry out the original desire to form a family.
Cinematography
Francisco Cruzans is a young man from Buenos Aires suburbs, who was filmed from his first days of life and for more than 25 years, until today. From there, an archive that links him to his maternal family, stands out for the frustrations and longings of parents, grandparents and great-grandparents to carry out the original desire to form a family.
Producer
Francisco Cruzans is a young man from Buenos Aires suburbs, who was filmed from his first days of life and for more than 25 years, until today. From there, an archive that links him to his maternal family, stands out for the frustrations and longings of parents, grandparents and great-grandparents to carry out the original desire to form a family.
Writer
Francisco Cruzans is a young man from Buenos Aires suburbs, who was filmed from his first days of life and for more than 25 years, until today. From there, an archive that links him to his maternal family, stands out for the frustrations and longings of parents, grandparents and great-grandparents to carry out the original desire to form a family.
Director
Francisco Cruzans is a young man from Buenos Aires suburbs, who was filmed from his first days of life and for more than 25 years, until today. From there, an archive that links him to his maternal family, stands out for the frustrations and longings of parents, grandparents and great-grandparents to carry out the original desire to form a family.
Director
Raúl Perrone does not usually allow people to register his work. It represents an act of intimacy. However, Martín earns his trust and is allowed to take part in the shooting. Perrone's process of filmmaking becomes a testimony of both his role as a film director and a human being with his lights and shadows.
Assistant Editor
Фернандо проводит отпуск с друзьями в доме отдыха в Эсейса. Они плавают в бассейне, пьют, курят и раскрывают свои самые глубокие тайны игриво и свободно, как дети в летнем лагере.
Producer
Фернандо проводит отпуск с друзьями в доме отдыха в Эсейса. Они плавают в бассейне, пьют, курят и раскрывают свои самые глубокие тайны игриво и свободно, как дети в летнем лагере.
Cinematography
Фернандо проводит отпуск с друзьями в доме отдыха в Эсейса. Они плавают в бассейне, пьют, курят и раскрывают свои самые глубокие тайны игриво и свободно, как дети в летнем лагере.
Director
Фернандо проводит отпуск с друзьями в доме отдыха в Эсейса. Они плавают в бассейне, пьют, курят и раскрывают свои самые глубокие тайны игриво и свободно, как дети в летнем лагере.
Self
The relationship between Martín, the filmmaker, and Mariano, a country man from the south of Argentina.
Director
The relationship between Martín, the filmmaker, and Mariano, a country man from the south of Argentina.
Editor
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera.
Executive Producer
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera.
Cinematography
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera.
Writer
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera.
Director
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera.
