Producer
After being neglected by her mother, a little girl is taken in by her uncle and his transgender girlfriend, who create a loving home for her.
Producer
Minako (TANAKA Yuko), begins her day running up and down the hills of her hometown delivering milk door to door. When that's done, she heads to her day job as a supermarket cashier. Minako is 50 and single. In one of the houses to which she delivers milk is a man with whom she has secretly been in love since high school. The man, Keita (KISHIBE Ittoku), lives with his wife Yoko, who is terminally ill. Caring for her at home, he works in the children's affairs section of the local municipal office. Though he insists that he wants nothing more than an "ordinary" existence, his life is in turmoil below the surface. The director uses a variety of narrative devises to portray the loneliness, isolation, and hope of these people who have seemingly allowed their goals and dreams to slip away, whilst keeping them agonizingly close to hand.
Producer
Natsuko's co-worker Etsuko asks her how she feels about men. "Not for me," she says, "I won't degrade myself." Based on an actual newspaper story, Afternoon Breezes presents Natsuko's repressed lesbianism as a crush which evolves into an obsession with her roommate Mitsu.
Assistant Director
This is Yamakawa's first feature film in 16mm. A group of university students who grew up in an era of rapid economic growth yearn for "another side" of life as they face romantic conflicts and the suicide of a fellow student.
Assistant Director
The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.
Writer
The first 16mm film to depict the terrorism and betrayal of a public security spy, set against a backdrop of internal strife. One of the origins of Nagasaki's work.
